Beautiful Fools reimagines the relationship between F. Scott and Zelda Fitzgerald; a lyrical portrayal of an intense romance that ultimately destroyed them. Their standing as one of America's most debonair couples is tarnished by alcoholism, debt and Zelda's increasing instability. But they endure, both unaware that Scott's sudden death will soon end their love story once and for all. Spargo gives us a touching vision of the Fitzgeralds' marriage and the man who penned The Great Gatsby.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code “Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue USA Today bestselling author Jillian Cantor reimagines and expands on the literary classic The Great Gatsby in this atmospheric historical novel with echoes of Big Little Lies, told in three women’s alternating voices. On a sultry August day in 1922, Jay Gatsby is shot dead in his West Egg swimming pool. To the police, it appears to be an open-and-shut case of murder/suicide when the body of George Wilson, a local mechanic, is found in the woods nearby. Then a diamond hairpin is discovered in the bushes by the pool, and three women fall under suspicion. Each holds a key that can unlock the truth to the mysterious life and death of this enigmatic millionaire. Daisy Buchanan once thought she might marry Gatsby—before her family was torn apart by an unspeakable tragedy that sent her into the arms of the philandering Tom Buchanan. Jordan Baker, Daisy’s best friend, guards a secret that derailed her promising golf career and threatens to ruin her friendship with Daisy as well. Catherine McCoy, a suffragette, fights for women’s freedom and independence, and especially for her sister, Myrtle Wilson, who’s trapped in a terrible marriage. Their stories unfold in the years leading up to that fateful summer of 1922, when all three of their lives are on the brink of unraveling. Each woman is pulled deeper into Jay Gatsby’s romantic obsession, with devastating consequences for all of them. Jillian Cantor revisits the glittering Jazz Age world of F. Scott Fitzgerald’s The Great Gatsby, retelling this timeless American classic from the women’s perspective. Beautiful Little Fools is a quintessential tale of money and power, marriage and friendship, love and desire, and ultimately the murder of a man tormented by the past and driven by a destructive longing that can never be fulfilled.
Bella, an Italian from New Jersey whose family moved to Texas, must battle her feelings for a deejay and learn how to run the family's wedding planning business after she books a country and western theme wedding.
'I loved this book. The romance was dreamy and the setting just gorgeous.' - Netgalley Reviewer Elizabeth "Birdie" Graham must defy her family to discover herself. Birdie dreams of becoming a professional artist, but the constraints of society demand she marries well. In order to fulfil her dreams, she makes a deal with her parents: to let her spend a year at the St. Agnes School of Art in Cornwall, after which she will return home and marry the insufferable but influential and wealthy Charles Bonham, as per her parents' wishes. Birdie however, has no intention of ever going back. Free of responsibility for the first time, she finds herself surrounded by a crew of bohemian artists who show her just how dizzying independence can be. And when she meets the magnetic, but troubled, Tremayne family, she will be forced to ask herself exactly what kind of woman and artist she really wants to be. Perfect for fans of Downton Abbey, Bridgerton and The Great Gatsby
Cupidity, corruption and conciliation are the themes of the three plays in this collection from one of South Africa’s leading writes. The Mother of all Eating, a one-hander, with its central character a corrupt Lesotho official, is a grinding satire on materialism in which the protagonist gets his come-uppance. You Fool, How Can the Sky Fall? is an unbridled study in grotesquerie, reflecting a belief, traceable throughout Mda’s work, that government by those who inherit a revolution is almost inevitably, in the first decade or two, hijacked by the smart operators. The Bells of Amersfoort, with its graphic portrayal of the isolation imposed by exile, picks up on the themes of the other two plays but adds to them the concept of ‘healing’, both of the soul and of the land, in a lyrical work which holds out more hope than do its companions in this volume. The plays are introduced by Rob Amato, who directed much of Mda’s earlier work.
