Carleigh Baker likes to make light in the dark. Whether plumbing family ties, the end of a marriage, or death itself, she never lets go of the witty, the ironic, and perhaps most notably, the awkward. Despite the title, the resolution in these stories isn't always tragic, but it's often uncomfortable, unexpected, or just plain strange. Character digressions, bad decisions, and misconceptions abound.
Iris has awoken as the villainess in the world of her favorite otome game. But not just ANY otome game—one with nothing but bittersweet "Happy-Bad" Endings! If the heroine hooks up with one of her problematic love interests, the rest of the world is doomed... but if she fails, it's the villainess who will pay with her life! Fortunately, Iris has time on her side. All she has to do is set things up so that the heroine won't go down those routes! Be it curing a fatal disease or re-parenting her possessive twin brother, she'll do whatever it takes to reject these Happy-Bad Endings!
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
Weaving personal stories with Scripture, the author offers wise insights on loneliness, death, hard choices, failure and other challenges and guides us toward victory in Christ. Includes a study guide for each chapter.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!
I'm Madison Avery, in charge of heaven's hit squad . . . and fighting it all the way. When Madison died the night of her prom, she knew her life would never be the same. Now she has a powerful amulet, a team of rogue angels by her side, and the ability to flash forward into the future to see the shape of destiny. And of course, now she's finally with Josh—a perfect boyfriend who doesn't even mind that she's dead. But being dead has its disadvantages, too. Madison feels caught between the light and the dark, and between her real life and her timekeeper status. When Madison has the opportunity to get her body back—to be alive again—she faces her most difficult decision yet. If she claims it, she could return to being a normal girl—and have a chance at a real relationship with Josh. But would having the one thing she wants most in the world also mean giving up everything she's worked so hard for?
THE FINAL CURTAIN FALLS It’s a play within a play...within a play! Miku’s been caught in the world of Burlet’s famous lost play, Crazy Night–or has she? Every clue she picks up only deepens the mystery, but as the curtains draw back, lies turn into truths...and betrayal turns into something else entirely. When Miku finally understands what’s really going on in the world of the play, she makes a fateful decision that changes everything. At long last, the truth is exposed in the final volume of this fantastical Gothic mystery! FINAL VOLUME
Come close, children, and see the living crocodile. A vintage '54 Buick Roadmaster. At least, that's what it looks like . . . There is a secret hidden in Shed B in the state police barracks in Statler, Pennsylvania. A secret that has drawn troopers for twenty years - terrified yet irresistibly tempted to look at its chrome fenders, silver grille and exotic exhaust system. Young Ned Wilcox has started coming by the barracks: mowing the lawn, washing the windows, shovelling snow; it's a boy's way of holding on to his father - recently killed in a strange road accident by another Buick. And one day Ned peers through the windows of Shed B and discovers the family secret. Like his father, Ned wants answers. He deserves answers. And the secret begins to stir . . .
My name is Landon Wicker. Almost a year ago, I learned I was psychokinetic. I can lift objects with my mind, hear people's thoughts, and even fly if I concentrate hard enough. Because of what I am, I was brought to a secret facility-the Gymnasium-where, with hundreds of others like me, I am trained in how to control my abilities. Then, six months ago, I was recruited into the Pantheon, an elite group of psychokinetics who secretly work for the U.S. government, running operations to maintain the nation's security and superiority. I thought I was doing my part. I thought I'd found a way to redeem myself after killing my parents. But then I met Artemis, super spy and number one threat to the Pantheon. How could I have known she was also one of my best friends? She showed me the truth. The Pantheon and the Gymnasium may not be what they claimed. . . . And I might actually be the enemy I thought I was fighting against. Now, I'm a double agent working with Artemis to find a way to bring them down. But no one said it would be easy, and with every discovery, the extent of the Gymnasium's lies and deception only deepens. I'm beginning to wonder if we'll ever find a way to stop them.
