Hide-and-Seek with Angels

Hide-and-Seek with Angels

Author: Lisa Chaney

Publisher: St. Martin's Press

Published: 2013-12-31

Total Pages: 584

ISBN-13: 1466861401

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What kind of man creates a boy who never grows up? More than 100 years after Peter Pan first appeared on the London stage, author J. M. Barrie remains one of the most complex and enigmatic figures in modern literature. A few facts, of course, are widely known: Peter Pan made Barrie the richest author of his time, and he bequeathed the royalties to the Great Ormond Street Hospital for Sick Children. He was married, but later divorced, and he was devoted to the orphaned sons of Sylvia Llewelyn Davies, one of whom was named Peter. And then the rumors begin—about the nature of his marriage; about his precise relationship with the Davies boys, whose guardian he became; about the fantasies and demons that determined his achievements. In this brilliant biography, Lisa Chaney goes beyond the myths to discover the fascinating, frequently misunderstood man behind the famous boy. James Matthew Barrie was born in a village in Scotland in 1860, the ninth of 10 children of a linen-weaver and his wife. When James was six years old, his older brother died in a skating accident, and his mother began her withdrawal into grief. It is not an exaggeration to say that Barrie's entire life—both his professional triumphs as a writer and his personal tragedies—led up to the creation of Peter Pan, the play where "all children except one grow up." As Lisa Chaney explores Barrie's own struggles to grow up, she deepens our understanding both of his most famous character and of the complex relationship between life and art.


J. M. Barrie's Peter Pan In and Out of Time

J. M. Barrie's Peter Pan In and Out of Time

Author: Donna R. White

Publisher: Scarecrow Press

Published: 2006-04-27

Total Pages: 366

ISBN-13: 1461659930

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Celebrating 100 years of Peter Pan, this fourth volume in the Centennial Studies series explores the cultural contents of Barrie's creation and the continuing impact of Peter Pan on children's literature and popular culture today, especially focusing on the fluctuations of time and narrative strategies. This collection of essays on Peter Pan is separated into four parts. The first section is comprised of essays placing Barrie's in its own time period, and tackles issues such as the relationship between Hook and Peter in terms of child hatred, the similarities between Peter and Oscar Wilde, Peter Pan's position as an exemplar of the Cult of the Boy Child is challenged, and the influence of pirate lore and fairy lore are also examined. Part two features an essay on Derrida's concept of the grapheme, and uses it to argue that Barrie is attempting to undermine racial stereotypes. The third section explores Peter Pan's timelessness and timeliness in essays that examine the binary of print literacy and orality; Peter Pan's modular structure and how it is ideally suited to video game narratives; the indeterminacy of gender that was common to Victorian audiences, but also threatening and progressive; Philip Pullman and J.K. Rowling, who publicly claim to dislike Peter Pan and the concept of never growing up, but who are nevertheless indebted to Barrie; and a Lacanian reading of Peter Pan arguing that Peter acts as "the maternal phallus" in his pre-Symbolic state. The final section looks at the various roles of the female in Peter Pan, whether against the backdrop of British colonialism or Victorian England. Students and enthusiasts of children's literature will find their understanding of Peter Pan immensely broadened after reading this volume.


Girl, Stop Passing Out in Your Makeup

Girl, Stop Passing Out in Your Makeup

Author: Zara Barrie

Publisher: Post Hill Press

Published: 2020-05-19

Total Pages: 200

ISBN-13: 164293464X

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“Self-help meets memoir. Party girl meets wise sage. Beauty meets reality. Zara Barrie is the cool older sister you wish you had. The one that lets you borrow her designer dresses and ripped up fishnets, buys you champagne (she loves you too much to let you drink beer), and colors your lips with bright pink lipstick. She'll take you to the coolest parties, and will stick by your side and she guides you through the glitter, pain, danger, laughter, and what it means to be a f*cked up girl in this f*cked up world (both of which are beautiful despite the darkness). Girl, Stop Passing Out in Your Makeup is for the girls that are too much of a beautiful contradiction to be contained. Zara is a gifted writer—one second she'll have you laughing over rich girls agonizing over which Birkin bag to buy, the next second she'll shatter your heart in one sentence about losing one’s innocence. Zara is the nuanced girl she writes for—light, irreverent, snarky, bitchy, funny; and aching, perceptive, deep, flawed, wise, poised, honest—all at once. Perhaps the only thing that can match Zara's unparalleled wit and big sister advice is her candid humor and undeniable talent for the written word. Zara is one of the most prolific and entertaining honest voices on the internet—and her talent is only multiplied in book form. Girl, Stop Passing Out in Your Makeup is for the bad girls, honey.”—Dayna Troisi, Executive Editor, GO Magazine “Reading Zara's writing will make you feel like you're at your cool-as-hell big sister's sleepover party. You will be transfixed by her unflinching honesty and words of wisdom, and she'll successfully convince you to not only ditch the shame you feel about the raw and messy parts of yourself, but to dare to see them as beautiful.”—Alexia LaFata, Editor, New York Magazine “If Cat Marnell and F. Scott Fitzgerald had a literary baby it would be Zara Barrie. She’s got Marnell’s casual, dark, downright hilarious tone of an irreverent party girl. But then she also has Fitzgerald’s talent for making words literally feel like they sparkle on the page. I’ve always been a fan of Zara’s writing but Girl, Stop Passing Out in Your Makeup takes it to the next level. With shimmery words that make her dark stories sparkle, she seamlessly manages to inspire even the most coked-out girl at the party to get her shit together.”—Candice Jalili, Senior Sex & Dating Writer, Elite Daily


J M Barrie and the Lost Boys

J M Barrie and the Lost Boys

Author: Andrew Birkin

Publisher: Yale University Press

Published: 2003-07-11

Total Pages: 787

ISBN-13: 0300211325

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This literary biography is “a story of obsession and the search for pure childhood . . . Moving, charming, a revelation” (Los Angeles Times). J. M. Barrie, Victorian novelist, playwright, and author of Peter Pan, or The Boy Who Wouldn’t Grow Up, led a life almost as interesting as his famous creation. Childless in his marriage, Barrie grew close to the five young boys of the Davies family, ultimately becoming their guardian and surrogate father when they were orphaned. Andrew Birkin draws extensively on a vast range of material by and about Barrie, including notebooks, memoirs, and hours of recorded interviews with the family and their circle, to describe Barrie’s life, the tragedies that shaped him, and the wonderful world of imagination he created for the boys. Updated with a new preface and including photos and illustrations, this “absolutely gripping” read reveals the dramatic story behind one of the classics of children’s literature (Evening Standard). “A psychological thriller . . . One of the year’s most complex and absorbing biographies.” —Time “[A] fascinating story.” —The Washington Post


Escape from Amsterdam

Escape from Amsterdam

Author: Barrie Sherwood

Publisher: Macmillan

Published: 2008-06-10

Total Pages: 276

ISBN-13: 9780312380403

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Filled with motorcycle gangs, phony samurais, high-tech love dolls, and a selection of manga, "Escape from Amsterdam" paints an offbeat portrait of contemporary Japan and introduces a strikingly original author. Illustrated.


The English Theatrical Avant-Garde 1900-1925

The English Theatrical Avant-Garde 1900-1925

Author: Simon Shepherd

Publisher: Taylor & Francis

Published: 2022-12-30

Total Pages: 176

ISBN-13: 1000812987

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The English Theatrical Avant-Garde, 1900–1925 unearths an extensive range of hitherto forgotten or ignored theatre practices. In doing so it reveals some of the well-known figures of the early twentieth-century English theatre in a strikingly new light. It fluently describes an intensity of innovation and experiment that together made the Edwardian theatre rather more radical, and rather more queer, than we’ve ever thought. Where the majority of writing on the early twentieth-century theatrical avant-garde is concerned with European movements and experiments, English activity of the period is often seen as parochial and conservative – mainly realism and issues-based drama. This book presents a new model of how avant-gardes might work; a model based not on masculine individualism but on communal inclusion. In describing this fascinating material, the author introduces us to many new figures and shows familiar ones in different ways: there’s Florence Farr, independent woman; Bob Trevelyan, radical pacifist and music drama pioneer; Granville Barker doing fairy plays while de-dramatising drama; Laurence Housman, socialist, homosexual, scripting St Francis; and the oddly modern J.M. Barrie. Together they made theatre practices rich in their diversity but consistent in their attempt to be new, producing a theatrical avant-garde unlike any other. This is a vital and indispensable new study for scholars and students of early twentieth-century theatre in England and beyond.