The Early Mandolin

The Early Mandolin

Author: James Tyler

Publisher: Oxford University Press on Demand

Published: 1992

Total Pages: 186

ISBN-13: 9780198163022

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The name "mandolin" was used to refer to two quite different instruments: the gut-stringed mandolino, played with the fingers, and the later metal-stringed Neapolitan mandoline, which was played with a plectrum. This is the first book devoted exclusively to these two early instruments about which information in reference books is scant and often erroneous. The authors uncover their rich and varied musical history, examining contemporary playing techniques and revealing the full extent of the instruments' individual repertories, which include works by Vivaldi, Sammartini, Stamitz, and Beethoven. The book's ultimate aim is to help today's players to produce artistically satisfying performances through an understanding of the nature and historical playing style of these unjustly neglected instruments.


Mandolin Picking Tunes - Early Music Gems

Mandolin Picking Tunes - Early Music Gems

Author: Dix Bruce

Publisher: Mel Bay Publications

Published: 2020-12-29

Total Pages: 68

ISBN-13: 1513455850

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Mandolin Picking Tunes: Early Music Gems by Dix Bruce is a collection of 34 wonderful songs from the 1200s to the 1600s especially arranged for intermediate and advanced mandolinists. The titles span the Medieval, Renaissance, and Baroque eras and the sounds of the individual songs reflect those years. The music includes standard notation, accompaniment chords, and tablature. Includes access to online audio recordings of each piece for listening and playing along.


J. S. Bach for Mandolin

J. S. Bach for Mandolin

Author: Robert Bancalari

Publisher: Mel Bay Publications

Published: 2016-01-20

Total Pages: 105

ISBN-13: 1610655575

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These arrangements of many pieces by J.S. Bach make a great composer's works accessible to the mandolinist. Since the bulk of the music has been adapted from various suites, sonatas, and partitas, the authors provides an explanation of each dance form and other similar pieces. Includes: 'Bauree Angloise' from Partita in A Minor for solo flute; 'Marche' from Anna Magdalena Back Book; 'Fantasie' from Partita No. 3 in A Minor; and more. In notation and tablature. Includes a CD which contains 13 of the 26 solos.


A Baroque Sampler for Octave Mandolin

A Baroque Sampler for Octave Mandolin

Author: John Goodin

Publisher: Mel Bay Publications

Published: 2019-09-16

Total Pages: 41

ISBN-13: 161911951X

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The octave mandolin is valued for its rich tone and wide range of potential use in a variety of musical settings. This book contains 27 easy to intermediate pieces from the Baroque era that have been carefully chosen and arranged to benefit from the longer scale and deeper voice of the big mandolin. The music is presented in both standard notation and tablature, making it easily playable on the mandocello, mandola or standard mandolin. Thirteen composers are represented, including six pieces by J. S. Bach, four by G. F. Handel and three by G. P. Telemann.


Tunes from 17th Century Scotland Arranged for Mandolin

Tunes from 17th Century Scotland Arranged for Mandolin

Author: Rob MacKillop

Publisher: Mel Bay Publications

Published: 2018-05-24

Total Pages: 53

ISBN-13: 1619118165

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Many great Scottish traditional tunes such as Flowres Of The Forrest can be traced back to the 17th century—a period when writing down tunes in manuscript collections for the lute was of high interest. Rob MacKillop has created very playable arrangements for the mandolin featuring 25 popular tunes from the Skene, Balcarres, Panmure and Straloch manuscripts. This is a wonderful collection of dance tunes and airs, most of which have not been available for the mandolin until now. The notation is in treble clef with tablature for GDAE tuning. Includes access to online audio featuring Rob Mackillop’s performance of each piece. Get ready to explore a wonderful new take on old repertoire!


Hal Leonard Irish Bouzouki Method

Hal Leonard Irish Bouzouki Method

Author: Roger Landes

Publisher: Hal Leonard Corporation

Published: 2014-12-01

Total Pages: 61

ISBN-13: 149501326X

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(Instructional). The Hal Leonard Irish Bouzouki Method is designed for anyone just learning to play the Irish bouzouki. This comprehensive and easy-to-use beginner's guide focuses on teaching the basics of the instrument as well as accompaniment techniques for a variety of Irish song forms.


The Classical Mandolin

The Classical Mandolin

Author: Paul Sparks

Publisher:

Published: 2005

Total Pages: 241

ISBN-13: 0195173376

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A "hidden" instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's great composers and, together with Sparks's earlier The Early Mandolin (Oxford 1989), provides the firstcomprehensive survey of the instrument's history. The book also explores aspects of technique and looks at present-day orchestras and soloists.


Mel Bay presents Renaissance solos for mandolin

Mel Bay presents Renaissance solos for mandolin

Author: John Holenko

Publisher: Mel Bay Publications

Published: 2005-06

Total Pages: 0

ISBN-13: 9780786651207

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Most of the music in this book comes from editions or manuscripts from England in the late 1500's. There are also a few French pieces. The cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings), and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories: dance music, song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of the instrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to, but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo, but once a tempo is chosen, should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same, John Holenko has kept the melodies intact. Because of the difference in tuning however, the voicing of the harmonies have been changed so as to fit on the mandolin.


J. S. Bach for Mandolin

J. S. Bach for Mandolin

Author: Johann Sebastian Bach

Publisher: Mel Bay Publications

Published: 1998-01-01

Total Pages: 103

ISBN-13: 0786627964

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These arrangements of many pieces by J.S. Bach make a great composer's works accessible to the mandolinist. Since the bulk of the music has been adapted from various suites, sonatas, and partitas, the authors provides an explanation of each dance form and other similar pieces. Includes: 'Bauree Angloise' from Partita in A Minor for solo flute; 'Marche' from Anna Magdalena Back Book; 'Fantasie' from Partita No. 3 in A Minor; and more. In notation and tablature. Includes a CD which contains 13 of the 26 solos.


A Guide to Playing the Baroque Guitar

A Guide to Playing the Baroque Guitar

Author: James Tyler

Publisher: Indiana University Press

Published: 2011-01-24

Total Pages: 173

ISBN-13: 0253005019

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James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.