The Oxford Handbook of Contemporary Ballet

The Oxford Handbook of Contemporary Ballet

Author: Kathrina Farrugia-Kriel

Publisher: Oxford University Press

Published: 2021

Total Pages: 1013

ISBN-13: 0190871490

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"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--


Basic Concepts in Modern Dance

Basic Concepts in Modern Dance

Author: Gay Cheney

Publisher: Dance Horizons Book

Published: 1989

Total Pages: 134

ISBN-13:

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Presents an overview of the history of modern dance; discusses basic body movement, improvisation, and choreography; and includes illustrated exercises designed to help the dancer learn to use his or her body more effectively.


Modern Dance Terminology

Modern Dance Terminology

Author: Paul Love

Publisher: Dance Horizons

Published: 1997

Total Pages: 104

ISBN-13:

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This collection of defined terms represents the aims, theories, and objectives of modern dance. It is the first and only book to define modern dance concepts, terms, principles, and movements in the words of the great founders of modern dance: Doris Humphrey, Hanya Holm, Martha Graham, Charles Weidman and Helen Tamiris. Quoted extensively as well are Isadora Duncan, Emile Jaques-Dalcroze, Rudolf Laban, Ruth St. Denis, José Limón, Alwin Nikolais, Glen Tetley and John Martin.--Publisher description.


The Style of Movement

The Style of Movement

Author: Ken Browar

Publisher: Rizzoli

Published: 2019-09-24

Total Pages: 0

ISBN-13: 9780847864089

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Style meets movement: a new photography book featuring more than eighty of today's most famous dancers, captured in movement and styled in garments designed by some of fashion's biggest names. From renowned photographers Ken Browar and Deborah Ory, the husband-and-wife team behind NYC Dance Project and the best-selling photography book The Art of Movement, comes their follow-up book for fans of dance, fashion, and photography. Spotlighting today's greatest dancers--from ballet to modern--in clothing by today's and yesterday's most celebrated designers, this stunning volume takes the relationship between style, fashion, and dance as its subject. The dancers bring the pages to life with their grace and movement, becoming one with what they're wearing. Whether in couture gowns from Dior, Valentino, Oscar de la Renta, vintage Halston, Moschino, and Bill Blass, or in costumes designed by Martha Graham herself, the world-renowned dancers featured in these pages--including Tiler Peck, Daniil Simkin, Misty Copeland, Christine Shevchenko, Xander Parish, and Olga Smirnova--bring movement to style.


Modern Dance

Modern Dance

Author: Andrew Solway

Publisher: Heinemann-Raintree Library

Published: 2009

Total Pages: 54

ISBN-13: 9781432913762

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How do dancers make their own music? Which choreographer developed a duet for a dancer and a mechanical digger? Why was The Rite of Spring ballet so influential for modern dance? Modern Dance provides a detailed look at the development of modern dance, from the pioneering work of Martha Graham to computer animated dance and virtual dancers of today. The book looks at how the choreography and improvisation differ from other styles of dance, and explores the part played by costumes and make-up. There is also information on how to become a modern dancer.


Kinaesthesia and Visual Self-Reflection in Contemporary Dance

Kinaesthesia and Visual Self-Reflection in Contemporary Dance

Author: Shantel Ehrenberg

Publisher: Springer Nature

Published: 2021-08-16

Total Pages: 286

ISBN-13: 303073403X

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Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.


Modern Dance in Germany and the United States

Modern Dance in Germany and the United States

Author: Isa Partsch-Bergsohn

Publisher: Routledge

Published: 2013-11-05

Total Pages: 212

ISBN-13: 1134358210

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First Published in 1995. In Modern Dance in Germany and the United States: Crosscurrents and Influences Isa Partsch­Bergsohn discusses the phenomenon of the modem dance movement between 1902 and 1986 in an international context, focussing on its beginnings in Europe and its philosophy as formulated by the pioneers Dalcroze, Laban, Wigman and Jooss. The author traces the effects the Third Reich had on these artists, and shows the influence these key choreographers had on the developing American modem dance movement through the postwar years, concentrating in particular on Kurt Jooss and his Tanztheater. When America took the lead in modem dance innovation during the sixties, artists such as Martha Graham, Jose Limon, Paul Taylor, Alvin Ailey and Alwin Nikolais overwhelmed European audiences. Subsequently, the artists of the New German Tanztheater revitalized German theatre traditions by blending new content with some of the American contemporary dance techniques. Although the history of modem dance in these two countries is closely linked, the author describes how each country has kept its own unique and distinctive style.