A psychic in despair. A series of frightening visions. Will a teenager stake her life on discovering her destiny? Marvel Harris is through with being psychic. What’s the point when no one believes her predictions? But when disturbing visions reveal her cousin’s life is in danger, Marvel is compelled to act. Forced to trust her supernatural ability, Marvel teams up with her friend, Noa to track down her missing cousin. Determined to unravel the mystery behind his disappearance, Marvel pieces together clues, leading her further into danger and to a final deadly confrontation. Is the psychic world protecting Marvel or is it her fate to die? Believing In Marvels is Sarah M Bailey’s debut novel. Featuring a strong-willed teen on a quest for justice, this fast-paced YA supernatural thriller is a page-turning read you don’t want to miss. Strap yourself in for the ride and read Believing In Marvels today!
"Marvel Harris is through with being psychic. What's the point when no one believes her predictions? But when disturbing visions reveal her cousin's life is in danger, Marvel is compelled to act. Forced to trust her supernatural ability, Marvel teams up with her friend, Noa to track down her missing cousin. Determined to unravel the mystery behind his disappearance, Marvel pieces together clues, leading her further into danger and to a final deadly confrontation. Is the psychic world protecting Marvel or is it her fate to die?"--Author's website.
What makes someone a hero? In the early 1960's, the image of a superhero was someone with a square jaw, a muscular build, and a quick smile whose biggest personal problem was trying to keep their girlfriends from guessing their secret identities. Then writer Stan Lee and artists Jack Kirby and Steve Ditko created a group of superheroes who revolutionized comics. These heroes, including The Fantastic Four, The Incredible Hulk, Spider-man, The X-men, Iron Man, Captain America and others, were not perfect heroes living in a perfect world, but fallible people with physical ailments and personal problems like our own. While the authors and artists who created them did not intend to write explicitly religious stories, their tales of imperfect heroes who try to do the right thing despite the many challenges they face, provide us with the opportunity to reflect on our own faith journeys as we strive to live heroic lives in the real world. Each chapter reflects on the heroes' most famous adventures and discusses the ways in which we are called to overcome many of the same obstacles they face as we strive to carry out the ministries to which God calls us. Each chapter ends with questions for reflection or group study.
In Theology and the Marvel Universe, fourteen contributors examine theological themes and ideas in the comic books, television shows, and films that make up the grand narrative of the Marvel Universe. Engaging in dialogue with theological thinkers such as Willie James Jennings, Franz Rosenzweig, Søren Kierkegaard, René Girard, Kelly Brown Douglas, and many others, the chapters explore a wide variety of topics, including violence, sacrifice, colonialism, Israeli-Palestinian relations, virtue ethics, character formation, identity formation, and mythic reinvention. This book demonstrates that the stories of Thor, Daredevil, Sabra, Spider-Man, Jessica Jones, Thanos, Luke Cage, and others engage not just our imagination, but our theological imagination as well.
Pulitzer-prize nominee and English professor Garrett explores the deeper side of comic books--and the motion pictures they inspire--for the lessons they can teach readers about faith, justice, and redemption.
In this remarkable book, Douglas Wolk brings to life an October evening in 1962, at the Apollo Theatre in Harlem – an evening at the height of Cold War tensions. In great detail, Wolk pieces together what took place (and what was recorded) that night, and illustrates beautifully the enduring power of one of James Brown's – and popular music's – defining moments: Live at the Apollo.
Winner of the 2022 Eisner Award for Best Comics-Related Book The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.
As a young reader, the author found Marvel Comics (circa 1977) to be examples of popular myths that were just as educational as our commonly accepted institutional myths, but even more compelling. As examples of stories that inform every facet of our lives, comics can equal these other stories. In 1977, the author was reading comics, but also surrounded by myths of religion, history, culture, and neighborhood.
Collects History Of The Marvel Universe #1-6. It’s the greatest tale ever told — and you’ve never seen it like this! Writer Mark Waid and artist Javier Rodríguez weave together a sprawling, interconnected web of stories into one seamless narrative that takes you from the dawn of the Marvel Universe all the way to its end! Far more than a collection of moments you may already know, this is a new tale featuring previously unknown secrets and shocking revelations, connecting dozens of threads from Marvel’s past and present! From the Big Bang to the twilight of existence, this sweeping saga covers every significant Marvel event, providing fresh looks at characters of all eras!
The final installment in Shandril’s Saga sees the fledgling spellfire-mage get one more chance to escape those who wish to claim her power All Shandril Shessair ever wanted was a taste of adventure—but she received much more than a mere taste. Now the wielder of a rare magic that could destroy the world, Shandril has enemies watching her every move, devising ways they can steal her power. Chased across the Realms by wizards, warriors, and priests more evil than she can imagine, Shandril’s last hope is to find refuge in the city of Silverymoon. The Gem of the North is known far and wide for its magic—and for being a sanctuary for those who use their power for good. If Shandril can just make it to the city's gates, will she finally be saved?
