Excellent Women is probably the most famous of Barbara Pym's novels. The acclaim a few years ago for this early comic novel, which was hailed by Lord David Cecil as one of 'the finest examples of high comedy to have appeared in England during the past seventy-five years,' helped launch the rediscovery of the author's entire work. Mildred Lathbury is a clergyman's daughter and a spinster in the England of the 1950s, one of those 'excellent women' who tend to get involved in other people's lives - such as those of her new neighbor, Rockingham, and the vicar next door. This is Barbara Pym's world at its funniest.
Destiny and Development is an engaging narrative of one remarkable person's life and the life of her community that blends psychology, anthropology, and history to reveal the integral role that culture plays in human development.
The Making of Barbara Pym offers new insights into Pym’s formative years as a writer, during which she honed a complex view of the necessity of change on individual and cultural levels. Supported by newly published archival material, this comprehensive study of Pym’s early work explores her personal and fictional pre-war and wartime writing, including unpublished and posthumously published works, before looking closely at Some Tame Gazelle and Excellent Women, published during Britain’s post-war austerity period. Of central importance is a new recognition of Pym’s use of social roles, particularly those of women, as proper avenues for change. The book traces how Pym came to devise characters whose individual development can be seen as analogous to or representative of larger cultural movements. Pym uses the spinster figure to embody the forward-looking cultural perspectives that she endorsed and then, finally, in Jane and Prudence, to figure the end of Britain’s austerity period.
With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem – loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and – perhaps most keenly felt – their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life.
Part of The Oxford First Book series, this title explores various aspects of the lives of dinosaurs of all kinds, from the huge plant-eaters to the deadly meat-eaters. With topics like defence, size and speed and a Dinosaur Detective quiz, children of 5 upwards find this a useful source for all their dinosaur information.
Master of sharp observation in her beautifully crafted works of women’s fiction, Barbara Lorna Hudson explores myriad relationships in Makeover. After a turbulent early life and two abusive marriages, divorcee Lucille Brown has battled hard to find her feet. Now all she asks is a second chance. When Oxford don, Walter, arrives in her life, the sexual chemistry is tangible, yet the gulf between them seems impassable. But harsh lessons and new opportunities await them both.
‘Captures both Barbara and her writing so miraculously’ JILLY COOPER Picked as a Book to Look Forward to in 2021 by the Guardian, The Times and the Observer A Radio 4 Book of the Week, April 2021
Individual objects have potentials: paper has the potential to burn, an acorn has the potential to turn into a tree, some people have the potential to run a mile in less than four minutes. Barbara Vetter provides a systematic investigation into the metaphysics of such potentials, and an account of metaphysical modality based on them. In contemporary philosophy, potentials have been recognized mostly in the form of so-called dispositions: solubility, fragility, and so on. Vetter takes dispositions as her starting point, but argues for and develops a more comprehensive conception of potentiality. She shows how, with this more comprehensive conception, an account of metaphysical modality can be given that meets three crucial requirements: (1) Extensional correctness: providing the right truth-values for statements of possibility and necessity; (2) formal adequacy: providing the right logic for metaphysical modality; and (3) semantic utility: providing a semantics that links ordinary modal language to the metaphysics of modality. The resulting view of modality is a version of dispositionalism about modality: it takes modality to be a matter of the dispositions of individual objects (and, crucially, not of possible worlds). This approach has a long philosophical tradition going back to Aristotle, but has been largely neglected in contemporary philosophy. In recent years, it has become a live option again due to the rise of anti-Humean, powers-based metaphysics. The aim of Potentiality and Possibility is to develop the dispositionalist view in a way that takes account of contemporary developments in metaphysics, logic, and semantics.
Three lonely people come together in this poignant, witty novel of star-crossed romance from the New York Times–bestselling author of Jane and Prudence. After being jilted by her fiancé, Dulcie Mainwaring despairs of ever finding true love. For a distraction, she goes to a publishing conference, where she meets Viola Dace, a dramatic woman who refuses to live without romance, as well as Aylwin Forbes, an editor whom Viola adores. The fact that Aylwin is married doesn’t stop Viola. When her amorous pursuit prompts Aylwin’s wife to leave him, the academic heartthrob is wide open to Viola’s romantic attentions. That is, until Dulcie’s eighteen-year-old niece moves in with Viola, and the young girl soon catches Aylwin’s roving eye. Set in London in the early 1960s, No Fond Return of Love is a delightful comedy of manners that comes full circle as Dulcie discovers a love as unexpected as it is liberating.
Barbara Pym is a writer of whom it may be truly said that her life is reflected in her work. This definitive biography puts Barbara in her setting and relates her life to the age and the world in which she lived. Drawing on a wealth of previously unpublished material and with the help of Barbara’s sister Hilary and her friends (including Philip Larkin, Robert Liddell, Henry Harvey and Robert Smith, Hazel Holt, her friend and literary executor, has drawn a perceptive portrait of Barbara Pym, the woman as well as the novelist. From the heady atmosphere of pre-war Oxford where she embarked upon a series of highly romantic love affairs, through her wartime service in the WRNS, to early success as a published writer, we come to know a person whose humour and sharp observation were uniquely combined with a compassionate acceptance of human nature – qualities that made her such an outstanding novelist. Hazel Holt also describes the dark period from 1963, when Barbara Pym’s novels were rejected as unpublishable, through the wilderness years until 1977 when her literary reputation was triumphantly re-established by Philip Larkin and Lord David Cecil. Barbara Pym emerges from these pages as an entertaining companion with an insatiable curiosity and an unquenchable delight in the eccentricities of her fellows. Readers already acquainted with her novels will find great pleasure in this biography and those who are not will be irresistibly drawn towards the world of Barbara Pym.
