Join nine-year-old Hubaldo Romero Paez in Venezuela as he introduces his friends, his family, and his favorite sport-baseball. Complemented by a map and an English-Spanish baseball glossary, Hubaldo's story is an inviting introduction to a foreign land viewed through the lens of a shared passion. "This dynamic sports photo-essay will be fun for sports fans and effective for social studies units."-Booklist
In Chicana/o popular culture, nothing signifies the working class, highly-layered, textured, and metaphoric sensibility known as "rasquache aesthetic" more than black velvet art. The essays in this volume examine that aesthetic by looking at icons, heroes, cultural myths, popular rituals, and border issues as they are expressed in a variety of ways. The contributors dialectically engage methods of popular cultural studies with discourses of gender, sexuality, identity politics, representation, and cultural production. In addition to a hagiography of "locas santas," the book includes studies of the sexual politics of early Chicana activists in the Chicano youth movement, the representation of Latina bodies in popular magazines, the stereotypical renderings of recipe books and calendar art, the ritual performance of Mexican femaleness in the quinceañera, and mediums through which Chicano masculinity is measured.
Freighted with meaning, “el barrio” is both place and metaphor for Latino populations in the United States. Though it has symbolized both marginalization and robust and empowered communities, the construct of el barrio has often reproduced static understandings of Latino life; they fail to account for recent demographic shifts in urban centers such as New York, Chicago, Miami, and Los Angeles, and in areas outside of these historic communities. Beyond El Barrio features new scholarship that critically interrogates how Latinos are portrayed in media, public policy and popular culture, as well as the material conditions in which different Latina/o groups build meaningful communities both within and across national affiliations. Drawing from history, media studies, cultural studies, and anthropology, the contributors illustrate how despite the hypervisibility of Latinos and Latin American immigrants in recent political debates and popular culture, the daily lives of America’s new “majority minority” remain largely invisible and mischaracterized. Taken together, these essays provide analyses that not only defy stubborn stereotypes, but also present novel narratives of Latina/o communities that do not fit within recognizable categories. In this way, this book helps us to move “beyond el barrio”: beyond stereotype and stigmatizing tropes, as well as nostalgic and uncritical portraits of complex and heterogeneous range of Latina/o lives.
Images of Baseball: Mexican American Baseball in Los Angeles celebrates the flourishing culture of the great pastime in East Los Angeles and other communities where a strong sense of Mexican identity and pride was fostered in a sporting atmosphere of both fierce athleticism and social celebration. From 1900, with the establishment of the Mexican immigrant community, to the rise of Fernandomania in the 1980s, baseball diamonds in greater Los Angeles were both proving grounds for youth as they entered their educations and careers, and the foundation for the talented Forty-Sixty Club, comprised of players of at least 40, and often over 60, years of age. These evocative photographs look back on the great Mexican American teams and players of the 20th century, including the famous Chorizeros--the proclaimed "Yankees of East L.A."
Images of Baseball: Mexican American Baseball in Orange County celebrates the once-vibrant culture of baseball and softball teams from Placentia, Anaheim, Santa Ana, Westminster, San Juan Capistrano, and nearby towns. Baseball allowed men and women to showcase their athletic and leadership skills, engaged family members, and enabled community members to develop social and political networks. Players from the barrios and colonias of La Fábrica, Campo Colorado, La Jolla, Logan, Cypress Street, El Modena, and La Colonia Independencia, among others, affirmed their Mexican and American identities through their sport. Such legendary teams as the Placentia Merchants, the Juveniles of La Habra, the Lionettes de Orange, the Toreros of Westminster, and the Road Kings of Colonia 17th made weekends memorable. Players and their families helped create the economic backbone and wealth evident in Orange County today. This book sheds light on powerful images and stories of the Mexican American community.
Since Cuba's Esteban Bellan made his debut for the Troy Haymakers of the National Association in 1871, Latin Americans have played a large role in the major leagues. Nearly 15 percent of big league rosters are made up of Latinos, while the region's colorful and competitive winter leagues have been a proving ground for up-and-coming major league players and managers. Early Latin American stars were barred purely because of the color of their skin from playing in the major leagues. Players such as Jose Mendez and Martin Dihigo (the only player elected to the U.S., Cuban and Mexican halls of fame) made their marks on the Negro Leagues, turning the leagues' barnstorming tours into major attractions in many Caribbean countries. This history of the players and events that make up the rich tradition of Latin American baseball gives a unique insight to this long-neglected area of baseball.
Though Venezuela is sandwiched between two soccer-mad countries Brazil and Colombia baseball is its national pastime and passion. Yet until the late 1980s few professional teams actively scouted and developed players there. This book is about the man who changed all that and brought Venezuela into Major League Baseball in a major way. While other teams were looking to the Dominican Republic for new talent, Houston Astros' scout Andrés Reiner saw an untapped niche in Venezuela. Venezuelan Bust, Baseball Boom recounts how, over the next fifteen years, Reiner signed nearly one hundred players, nineteen of whom reached the majors. The stories of these players among them Bobby Abreu, Johán Santana, Melvin Mora, Carlos Guillén, and Freddy García are interwoven with Reiner s own, together creating a fascinating portrait of a curious character in the annals of sports and a richly textured picture of the opening of Venezuela as baseball s new frontier. Countless interviews broaden and deepen the story s insights into how the scouting system works, how Reiner worked within it, and how his efforts have affected the sport of baseball in Venezuela and the significance of Venezuela in the world of Major League Baseball.
During the advent of Chicano teatro, dozens of groups sprang up across the country in Chicano/a communities. Since then, teatristas have been leading voices in the creation and production of plays touching minds and hearts that galvanize audiences to action. Barrio Dreams is the first book to collect the work of one of Arizona’s foremost teatristas, playwright Silviana Wood. During her decades-long involvement in theater, Wood forged a reputation as a playwright, actor, director, and activist. Her works form a testimonio of Chicana life, steeped in art, politics, and the borderlands. Wood’s plays challenge, question, and incite women to consider their lot in life. She ruptures stereotypes and raises awareness of social issues via humor and with an emphasis on the use of the physical body on stage. The play Una vez, en un barrio de sueños . . . offers a glimpse into familiar terrain—the barrio and its dwellers—in three actos. In Amor de hija, a fraught mother-daughter relationship in contemporary working-class Arizona is dealt an additional blow as the family faces Alzheimer’s disease. In the tragedy A Drunkard’s Tale of Melted Wings and Memories, and in the trilingual (Spanish, English, and Yaqui) tragicomedy Yo, Casimiro Flores, characters love, live, die, travel through time and space, and visit the afterlife. And in Anhelos por Oaxaca, a grandfather travels back in time through flashbacks, as he and his grandson travel through homelands from Arizona to Oaxaca. Part of Wood’s genius is the way she portrays life in what Gloria Anzaldúa called “el mundo zurdo,” that space inhabited by the people of color, the poor, the female, and the outsiders. It is a place for the atravesados, the odd, the different, those who do not fit the mainstream. The people who inhabit Wood’s plays are common folk—janitors, mothers, grandmothers, and teenagers—hardworking people who, in one way or another, have made their way in life and who embody life in the barrio.
Mexican American Baseball in East Los Angeles highlights the unforgettable teams, players, and coaches who graced the hallowed fields of East Los Angeles between 1917 and 2016 and brought immense joy and honor to their neighborhoods. Off the field, these players and their families helped create the multibillion-dollar wealth that depended on their backbreaking labor. More than a game, baseball and softball were political instruments designed to promote and empower civil, political, cultural, and gender rights, confronting head-on the reactionary forces of prejudice, intolerance, sexism, and xenophobia. A century later, baseball and softball are more popular than ever in East Los Angeles. Dedicated coaches still produce gifted players and future community leaders. These breathtaking photographs and heartfelt stories shed unparalleled light to the long and rich history of baseball and softball in the largest Mexican American community in the United States.
