Now in our 14th year of publication, the Bards and Sages Quarterly strives to bring fans of speculative fiction a variety of new and established voices to enjoy. Each issue features an eclectic range of styles and voices to delight audiences. This issue features works by Alice Hathaway, Xan van Rooyen, Naomi Libicki & Alter S. Reiss, Julie Reeser, Jeff Rona, Jeff Dosser, Craig Fishbane, and Dylan King. A selkie on a quest for revenge against the one responsible for her sister's death undercovers more than she bargained for in "Hallfrid." A passenger at a Tokyo train station transforms into a miniature version of a Japanese movie monster...then things really start to get weird in "The Subterranean Beasts of Electric Town." In the competition for souls, the Devil turns to a digital platform in "Patron of the Dark Arts." These and other tales in this issue.
In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays. Features an introduction by Suyi Okungbowa. Afro-Centered Futurisms in Our Speculative Fiction showcases creative-critical essays that negotiate genre bending and black speculative fiction with writerly practice. As Afrodecendant peoples with lived experience from the continent, award-winning authors use their intrinsic voices in critical conversations on Afrofuturism and Afro-centered futurisms. By engaging with difference, they present a new kind of African study that is an evaluative gaze at African history, African spirituality, Afrosurrealism, "becoming," black radical imagination, cultural identity, decolonizing queerness, myths, linguistic cosmologies, and more. Contributing authors – Aline-Mwezi Niyonsenga, Cheryl S. Ntumy, Dilman Dila, Eugen Bacon, Nerine Dorman, Nuzo Onoh, Shingai Njeri Kagunda, Stephen Embleton, Suyi Okungbowa, Tobi Ogundiran and Xan van Rooyen – offer boldly hybrid chapters (both creative and scholarly) that interface Afrocentric artefacts and exegesis. Through ethnographic reflections and intense scrutinies of African fiction, these writers contribute open and diverse reflections of Afro-centered futurisms. The authors in Afro-Centered Futurisms in Our Speculative Fiction feature in major genre and literary awards, including the Bram Stoker, World Fantasy, British Fantasy, Locus, Ignyte, Nommo, Philip K. Dick, Shirley Jackson and Otherwise Awards, among others. They are also intrinsic partners in a vital conversation on the rise of black speculative fiction that explores diversity and social (in)justice, charting poignant stories with black hero/ines who remake their worlds in color zones of their own image.
A ship has vanished in the dark, in the very outer reaches of Earth's solar system. Alien invaders sweep through the void, destroying outposts and threatening humanity. The truth is known only to a few: We fired first. We fired on aliens whose very appearance and body language sent all humans into a flying rage. All but a few. Now an autistic savant from Mars and an alien diplomat seek peace...while some on both sides desire only conflict. Suza McRae and Haniyar must bridge the gap between their species, or risk a war that will destroy everything and everyone in its path.
This is one crown you don't want. Born and raised in the Dregs, the last thing I expected was the "honor" of being recruited to Crown Princess Academy. And by honor, I mean fighting for my life against the fae that rule our world. Our first exam is in three weeks and not every student will make it out alive... don't these bimbos realize that? I'm not fooled. I know how ruthless the fae can be. All the princess initiates are captivated by Lucas, the sexy fae Crown Prince who, in turn, seems fixated on me. He can't know that I'm actually the most powerful Malice Caster in the Dregs. I'm sure my talents for the Criminal Guild won't earn me any extra credit in my princess classes. All my life I've stayed one step ahead of the two-faced fae and their Malice, the out of control black magic that has nearly wiped out all of humanity. This is my chance to do more than survive--this is my chance to fight back. I'll play the Crown Prince's game. I'll wear the tiny initiate crown, dance in my glittering pink dress, survive the deadly exams, and ultimately graduate as the Crown Princess all while he thinks I'm playing right into his plans. He's in for a surprise when I reveal who I am and wipe that sexy, smug grin off his face... I just hope my heart doesn't forget he's the enemy. Crown Princess Academy: Book 1 is the first of a planned trilogy. As it is a series, there will be a cliffhanger. This is an upper YA/NA paranormal and fantasy series with enemies-to-lovers romance and HEA.
In this anthology of short stories, contributing authors reveal some of the darker secrets of Sley House. Here you'll find a strange creature whose lust for fear drives the vengeance of a lonely mortician, a mourning woman who accomplishes the unimaginable to be reunited with her deceased son, a woman's letters to her husband about the strange goings on in the seaside port, a little boy who must do something horrible to save him and his sister, and more. Welcome to Sley House.
Each issue of The Society of Misfit Stories Presents… is a celebration of long-form fiction. These novelettes and novellas will entertain and surprise fans of the form. In this issue: stories by Michael Gardner, Ziaul Moid Khan, Mark Lord, Danielle Ranucci, William Suboski, and Rebecca B. Weiss. A sample of the stories in this issue: Jack Hiller believes he is destined to join a secret society that runs the world. But an encounter with an equally ambitious alligator stands in his way in Working Day. After the suicide of his best friend, Balta must come to terms with his grief while working with his friend’s sister to slay a demon in The Demon-Slayers. A detective finds himself caught up in a bizarre web of secrets, intrigue, and murdered felines in The Mystery Killer of Cats.
William Shakespeare has undergone psychological analyses ever since Freud diagnosed Hamlet with an Oedipus complex. But now, two psychologists propose to turn the tables by telling how Shakespeare himself understood human behavior and the innermost workings of the human mind. Psychology According to Shakespeare: What You Can Learn About Human Nature From Shakespeare's Great Plays, is an interdisciplinary project that bridges psychological science and literature, bringing together for the first time in one volume, the breadth and depth of The Bard’s knowledge of love, jealousy, dreams, betrayal, revenge, and the lust for power and position. Even today, there is no better depiction of a psychopath than Richard III, no more poignant portrayal of dementia than King Lear, nor a more unforgettable illustration of obsessive-compulsive disorder than Lady Macbeth’s attempts to wash away the damned blood spot. What has not been revealed before, however, are the many different forms of mental illness The Bard described in terms that are now identifiable in the modern manual of disorders known as the DSM-5. But, as the book shows, the playwright’s fascination with human nature extended far beyond mental disorders, ranging across the psychological spectrum, from brain anatomy to personality, cognition, emotion, perception, lifespan development, and states of consciousness. To illustrate, we have stories to tell involving astrology, potions, poisons, the four fluids called “humors,” anatomical dissections of freshly hanged criminals, and a mental hospital called Bedlam—all showing how his perspective was grounded in the medicine and culture of his time. Yet, Will Shakespeare’s intellect, curiosity, and temperament allowed him to see other ideas and issues that would become important in psychological science centuries later. Many of these connections between Shakespeare and psychology lie scattered in books, articles, and web pages across the public domain, but they have never been brought together into a single volume. So, here the authors retell of his fashioning the felicitous phrase, nature-nurture for Prospero to utter in frustration with Caliban and of how the nature-nurture dichotomy would become central in psychology’s quest to understand the tension between heredity and environment. But that was still far from all, for they discovered that his work anticipated multiple other psychological tensions. For example, in Measure for Measure, he made audiences puzzle over which exerts the greater influence on human behavior: internal traits or the external situation. And in Hamlet, he explored the equally enigmatic push-pull between reason and emotion in the mind of the dithering prince. Aside from bringing together The Bard’s known psychology, the book is unique in several other respects. It reveals how his interest in mind and behavior ranged across the full spectrum of psychology, including topics that we now call biopsychology and neuroscience, social psychology, thinking and intelligence, motivation and emotion, and reason vs intuition. Further, we show how the psychological concepts he used have evolved over the intervening centuries—for example, the Elizabethan notion of sensus communis eventually became “consciousness” and the old idea of the humors morphed into our current understanding of hormones and neurotransmitters. We also note that some of Mr. Shakespeare’s concerns seem especially timely today, as in the subplot of queer vs straight issues complicating the story of Troilus and Cressida and in Shylock’s telling of prejudices inflicted on ethnic minorities.
Maree Webster--an almost-emo from the western suburbs of Sydney--hates school, has few friends, and is obsessed with angels and fallen angel stories. Life is boring until she decides to steal a famous painting from a small art gallery that has been haunting her dreams: swirling reds, greys and oranges of barely discernible winged figures. There, she meets a stranger who claims to know her and stumbles into a world where cities float in the sky, and daemons roam the barren, magma-spewing crags of the land far below. And all is not well--Maree is turning into something she loves but at the same time, fears. Most fearful of all is the prospect of losing her identity--what makes her Maree, and more importantly, what makes her human. Guardian of the Sky Realms takes the reader on a journey through exotic fantasy lands, as well as across the globe, from Sydney to Paris, from the Himalayas to Manhattan. At its heart, it is a novel about transformation.
This book's goal is to determine the significance of visual culture in the production of contemporary poetry and to sound out the insights poetry might generate into contemporary visual culture. Its main hypothesis is that poetry holds considerable potential for (post-)digital language, image, and media criticism. The visual dimensions of recent poetry encompass, for instance, kinetic writing in digital poetry, visual elements in social media poems, and (spoken and written) text-image interactions in poetry films as well as in book poetry. The articles examine these medial correlations and their political implications by asking how visual culture is applied, exposed, and debated in poetry. This volume brings together contributions by authors from various countries working in disciplines such as literary, media, and film studies, linguistics, cultural and visual culture studies, and in poetic practice. It covers poetry in English, German, Norwegian, Polish, Ukrainian, Russian, Serbian, and also multilingual works. The book thus aims to promote international exchange between poetry researchers and stimulate further investigation into current relations between poetry and visuality from additional research perspectives and languages.
Each issue of The Society of Misfit Stories Presents… is a celebration of long-form fiction. These novelettes and novellas will entertain and surprise fans of the form. In this issue: William Suboski, Sarina Dorie, Daniel Foy, Anne Sherman, Gary Battershell, and David Gilman Frederick. A sampling of the stories in this issue: A ghost seeks to convince a scientist to believe in the existence of ghosts in Psychology for the Living Impaired. A food pantry volunteer finds herself caught up in a peculiar mystery when a strange man registers for services to feed his “guests” in Gregory and the Gregorii. A struggling chef at an exclusive restaurant discovers just how cut-throat the hospitality industry can be in Check On!
