Early Modern Beckett/Beckett et le début de l’ère moderne

Early Modern Beckett/Beckett et le début de l’ère moderne

Author: Angela Moorjani

Publisher: Rodopi

Published: 2012

Total Pages: 372

ISBN-13: 9401208441

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Table of Contents/Table des matières Early Modern Beckett/Beckett et le début de l¿ère moderne Introduction/Avant-propos I. In Dialogue with Dramatists and Writers/En dialogue avec des auteurs dramatiques et des écrivains Carla Taban: Le Molière de Beckett Angela Moorjani: Beckett¿s Racinian Fictions: ¿Racine and the Modern Novel¿ Revisited Danièle de Ruyter: Fascination de la tragédie Racinienne: résonances dans Oh les beaux jours Arka Chattopadhyay: ¿Worst In Need Of Worse¿: King Lear, Worstward Ho and the Trajectory of Worsening Julie Campbell: Allegories of Clarity and Obscurity: Bunyan¿s The Pilgrim¿s Progress and Beckett¿s Molloy Seán Kennedy: Edmund Spenser, Famine Memory and the Discontents of Humanism in Endgame Melanie Foehn: A Rhetoric of Discontinuity: On Stylistic Parallels between Pascal¿s Pensées and Samuel Beckett¿s L¿Innommable II. In Dialogue with Philosophers and Artists/En dialogue avec des philosophes et des artistes Yoshiyuki Inoue: Cartesian Mechanics in Beckett¿s Fin de Partie Layla M. Roesler: En compagnie d¿une métaphysique parodique: Beckett lecteur de Descartes redux Everett C. Frost: Beckett and Geulincx¿s Ethics: ¿¿my Geulincx could only be a literary fantasia¿ Naoya Mori: Beckett¿s Faint Cries: Leibniz¿s petites perceptions in First Love and Malone Dies Claire Lozier: Présence de la sculpture funéraire des débuts de l¿époque moderne dans l¿¿uvre narrative de Samuel Beckett: du motif artistique religieux à sa laïcisation scripturale Joanne Shaw: Light and Darkness in Elsheimer, Caravaggio, Rembrandt and Beckett Beckett Between/Beckett entre deux Introduction Dúnlaith Bird: Light, Landscape and Beckett James Williams: Beckett between the Words: Punctuation and the Body in the English Prose Alys Moody: The Non-Lieu of Hunger: Post-war Beckett and the Genealogies of Starvation Dirk Van Hulle: The Extended Mind and Multiple Drafts: Beckett¿s Models of the Mind and the Postcognitivist Paradigm Everett C. Frost: Beckett and Geulincx¿s Metaphysics: ¿Without knowing why exactly¿ John Wall: ¿L¿au-delà du dehors-dedans¿: Paradox, Space and Movement in Beckett Lea Sinoimeri: ¿Ill-Told Ill-Heard¿: Aurality and Reading in Comment c¿est/How It Is Karine Germoni and Pascale Sardin: Tensions of the In-Between: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame Iain Baily: Beckett, Bilingualism and the Bible Garin Dowd: The Proxemics of ¿Neither¿ Contributors/Auteurs


Edinburgh Companion to Samuel Beckett and the Arts

Edinburgh Companion to Samuel Beckett and the Arts

Author: S E (Florida State University) Gontarski

Publisher: Edinburgh University Press

Published: 2014-02-28

Total Pages: 512

ISBN-13: 0748675701

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The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for BeckettOCOs work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabat(r), and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; Fictions; European Context; Irish Context; Film, Radio & Television; Language/Writing; Philosophies; Theatre & Performance; Global Beckett. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation."e;


Edinburgh Companion to Samuel Beckett and the Arts

Edinburgh Companion to Samuel Beckett and the Arts

Author: S.E. Gontarski

Publisher: Edinburgh University Press

Published: 2014-02-07

Total Pages: 512

ISBN-13: 0748675698

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A landmark collection showcasing the diversity of Samuel Beckett's creative output The 35 original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabate, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; The Body; Fiction; Film, Radio & Television; Global Beckett; Language / Writing; Philosophy; Reading; and Theatre & Performance. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation.


Beckett’s Voices / Voicing Beckett

Beckett’s Voices / Voicing Beckett

Author:

Publisher: BRILL

Published: 2021-08-16

Total Pages: 361

ISBN-13: 9004468382

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Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.


Beckett, Lacan and the Gaze

Beckett, Lacan and the Gaze

Author: Llewellyn Brown

Publisher: BoD – Books on Demand

Published: 2019-04-30

Total Pages: 628

ISBN-13: 3838212398

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Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.


Samuel Beckett's Geological Imagination

Samuel Beckett's Geological Imagination

Author: Mark Byron

Publisher: Cambridge University Press

Published: 2020-10-08

Total Pages: 148

ISBN-13: 1108800033

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Samuel Beckett's Geological Imagination addresses the ubiquity of earthy objects in Beckett's prose, drama and poetry, exploring how mineral and archaeological objects bear upon the themes, narrative locus, and sensibilities of Beckett's texts in surprisingly varied ways. By deploying figures of ruination and excavation with etymological self-awareness, Beckett's late prose narratives – Company, Ill Seen Ill Said, and Worstward Ho – comprise a late-career meditation on the stratigraphic layerings of language and memory over an extended writing career. These layers comprise an embodied record of writing in their allusions to literary history and to Beckett's own oeuvre.


Shakespeare and Beckett

Shakespeare and Beckett

Author: Claudia Olk

Publisher: Cambridge University Press

Published: 2023-01-31

Total Pages: 251

ISBN-13: 131651403X

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'The danger is in the neatness of identifications', Samuel Beckett famously stated, and, at first glance, no two authors could be further distant from one another than William Shakespeare and Samuel Beckett. This book addresses the vast intertextual network between the works of both writers and explores the resonant correspondences between them. It analyses where and how these resonances manifest themselves in their aesthetics, theatre, language and form. It traces convergences and inversions across both œuvres that resound beyond their conditions of production and possibility. Uncovering hitherto unexplored relations between the texts of an early modern and a late modern author, this study seeks to offer fresh readings of single passages and entire works, but it will also describe productive tensions and creative incongruences between them.


Eating Otherwise

Eating Otherwise

Author: Maria Christou

Publisher: Cambridge University Press

Published: 2017-09-28

Total Pages: 217

ISBN-13: 1108267920

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This book explores the philosophical implications of the popular adage that 'you are what you eat' through twentieth-century literature. It investigates the connections between the alimentary and the ontological: between what or how one eats and what one is. Maria Christou's focus is on two influential modernist figures, Georges Bataille and Samuel Beckett; and two influential postmodernist figures, Paul Auster and Margaret Atwood. She aims to theorize the relationship between modernism and postmodernism from a specifically alimentary perspective. By examining the work of these major twentieth-century authors, this book focuses on strange or unusual acts of eating - 'eating' otherwise - as a means to ways of 'being' otherwise. What can eating tell us about being, about who we are and about our being in the world? This powerful, innovative study takes literary food studies in a new direction.


Imagination and Art: Explorations in Contemporary Theory

Imagination and Art: Explorations in Contemporary Theory

Author: Keith Moser

Publisher: BRILL

Published: 2020-07-27

Total Pages: 810

ISBN-13: 9004436359

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This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise Imagination and Art propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms.