Jane Austen in Bath: Walking Tours of the Writer’s City is a beautifully illustrated book organized into four walking tours around the city of Bath–where she set both Northanger Abbey and Persuasion–two novels that mirrored her own experience: that of an impressionable, optimistic young girl hoping to meet the man she would marry and later, that of a mature woman disappointed in love. It was in Bath that many of Austen’s own romantic adventures and misadventures occurred, and this book artfully weaves together the story of Austen’s life there with those of her beloved characters. This guidebook describes the places frequented by Austen and her characters. Readers can stroll along the shady, tree-lined walk where Anne Elliot met Captain Wentworth after he returned from seven years at sea, and visit the galleries that hosted the glittering balls where the impressionable young Catherine Moreland made her debut. Bath is an exquisite, perfectly preserved Georgian town located in the stunning countryside just an hour and a half from London. It was a spa town in Austen’s day and still is. The streets, crescents, gardens, and buildings look almost exactly the same as they did then. Many of the places that she frequented are still there–visitors can still buy the traditional Sally Lunn rolls at the same bakery/caf? that Austen frequented; enter the famous Pump Rooms and Assembly Rooms where she drank the waters, gossiped, and danced; stroll the unique Georgian crescents and pleasure gardens where she enjoyed fireworks and lavish public breakfasts; and see the homes Austen and her family lived in, some of which are now open to the public. Jane Austen in Bath is the perfect companion to discovering the vibrant and fashionable social scene of Bath during both Austen’s time and today.
This delightful book is the first comprehensive architectural guide to Bath, England's finest Georgian city. Full of new discoveries and lively descriptions, the book follows in the tradition of the celebrated Pevsner series. The great set-pieces of Bath - the famous Grand Pump Room, the Circus, the Royal Crescent - form a splendid sequence in a charming urban landscape developed by a long succession of gifted architects. The city's Roman roots are represented by its extraordinary baths, its medieval prosperity by the splendid Abbey. Exquisite crescents, terraces and villas grace the surrounding hills.
Bath is one of the most popular and significant tourist destinations in Britain. No fewer than four million visitors each year visit the much-renovated Roman Baths, marvel at the sites of this World Heritage city, or simply meander through its now carefully conserved eighteenth-century streets. For a few hours before they are whisked away to Stratford-upon-Avon, Edinburgh or London, they absorb the carefully presented image of Bath as ancient spa, elegant Georgian city and haunt of the likes of Richard 'Beau' Nash or Jane Austen. Bath has always tried to present itself in a favorable light. The true picture of Bath throughout its long and varied history is of course much fuller, more interesting and varied than the facade presented to casual visitors. From its earliest known history as spa during the Roman period, Bath transformed itself into Saxon monastic town and subsequently Norman cathedral city. It developed into a regional market and - perhaps surprisingly - a centre of the woollen trade during the Middle Ages, before becoming probably the most important health resort of the sixteenth and seventeenth centuries. Thereafter, rapid expansion in the Georgian period created an enduring architectural legacy which made Bath the country's foremost fashionable resort, attracting increasing numbers of visitors. Later, the city experienced some years of relative decline, from which it re-emerged, this time as a favored place of genteel residence in the nineteenth and twentieth centuries. This theme of constant re-invention now sees Bath attempt to become a 'festival city', in the market for cultural tourism, while the long-anticipated opening of a new thermal spa should bring a new lease of life to the hot springs which, of course, represent Bath's very oldest attraction, and in many ways its very raison d'être. This book goes beyond the narrow, popular image of Bath to explore years of extraordinary change, variety and interest, focusing wherever possible on the lives of ordinary residents, and seeking to explain as well as to chronicle Bath's truly unique historical legacy.
Eleven walks which look at Bath through the eyes of eminent authors as diverse as Smollett, Jane Austen, Dickens, Fanny Burney, Sheridan, Georgette Heyer, Mary Shelley and John Betjeman. They create a vivid social history of the city over the last 300 years. Fully illustrated, with detailed accounts of the writers and their works.
The finding, in 1727, of the gilded bronze head of the Roman goddess Minerva during the construction of the famous Stall Street led to the discovery of the Roman temple and of the baths. Since then archaeologists have discovered more and more about the Roman city of Aquae Sulis. In this new edition of a work first published almost thirty years ago, Professor Cunliffe brings the story right up to date. He deals in detail with the temple and its precinct and with the 'curse tablets' which have been deciphered to reveal the thoughts of Roman visitors. He then explains just how the bathing establishment was organized and explores the relationship between the spa and the town. We learn what life was like for the local inhabitants as well as for the visitors. Finally, he charts the process of decline and decay during the 300 years after the Roman period.
Lady Serena Carlow's eccentric father has left her guardianship to the Marquis of Rotherham, who has complete control over her. She is displeased to say the least, but when she spends time with the Marquis, she can't help but wonder if her feelings are those of sheer aggravation or if they are of a more tender nature.
Like a majestic ocean liner or a grand hotel, the Victorian-era Sutro Baths dazzled visitors with its over-the-top opulence and its many attractions: seven swimming pools filled with filtered and heated seawater, a museum, restaurants, tropical plants, promenades, and seating for thousands of spectators, all covered by more than 100,000 square feet of glass. The creation of Comstock millionaire Adolph Sutro, the Baths opened in 1894 and ended in fire in 1966. Once the debris was cleared, little remained of Sutro's ambitious structure, which he intended to outshine the baths of Rome. Today, visitors explore its concrete ruins and mysterious tunnels, which are protected by the National Park Service as part of the larger Lands End site. Sutro's Glass Palace, the fascinating story of a vanished but enduring piece of San Francisco history, comprehensively answers the question, "What was this place?". Inside you'll find: An in-depth account of the rise and fall of Sutro Baths Detailed architectural renderings and diagrams Historical and contemporary photographs News stories of the day revealing the Baths' darker side A field guide to the ruins