To this "old Bali" has been added the lush and erotic Bali of the European imagination - the tropical paradise that in the 193Os became an extension of salon life for the rich and famous, providing inspiration for artists and Hollywood writers. During the 196Os, "hippie" surfers discovered Bali's beaches, waves and cheap digs, and today young European, Australian and Japanese visitors barter for bargains and dance till dawn on Kuta Beach. Tourists, students and armchair travelers alike will appreciate the fresh insights which this book brings to the history and culture of a traditional island faced with a massive invasion of paradise-seekers. After reading this book, your view of Bali will never be quite the same again!
This look at gay paradises in Southeast Asia and the men who created them considers the obstacles gay men have faced in securing a voice as citizens, and how they have used images of paradise in Bali, Bangkok and Singapore to create a sense of refuge, construct homes for themselves, and dissent from typical notions of manhood and masculinity. It focuses on Walter Spies, a gay German painter who in the 1930s depicted Bali as an ideal male aesthetic state; Khun Toc, who founded an architectural paradise called Babylon in Thailand; and the "cyber-paradise" of Fridae.com created by a young Singaporean named Stuart Koe. Collectively, Atkins examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and political obstacles they have encountered. Gary Atkins is professor of communication at Seattle University. He is the author of Gay Seattle: Stories of Exile and Belonging--Página 4 de la cubierta.
This book tells the story of Bali—the "paradise island of the Pacific"—its rulers and its people, and their encounters with the Western world. Balinese history tells a fascinating story. For a thousand years, the peculiar splendor of Balinese–Hindu culture came very close to satisfying the social, religious and artistic needs of the people. The arrival of European visitors in the 1920s and 1930s soon made the island's magical charms known to the outside world, and forever changed the "real, unspoiled" Bali. This is the story about the vulnerability—and durability—of an ancient culture to the modern world. There already exists a wealth of literature on Balinese art and thought and the singularly beautiful Balinese way of life which often seems to outsiders like a lavishly costumed pageant continuously and merrily played out against a superbly scenic tropical backdrop. A new introduction by Adrian Vickers, a professor of history at the University of Sydney, places the book into the context of the literature on Bali and the impact that the Western world and tourism are currently having on the island.
Every year, millions of tourists visit Bali in Indonesia, but what you don’t see in the glossy brochures is the rampant prostitution, the bloody turf wars waged between local gangs and the drug- and alcohol-induced Western hooliganism. Tourists are robbed, raped and murdered and get into vicious fights. In this raw and extraordinary exposé, Scott offers up a Bali choking with violent street fights, cheap sex and aggressive crime.
This book tells the story of Bali--the "paradise island of the Pacific"--its rulers and its people, and their encounters with the Western world. Bali is a perennially popular tourist destination. It is also home to a fascinating people with a long and dramatic history of interactions with foreigners, particularly after the arrival of the first Dutch fleet in 1597. In this first comprehensive history of Bali, author Willard Hanna chronicles Bali through the centuries as well as the islanders' current struggle to preserve their unique identity amidst the financially necessary incursions of tourism. Illustrated with more than forty stunning photographs, A Brief History of Bali is a riveting tale of one ancient culture's vulnerability--and resilience--in the modern world.
Although Indonesia has the fourth largest population in the world, its history is still relatively unknown. Adrian Vickers takes the reader on a journey across the social and political landscape of modern Indonesia, starting with the country's origins under the Dutch in the early twentieth-century, and the subsequent anti-colonial revolution which led to independence in 1949. Thereafter the spotlight is on the 1950s, a crucial period in the formation of Indonesia as a new nation, followed by the Sukarno years, and the anti-Communist massacres of the 1960s when General Suharto took over as president. The concluding chapters chart the fall of Suharto's New Order after thirty two years in power, and the subsequent political and religious turmoil which culminated in the Bali bombings in 2002. Adrian Vickers is Professor of Asian Studies at the University of Wollongong. He has previously worked at the Universities of New South Wales and Sydney, and has been a visiting fellow at the University of Indonesia and Udayana University (Bali). Vickers has more than twenty-five years research experience in Indonesia and the Netherlands, and has travelled in Southeast Asia, the U.S. and Europe in the course of his research. He is author of the acclaimed Bali: a Paradise Created (Penguin, 1989) as well as many other scholarly and popular works on Indonesia. In 2003 Adrian Vickers curated the exhibition Crossing Boundaries, a major survey of modern Indonesian art, and has also been involved in documentary films, including Done Bali (Negara Film and Television Productions, 1993).
A riveting and poignant novel of one woman’s journey to Bali in search of love, renewal, and a place to call home—perfect for readers of Elizabeth Gilbert’s Eat, Pray, Love and Alex Garland’s The Beach. It starts as a trip to paradise. Sent on assignment to Bali, Jamie, an American adventure guide, imagines spending weeks exploring the island’s lush jungles and pristine white sand beaches. Yet three days after her arrival, she is caught in Bali’s infamous nightclub bombings, which irreparably change her life and leave her with many unanswered questions. One year later, haunted by memories, Jamie returns to Bali seeking a sense of closure. Most of all, she hopes to find Gabe, the man who saved her from the attacks. She hasn’t been able to forget his kindness—or the spark between them as he helped her heal. Checking into a cozy guest house for her stay, Jamie meets the kindly owner, who is coping with a painful past of his own, and a young boy who improbably becomes crucial to her search. Jamie has never shied away from a challenge, but a second chance with Gabe presents her with the biggest dilemma of all: whether she’s ready to open her heart. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Paradise Guest House “Two survivors of Bali’s terrorist bombing find love and spiritual rebirth on an island whose inhabitants believe in reincarnation in Sussman’s touching panorama of paradise. . . . Throughout, Sussman celebrates lovers, quiet healing, and the sweetness of the island and its people.”—Publishers Weekly (starred review) “A story of healing and redemption, of finding love in the most unexpected places, and of the importance of moving forward . . . Sussman has drawn a vivid, well-balanced portrait of a woman and a country working to recover from an unimaginable event and a very personal look at a global tragedy.”—Booklist “Echoing Bali’s difficult recovery from [the 2002 terrorist bombing], the characters tread the difficult terrain of post-traumatic attachment. . . . A respectful and earnest . . . treatment of devastation’s aftermath.”—Kirkus Reviews “[A] moving story about making sense of life after a tragedy . . . This touching tale will cause contemplation about what closure truly means.”—RT Book Reviews
Living in Paradise brims with the best of tropical residential designs. Architecture and interior design experts Annie Kelly and Tim Street-Porter have selected unique interiors that will inspire readers to create their own paradises. The stunning venues in lush settings profiled here range in style from the environmentally sustainable utilizing indigenous materials, such as thatching and bamboo, to breezy courtyard spaces. These homes take into account the dramatic natural landscapes--some are surrounded by tropical plantings, while others open onto dramatic sun-drenched beaches. The interiors incorporate organic textures such as cane and bamboo furnishings, some covered in exotic Indonesian fabrics, including ikat- and batik-style textiles. Pool pavilions with decorative roof details are perfect for outdoor entertaining, and infinity pools are presented as a striking and organic part of the landscape. Beautifully photographed, this will inspire readers with design ideas that can be gleaned from these breathtaking dwellings.
The glossy guide book image of Bali is of a timeless paradise whose people are devoutly religious and artistically gifted. However, a hundred years of colonialism, war and Indonesian independence, and tourism have produced both modernizing changes and created an image of Bali as ‘traditional’. Incorporating up-to-date ethnographic field work the book investigates the myriad of ways in which the Balinese has responded to the influx of outside influence. The book focuses on the fascinating interrelationship between tourism, economy, culture and religion in Bali, painting a twenty-first century picture of the Balinese. In documenting these diverse changes Howe critically assesses some of the work of Bali’s most famous ethnographer, Clifford Geertz and demonstrates the importance of a historically grounded and broadly contextualized approach to the analysis of a complex society.
