"Compelling...Ms. Cartier joins the ranks of Afro-American writers-among them Ralph Ellison and Ntozake Shange-whose works demonstrate the deep connections between music and narrative." NEW YORK TIMES BOOK REVIEW Be-Bop, Re-Bop is the pulse of American Blacklife, the real-deal depiction of folks and their values as partners in time. Not a book but a beat, it's the tune of our roots on their trail today.
A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
Beyond Bop Drumming is John Riley's exciting follow-up to the critically acclaimed Art of Bop Drumming. Based on the drumming advancements of the post-bop period of the 1960s, the book and audio topics include: broken time playing, ride-cymbal variations, up-tempo unison ideas, implied time metric modulation, solo ideas, solo analysis, complete transcriptions, and play-along tunes.
Sundquist presents a major reevaluation of the formative years of American literature, 1830-1930, that shows how white and black literature constitute a single interwoven tradition. By examining African America's contested relation to the intellectual and literary forms of white culture, he reconstructs American literary tradition.
Provides a critical introduction to the central ideas and perennial problems of morphology, fully revised and updated in a new edition What is Morphology? is a concise, student-friendly introduction to the fundamentals of contemporary morphological theory and practice. Requiring only a basic knowledge of linguistics, this popular textbook describes morphological phenomena and their interactions with phonology, syntax, and semantics while familiarizing students with the importance of linguistic morphology as a subject of research. Each chapter contains engaging examples and student-friendly explanations to support the development of the skills necessary to analyze a wealth of classic morphological problems. The third edition is fully updated to reflect the current state of the field, featuring a new chapter on morphology’s intersections with typology and computational linguistics. Expanded coverage of morphological productivity and processing is supported by additional exercises, examples, and further reading suggestions. Thoroughly revised chapters cover essential topics including morphemes, the lexicon, phonology, inflection, syncretism, and derived lexemes. This accessible textbook: Introduces fundamental phenomena with a descriptive theme and minimal theory Uses cross-linguistic data to explain and clarify new concepts Provides new and revised chapters written by prominent experts in their respective areas Includes answers to all exercises via a companion instructor’s website The latest edition of What is Morphology? remains the ideal textbook for undergraduate and graduate linguistics students, researchers and scholars unfamiliar with linguistic morphology, and professionals involved in industrial applications of linguistics such as speech recognition, natural language understanding, machine translation, text-to-speech, and natural language generation.
This book looks at the influence of jazz on the development of African American modernist literature over the 20th century, with a particular attention to the social and aesthetic significance of stylistic changes in the music.
