(Instructional). The Hal Leonard Bagpipe Method is designed for anyone just learning to play the Great Highland bagpipes. This comprehensive and easy-to-use beginner's guide serves as an introduction to the bagpipe chanter. Video lessons of demonstrations of all the examples in the book are included! Lessons include: the practice chanter, the Great Highland Bagpipe scale, bagpipe notation, proper technique, grace-noting, embellishments, playing and practice tips, traditional tunes, buying a bagpipe, and much more!
Bookseller and amateur sleuth Delaney Nichols finds a dead body in a castle outside Edinburgh and must investigate how this murder is connected to a rare manuscript.
Angus MacKay (1812-1859) is one of the most important figures in piping history, though today he is best-known for having gone mad. He was the first piper to hold the position of Piper to the Sovereign, appointed early in Victoria's reign. This novel lets MacKay tell his story, from his childhood on the Isle of Raasay, to his rise to early renown and his marriage, to Buckingham Palace and Balmoral, and, finally, Bedlam. Rich in historic detail, following a man's journey from a humble background to the peak of fame, this novel is perfect for any lover of historic fiction.
What country is made up of 95 islands, invented the game of golf, and raised a warrior worthy of the name "Braveheart"? Welcome to Scotland! In B is for Bagpipes: A Scotland Alphabet, Scottish native Eve Begley Kiehm gives an A-Z tour of the country that may be small in size but a giant in history and rich in tradition. Kick up your heels at a Highland dance, visit the statue of Greyfriar's Bobby as he stands guard near his master's grave, and finally dig into a dish of haggis with a side helping of "tatties and neeps." From the splendors of capital city Edinburgh to the stories of Robert Louis Stevenson to the gloomy waters of Loch Ness and its lonely "Nessie," the treasures of Scotland are revealed. Colorful artwork captures the proud spirit of its landscape and culture.Eve Begley Kiehm was born in Bridge of Allan, Scotland. She has a master's degree in Scottish History and Literature from Glasgow University and an early childhood education certification from the University of Toronto. Her books about Scotland include a YA historical adventure novel. Eve lives in the San Diego area. Alexa Rutherford lives in Edinburgh, Scotland. She has illustrated many books for UK publishers and a handful of US publishers, as well as US children's magazines.
Like so many people who live south of the border in England, Helen thought that she knew all about Scotland. It was a part of Britain after all, a place that was surely more the same than it was different. But then she actually went there – and everything changed...
Piping brings happiness and undeniable positive value to our lives... or at least it should. Pipers of every level of experience and ability can feel incredibly frustrated and lost in the dark about an instrument they want to play well, but can't. It doesn't have to be this way. Join me as I guide you through a commonsense approach, which I call the Five Phases of Bagpipe Freedom, to liberate every aspect of your musicianship and rediscover your joy of playing the bagpipes.
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.
Young Gregor MacDonald is thrilled when he gets a set of bagpipes for his birthday. Now he can be just like Grandad. But each time he starts to play, an awful noise sounds, Honk-eeyyoww! And each time, he hears the same angry cry, 'You can't play here!'Poor Gregor goes from house, to loch, to barn and to hillside disturbing people, until he finds acceptance in the most unlikely of places.
Following on from the 9/11 World Trade Center terrorist attacks, the author covers the ordeal of the massive number of funerals, the importance of recovering bodies in Irish American culture and the bagpiping ritual, both traditional and modern.
