After a catfight with Catwoman last issue, Batgirl thinks Selina is right about these statues…Could they be made from…actual living Gothamites? But when her investigation leads her to the KGBeast and he tells how he was involved in Nightwing being shot, all bets are off, and Batgirl is faced with doing the right thing or doing what is right for someone she loves.
From the Eisner and Ignatz award-winning author Hope Larson comes the next chapter for Gotham vigilante, Batgirl! Barbara Gordon and Dick Grayson are a very different kind of Dynamic Duo. No matter how far apart their careers as Batgirl and Nightwing take them, they always seem to be drawn back together. But the true nature of their undeniable feelings for each other is a mystery even these world-class crime-fighters can’t crack. They’d better figure it out fast, because when a deadly villain from their past resurfaces, the star-crossed superheroes are forced to remember a time they’d like to forget. And once they realize that they’re caught in a trap years in the making, it may be too late for either of them to escape with their lives, let alone their hearts. Can Barbara and Dick defeat the powerful enemy behind it all? Or will this case be their last dance? Find out in BATGIRL VOL. 3: SUMMER OF LIES Featuring art by Chris Wildgoose, Eleonora Carlini and Inaki Miranda and guest-starring Catwoman and the Mad Hatter. Collects BATGIRL #12-17.
Barbara Gordon is no stranger to secrets. She's the daughter of GCPD Jim Gordon, the vigilante known as Batgirl and was once Oracle, the most powerful hacker on the planet. Someone new has resurrected the Oracle mantle that Babs once controlled, and whoever is behind it is sending Batgirl on a wild chase all across Gotham City. By her side are two equally dangerous vigilantes--Dinah Lance, the rock star-turned-hero known as Black Canary, and Helena Bertinelli, the lethal spy code-named the Huntress. Can this mismatched trio come together in time to solve the mystery of the new Oracle and defeat the villainous forces arrayed against them? Or will these Birds of Prey have their wings clipped before they can even get off the ground? Find out in BATGIRL AND THE BIRDS OF PREY VOL. 1: WHO IS ORACLE? The start of a whole new era for Gotham CityÕs greatest superhero team! From writers Shawna and Julie Benson (TVÕs The 100) and artists Claire Roe (VERTIGO QUARTERLY SFX) and Roge Antonio (NIGHTWING), itÕs an action-packed adventure on the streets of Gotham. Collects issues #1-6 and the BATGIRL AND THE BIRDS OF PREY: REBIRTH one-shot.
Cassandra Cain, teenage assassin, isn't exactly Batgirl material...not yet, at least. But with Batgirl missing from Gotham City, can Cassandra defy her destiny and take on a heroic mantle of her very own? She'll have to go through an identity crisis of epic proportions to find out. After a soul-shattering moment that sends Cass reeling, she'll attempt to answer this question the only way she knows how: learning everything she possibly can about her favorite hero-Batgirl. But Batgirl hasn't been seen in Gotham for years, and when Cass's father threatens the world she has grown to love, she'll have to step out of the shadows and overcome her greatest obstacle-that voice inside her head telling her she can never be a hero. Sarah Kuhn, author of Heroine Complex and I Love You So Mochi, takes on one of her favorite heroes for a new audience of readers. Featuring the edgy art style of Nicole Goux, Shadow of the Batgirl tells the harrowing story of a girl who overcomes the odds to find her unique identity.
Gotham City lies in ruin after the events of “City of Bane”! Good neighborhoods have turned bad, and bad neighborhoods have turned worse. As Barbara Gordon’s friends and neighbors try to rebuild their homes, she faces a conflict she can’t win with her fists: “Who Really Owns Gotham?” Batgirl intends to find out!
In the finale of ÒArt of the Crime,Ó Batgirl may have uncovered GrotesqueÕs real plot, but that only means she knows the real danger that faces Jim Gordon and the GCPD! Can Barbara take down Grotesque before he pulls off a massive heist and ruins the GCPDÕs rep in the process? Maybe, but it wonÕt be a paint-by-numbers job!
After her disastrous dust-up with Oracle, Batgirl needs to regroup. But when Barbara Gordon’s boss sends her to Chicago, she must confront the city’s greatest threat...her estranged mother! Luckily, a dangerous new villain called Opus distracts her from that unhappy reunion by threatening to bury Batgirl in the Windy City-forever!
ItÕs Election Day in Gotham City and Barbara Gordon is running ragged on both ends as she tries to balance campaigning for her new boss with keeping the peace as a superhero. Could the sudden appearance of her murderous brother, James Jr., push her over the edge?
“FULL CIRCLE” part two! With the Birds of Prey fractured by last issue’s events, the team must set aside their feelings of mistrust and work together to find the Calculator. Huntress wrestles with her feelings when she’s called to testify on behalf of her mother at a parole hearing, but is Helena ready to forgive her after everything they’ve been through? And while Black Canary struggles with her powers and Batgirl battles her guilt over keeping secrets from her teammates, the Calculator’s robotic assassin, Burnrate, makes an unwelcome return!
Super-Girls of the Future: Girlhood and Agency in Contemporary Superhero Comics investigates girl superheroes published by DC and Marvel Comics in the first two decades of the twenty-first century, asking who the new-and-improved super-girls are and what potentials they hold for imagining girls as agents of change, in the genre as well as its socio-cultural context. As super-girls have grown increasingly numerous and diverse since the turn of the millennium, they provide an opportunity for reconsidering representations of gender and power in the superhero genre. This book offers the term agentic embodiment as an analytical tool for critiquing the body politics of superhero comics, particularly concerning youth, femininity, whiteness, and violence. Grounded in comics studies and informed by feminist cultural studies, the book contributes a critical and hopeful perspective on the diversification of a genre often written off as irredeemably conservative and patriarchal. Super-Girls of the Future is a key title for students and scholars of comics studies, visual culture, US popular culture, and feminist criticism.