Beijing Comrades is the story of a torrid love affair set against the socio-political unrest of late-eighties China. Due to its depiction of gay sexuality and its critique of the totalitarian government, it was originally published anonymously on an underground gay website within mainland China. This riveting and heart-breaking novel, circulated throughout China in 1998, quickly developed a cult following and remains a central work of queer literature from the People's Republic. This is the first English-language translation.
The sensational underground novel of homosexuality in late-1980s China that’s been declared “one of the most significant Chinese novels of our time” (The New York Times). When Handong, the ruthless, wealthy son of Communist party officials, is introduced to Lan Yu, a naïve, working-class architecture student, the attraction between the two young men is instant and all-consuming. Despite their very different lives, they spend their nights together, establishing a deep connection. But when their loyalties are tested, Handong is left questioning his secrets, his choices, and his very identity . . . Beijing Comrades is the story of a tumultuous love affair set against the sociopolitical unrest of late-eighties China. Due to its depiction of gay sexuality and its critique of the totalitarian government, it was originally published anonymously on an illegal gay-themed website within mainland China. This riveting and heartbreaking novel quickly developed a cult following, and remains “a meaningful excavation of homophobia and daily life in a rapidly changing China,” and “a traditional story of forbidden love in all the most classic, wonderful, and devastating ways” (Publishers Weekly, starred review).
Hoping to make amends, Wong returns to Beijing to find the classmate she betrayed during the Cultural Revolution. As she traces her way from one former comrade to the next, Wong unearths not only the fate of the woman she is searching for but a web of fates that mirrors the dramatic journey of contemporary China.
These 21 dynamic articles by Chinese women scholars explore the limitations on women's lives in premodern China, detail their involvement in the great political movements of the 20th century and examine how new laws have improved women's status, yet have left them open to exploitation as China enters the global economy. With statistics and reports otherwise unavailable, they give a refreshing outlook on China's women that is breathtaking both for the problems it confronts and for the spirit of struggle it embodies.
The withdrawal of the United States from Afghanistan has left a lasting impact on both Afghanistan's future and on Asian geopolitics. It has also brought China into focus. This book traces the emergence of China as a key player in Afghanistan and the evolution of China's Afghan policy especially with respect to its relations with the Taliban. Beijing's dominant role in Afghanistan's future is a potentially game-changing development in Asian geopolitics, even if questions remain about the former's appetite to step in to fill the void and the limits of its ambitions. In The Comrades and the Mullahs, Ananth Krishnan and Stanly Johny examine what Beijing's interests are and the drivers of its foreign policy, and, more specifically, how its new Silk Road project-the Belt and Road Initiative-is shaping China-Afghan relations. They look at how Afghanistan has emerged as a key point on the corridor heading west from Xinjiang, and discuss the Xinjiang factor, drawing on their travels to China's western frontiers, as well as the internal dynamics that are pushing Beijing's westward march. Another factor is the East Turkestan Islamic Movement and the terror groups that are leading to an increasingly securitized approach to China's western regions and beyond, including possible Chinese plans to deploy special forces along the China-Afghan border areas in the Wakhan corridor and Badakhshan region. China's Afghan engagement has also deepened its 'all-weather' alliance with Pakistan-with Beijing increasingly leaning on Islamabad, particularly in its outreach to the Taliban and other elements in Afghanistan that have long been supported by the Pakistani state-and is a perennial source of tension between Islamabad and Kabul. The authors show how this increasing closeness is alarming for India, and might have far-reaching consequences, especially in Kashmir.
The award–winning author of Shadow Child embarks on a simple journey to record history that changes her life as a wife and mother. In June 2001, Rahna Reiko Rizzuto went to Hiroshima, Japan, in search of a deeper understanding of her war-torn heritage. She planned to spend six months there, interviewing the few remaining survivors of the atomic bomb. A mother of two young boys, she was encouraged to go by her husband, who quickly became disenchanted by her absence. It is her first solo life adventure, immediately exhilarating for her, but her research starts off badly. Interviews with the hibakusha feel rehearsed, and the survivors reveal little beyond published accounts. Then the attacks on September 11 change everything. The survivors' carefully constructed memories are shattered, causing them to relive their agonizing experiences and to open up to Rizzuto in astonishing ways. Separated from family and country while the world seems to fall apart, Rizzuto's marriage begins to crumble as she wrestles with her ambivalence about being a wife and mother. Woven into the story of her own awakening are the stories of Hiroshima in the survivors' own words. The parallel narratives explore the role of memory in our lives and show how memory is not history but a story we tell ourselves to explain who we are. 2010 FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “A brave compassionate, and heart-wrenching memoir, of one woman’s quest to redeem the past while learning to live fully in the present.”—Kate Moses, author of Wintering "This searing and redemptive memoir is an explosive account of motherhood reconstructed.”—Ayelet Waldman, author of Red Hook Road
"This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting." — The New York Times Book Review “In this highly entertaining but deeply disturbing book, Erich Schwartzel demonstrates the extent of our cultural thrall to China. His depiction of the craven characters, American and Chinese, who have enabled this situation represents a significant feat of investigative journalism. His narrative is about not merely the movie business, but the new world order.” —Andrew Solomon, author of Far from the Tree and The Noonday Demon An eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and China From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.
