"Sasson Somekh's memoir takes shape like a series of telling snapshots from another time and place. The time is the 1930s and '40s and the place, Iraq, where Somekh and his family were part of the country's then-flourishing Jewish community. The book offers an intimate view of this milieu and manages both to describe vividly the young Somekh's intellectual and emotional growth and to map the now-vanished world of Baghdad's book stalls and literary cafes, its Arabic-speaking Jewish bank clerks, outdoor movies at the Cinema Diana, and bonfires by the Tigris. As the pieces of Somekh's unsentimental memoir accumulate, they also mount in meaning. The book celebrates the ups and downs of Iraqi Jewish life as it also portrays the eventual dissolution of the community in the early 1950s."--BOOK JACKET.
Although Iraqi Jews saw themselves as Iraqi patriots, their community—which had existed in Iraq for more than 2,500 years—was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the part of their Iraqi compatriots, but rather the outcome of misguided state policies during the late 1940s and early 1950s. Sadly, from a dominant mood of coexistence, friendship, and partnership, the impossibility of Arab-Jewish coexistence became the prevailing narrative in the region—and the dominant narrative we have come to know today.
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
The Other Iraq challenges the notion that Iraq has always been a totalitarian, artificial state, torn by sectarian violence. Chronicling the rise of the Iraqi public sphere from 1921 to 1958, this enlightening work reveals that the Iraqi intellectual field was always more democratic and pluralistic than historians have tended to believe. Orit Bashkin demonstrates how Sunni, Shi'i, and Kurdish intellectuals effectively created hyphenated Iraqi identities, connoting pride in their individual heritages while simultaneously appropriating and integrating ideas and narratives of Arab and Iraqi nationalism. Illustrating three developmental stages of Iraqi intellectual history, she follows Iraqi intellectuals' changing roles, from agents of democracy, to specialists who analyze the population, to deeply entrenched members of society committed to change. Based on previously unexplored material, this eye-opening work has significant contemporary implications.
Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus
A Palestinian-Israeli poet declares a new state whose language, "Homelandic," is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a "language plague" that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. In Poetic Trespass, Lital Levy brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, she presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, Poetic Trespass traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, Levy finds writers who have boldly crossed over this divide to create literature in the language of their "other," as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, Levy introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, Poetic Trespass will change the way we understand literature and culture in the shadow of the Israeli-Palestinian conflict.
"A former Marine himself, Betley proves himself an able heir to the throne held by the likes of Brad Thor and the late, great Vince Flynn....Not to be missed" (The Providence Journal). When Logan West impulsively answers a dead man's ringing phone, he triggers a global race against the clock to track down an unknown organization searching for an Iraqi artifact that is central to a planned attack in the Middle East—one that will draw the United States into a major conflict with Iran. Logan, a former Marine officer, is quickly contracted as a "consultant" to assist the FBI as part of a special task force bent on stopping the shadowy operatives, whatever the cost. The battles are nonstop, from the plains of the Midwest, to mansions in northern Mexico, to the war-torn Al-Anbar province, pitting an international team against trained mercenaries employed by the world's largest private security contractor...whose owner has a personal vendetta against the US government. Meanwhile, Logan is battling his own demons, especially the trauma of the ambush that his Force Recon unit suffered at an insurgent torture compound in Fallujah in 2004, which threatens to destroy everything he holds dear. With high-stakes and fully-realized characters, Overwatch is a thriller unlike any you've read before: deftly plotted, up-to-the-minute, and impossible to put down.
