Provides comprehensive coverage of the history and manufacture of the popular dolls, describing and photographing numerous dolls in the Barbie collection
Bringing a lively and accessible style to a complex subject, "Cyborgs and Barbie Dolls" explores the idea of the 'posthuman' and the ways in which it is represented in popular culture. Toffoletti explores images of the posthuman body from goth-rocker Marilyn Manson's digitally manipulated self-portraits to the famous TDK 'baby' adverts, and from the work of artist Patricia Piccinini to the curiously 'plastic' form of the ubiquitous Barbie doll, controversially rescued here from her negative image. Drawing on the work of thinkers including Baudrillard, Donna Haraway and Rosi Braidotti, "Cyborgs and Barbie Dolls" explores the nature of the human - and its ambiguous gender - in an age of biotechnologies and digital worlds.
Collector Books is proud to release the second edition of this book, now including all Barbie exclusives produced and discovered by collectors since 1997. This all-in-one resource features over 1,800 vibrant color photos of Barbie exclusives with close-ups of each doll and descriptions. This encyclopedia includes the unusual and rare ultra-limited Jubilee series of dolls, the porcelain and vinyl dolls produced for Disney, the complete Barbie Festival collection, every national Barbie doll Collectors' Convention set, a spectacular collection of one-of-a-kind Barbie dolls auctions by Mattel for charity, and much more. 8.5 x 11. 2002 values.
Barbie is a strong, independent doll. But is she a feminist icon? It’s complicated. Since her introduction in 1959, Barbie’s impact has been revolutionary. Far from being a toy designed by men to oppress women, she was a toy invented by women to teach women what was expected of them, for better or for worse. Whether tarred-and-glittered as antifeminist puffery or celebrated as a feminist icon (or, at any rate, an important cultural touchstone in understanding feminism) Barbie has undeniably influenced generations of girls. In Forever Barbie, cultural critic, investigative journalist, and first-generation Barbie owner M. G. Lord uncovers the surprising story behind Barbie’s smash success. Revealing her low origins as “Bild Lilli,” a risqué doll for adults sold as a gag gift in postwar Germany, Forever Barbie traces Barbie’s development and transformation, through countless makeovers and career changes, into an international pop culture icon and now “traditional toy.” Though not every doll in the line has been a hit—with pregnant Midge and Growing up Skipper among the more intriguing disasters—Barbie’s endurance, Lord writes, speaks as much to Mattel’s successful marketing as it does to our society’s overall ambivalence toward femininity. With new accessories, including a preface on the latest developments in the Barbieverse, Forever Barbie “will make you think of America’s most celebrated plastic doll in ways you never have before” (Susan Faludi).
Traces the history of Barbie dolls and related toys, including changes in faces, bodies, and hairdos, costume design, Ken, Midge, and other dolls, versions for collectors, and international adaptations
Contains photographs, brief descriptions, and values for Barbie doll licensed products manufactured between 1961 and 1971, covering furniture, musical toys, playsets, promotionals, structures, time pieces, transportation, dressed boxed, and material, paper, sewing, and vinyl products.
Complete descriptions, values, model numbers, dates and markings for more than 1,000 dolls will assist your identification of these highly sought after dolls. Barbie and all her friends issued in 1959 through 1995 are photographed in 1,800 full colour photographs.