Basho and the Dao

Basho and the Dao

Author: Peipei Qiu

Publisher: University of Hawaii Press

Published: 2005-07-31

Total Pages: 272

ISBN-13: 9780824828455

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Although haiku is well known throughout the world, few outside Japan are familiar with its precursor, haikai (comic linked verse). Fewer still are aware of the role played by the Chinese Daoist classics in turning haikai into a respected literary art form. Bashō and the Dao examines the haikai poets’ adaptation of Daoist classics, particularly the Zhuangzi, in the seventeenth century and the eventual transformation of haikai from frivolous verse to high poetry. The author analyzes haikai’s encounter with the Zhuangzi through its intertextual relations with the works of Bashō and other major haikai poets, and also the nature and characteristics of haikai that sustained the Zhuangzi’s relevance to haikai poetic construction. She demonstrates how the haikai poets’ interest in this Daoist work was rooted in the intersection of deconstructing and reconstructing the classical Japanese poetic tradition. Well versed in both Chinese and Japanese scholarship, Qiu explores the significance of Daoist ideas in Bashō’s and others’ conceptions of haikai. Her method involves an extensive hermeneutic reading of haikai texts, an in-depth analysis of the connection between Chinese and Japanese poetic terminology, and a comparison of Daoist traits in both traditions. The result is a penetrating study of key ideas that have been instrumental in defining and rediscovering the poetic essence of haikai verse. Bashō and the Dao adds to an increasingly vibrant area of academic inquiry—the complex literary and cultural relations between Japan and China in the early modern era. Researchers and students of East Asian literature, philosophy, and cultural criticism will find this book a valuable contribution to cross-cultural literary studies and comparative aesthetics.


Basho and the Dao

Basho and the Dao

Author: Peipei Qiu

Publisher: University of Hawaii Press

Published: 2005-07-31

Total Pages: 265

ISBN-13: 0824861574

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Although haiku is well known throughout the world, few outside Japan are familiar with its precursor, haikai (comic linked verse). Fewer still are aware of the role played by the Chinese Daoist classics in turning haikai into a respected literary art form. Bashō and the Dao examines the haikai poets’ adaptation of Daoist classics, particularly the Zhuangzi, in the seventeenth century and the eventual transformation of haikai from frivolous verse to high poetry. The author analyzes haikai’s encounter with the Zhuangzi through its intertextual relations with the works of Bashō and other major haikai poets, and also the nature and characteristics of haikai that sustained the Zhuangzi’s relevance to haikai poetic construction. She demonstrates how the haikai poets’ interest in this Daoist work was rooted in the intersection of deconstructing and reconstructing the classical Japanese poetic tradition. Well versed in both Chinese and Japanese scholarship, Qiu explores the significance of Daoist ideas in Bashō’s and others’ conceptions of haikai. Her method involves an extensive hermeneutic reading of haikai texts, an in-depth analysis of the connection between Chinese and Japanese poetic terminology, and a comparison of Daoist traits in both traditions. The result is a penetrating study of key ideas that have been instrumental in defining and rediscovering the poetic essence of haikai verse. Bashō and the Dao adds to an increasingly vibrant area of academic inquiry—the complex literary and cultural relations between Japan and China in the early modern era. Researchers and students of East Asian literature, philosophy, and cultural criticism will find this book a valuable contribution to cross-cultural literary studies and comparative aesthetics.


The Basho of Economics

The Basho of Economics

Author: Silja Graupe

Publisher: Walter de Gruyter

Published: 2013-05-02

Total Pages: 337

ISBN-13: 3110328283

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In the parlance of modern Japanese philosophy, the term Basho denotes a field of experience underlying all conceptions of reality, while remaining itself conceptually ungraspable. The Basho of Economics, then, refers to the economy’s hidden experiential ground, which has never been explicitly scrutinized, as such, by mainstream economics. We uncover this ground by discerning the tacit presuppositions of classical and neo-classical theories from the perspective of modern Japanese philosophy. In particular, we draw attention to the traditional atomist assumptions implicit in their equilibrium-centered models. By breaking through these assumptions, we reconstruct the economy as a functional and relational world of habitual and creative activity outside of the scope of mechanical laws.


Comparative Literature in the Light of Chinese Prosody

Comparative Literature in the Light of Chinese Prosody

Author: Shudong Chen

Publisher: Rowman & Littlefield

Published: 2018-10-31

Total Pages: 279

ISBN-13: 1498573398

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In the light of Chinese prosody and various mutually illuminating major cases from the original English, Chinese, French, Japanese and German classical literary texts, the book explores the possibility of discovering “a road not taken” within the road well-trodden in literature. In an approach of “what Wittgenstein calls criss-crossing,” this monographic study, the first ever of this nature, as Roger T. Ames points out in the Foreword, also emphasizes a pivotal “recognition that these Chinese values [revealed in the book] are immediately relevant to the Western narrative as well”; the book demonstrates, in other words, how such a “criss-crossing” approach would be unequivocally possible as long as our critical attention be adequately turned to or pivoted upon the “trivial” matters, a posteriori, in accordance with the live syntactic-prosodic context, such as pauses, stresses, phonemes, function words, or the at once text-enlivened and text-enlivening ambiguity of “parts of speech,” which often vary or alter simultaneously according to and against any definitive definition or set category a priori. This issue pertains to any literary text across cultures because no literary text would ever be possibleif it were not, for instance, literally enlivened by the otherwise overlooked “meaningless” function words or phonemes; the texts simultaneously also enliven these “meaningless” elements and often turn them surreptitiously into sometimes serendipitously meaningful and beautiful sea-change-effecting “les mots justes.” Through the immeasurable and yet often imperceptible influences of these exactly “right words,” our literary texts, such as a poem, could thus not simply “be” but subtly “mean” as if by mere means of its simple, rich, and naturally worded being, truly a special “word picture” of dasDing an sich. Describable metaphorically as “museum effect” and “symphonic tapestry,” a special synaesthetic impact could also likely result from such les-mots-justes-facilitated subtle and yet phenomenal sea changes in the texts.


The Dao Companion to Japanese Buddhist Philosophy

The Dao Companion to Japanese Buddhist Philosophy

Author: Gereon Kopf

Publisher: Springer

Published: 2019-06-03

Total Pages: 737

ISBN-13: 9048129249

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The volume introduces the central themes in and the main figures of Japanese Buddhist philosophy. It will have two sections, one that discusses general topics relevant to Japanese Buddhist philosophy and one that reads the work of the main Japanese Buddhist philosophers in the context of comparative philosophy. It combines basic information with cutting edge scholarship considering recent publications in Japanese, Chinese, English, and other European languages. As such, it will be an invaluable tool for professors teaching courses in Asian and global philosophy, undergraduate and graduate students, as well as the people generally interested in philosophy and/or Buddhism.


Sense of Emptiness

Sense of Emptiness

Author: Pernilla Hallonsten

Publisher: Cambridge Scholars Publishing

Published: 2011-12-08

Total Pages: 240

ISBN-13: 1443835862

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Human perception is often believed to function holistically, especially in the tradition of Gestalt psychology, involving a focused item and its surrounding. This holistic approach can allow us to explain something that is not directly experienced in our perception, meaning that the absence as well as the presence of something can have a significant impact on how we perceive the world. The way we perceive the presence is more or less the same cross-culturally, but the prominence of the absence, or what is termed emptiness in this volume, varies considerably from one culture to another. The aim of this volume is to identify what emptiness is like and how different cultures incorporate this concept from various perspectives. It turns out that emptiness plays a key role in identifying socio-cultural diversity in a broader sense, including arts and languages. This volume consists of contributions from different fields covering a wide range of topics such as history, literary studies, mythology, film studies, architecture, linguistics, social-anthropology, ethnology and cognitive science. Due to the range covered in this volume, studies presented here are highly interdisciplinary, but all chapters deal with the sense of emptiness, which suggest that the underlying idea of the significance of emptiness is pervasive. Yet, this topic has not previously been systematically compared across different disciplines. It is hoped that this volume will offer a first overview of the pervasiveness and integration of disciplines concerning the sense of emptiness.


Canadian-Daoist Poetics, Ethics, and Aesthetics

Canadian-Daoist Poetics, Ethics, and Aesthetics

Author: John Z. Ming Chen

Publisher: Springer

Published: 2015-10-09

Total Pages: 225

ISBN-13: 3662479591

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This monograph takes an interdisciplinary and cross-cultural approach to 20th and 21st -century Canadian Daoist poetry, fiction and criticism in comparative, innovative and engaging ways. Of particular interest are the authors’ refreshing insights into such holistic and topical issues as the globalization of concepts of the Dao, the Yin/Yang, the Heaven-Earth-Humanity triad, the Four Greats, Five Phases, Non-action and so on, as expressed in Canadian literature and criticism – which produces Canadian-constructed Daoist poetics, ethics and aesthetics. Readers will come to understand and appreciate the social and ecological significance of, formal innovations, moral sensitivity, aesthetic principles and ideological complexity in Canadian-Daoist works.


The Cosmos and the Creative Imagination

The Cosmos and the Creative Imagination

Author: Anna-Teresa Tymieniecka

Publisher: Springer

Published: 2016-02-03

Total Pages: 361

ISBN-13: 3319217925

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The essays in this book respond to Anna-Teresa Tymieniecka’s recent call to explore the relationship between the evolution of the universe and the process of self-individuation in the ontopoietic unfolding of life. The essays approach the sensory manifold in a number of ways. They show that theories of modern science become a strategy for the phenomenological study of works of art, and vice versa. Works of phenomenology and of the arts examine how individual spontaneity connects with the design(s) of the logos – of the whole and of the particulars – while the design(s) rest not on some human concept, but on life itself. Life’s pliable matrices allow us to consider the expansiveness of contemporary science, and to help create a contemporary phenomenological sense of cosmos.


Dao De Jing

Dao De Jing

Author: Laozi

Publisher: Univ of California Press

Published: 2004-05-24

Total Pages: 244

ISBN-13: 9780520242210

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Dao De Jing was composed in China between the late sixth and late fourth centuries BC.


Obsessions with the Sino-Japanese Polarity in Japanese Literature

Obsessions with the Sino-Japanese Polarity in Japanese Literature

Author: Atsuko Sakaki

Publisher: University of Hawaii Press

Published: 2005-11-30

Total Pages: 288

ISBN-13: 9780824829186

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Using close readings of a range of premodern and modern texts, Atsuko Sakaki focuses on the ways in which Japanese writers and readers revised—or in many cases devised—rhetoric to convey "Chineseness" and how this practice contributed to shaping a national Japanese identity. The volume begins by examining how Japanese travelers in China, and Chinese travelers in Japan, are portrayed in early literary works. An increasing awareness of the diversity of Chinese culture forms a premise for the next chapter, which looks at Japan’s objectification of the Chinese and their works of art from the eighteenth century onward. Chapter 3 examines gender as a factor in the formation and transformation of the Sino-Japanese dyad. Sakaki then continues with an investigation of early modern and modern Japanese representations of intellectuals who were marginalized for their insistence on the value of the classical Chinese canon and literary Chinese. The work concludes with an overview of writing in Chinese by early Meiji writers and the presence of Chinese in the work of modern writer Nakamura Shin’ichiro. A final summary of the book’s major themes makes use of several stories by Tanizaki Jun’ichiro.