Kashmir is a forgotten conflict. Since ages, it has remained as an unattended human tragedy. Consequently, many changes at political and social level have mutated the discourse of life subtly. There are many untold and unheard real stories reeling under the debris of turmoil. This book is an attempt to narrate those voices through their character(s) and unearth the decayed truths of the place.
Since the discovery of a decaying corpse in their backyard, the members of the Bajaj family have experienced a host of emotions from shock to disgust to exasperation to fury. But when the young CID officer Vasant arrives at the crime scene, he can immediately tell that the Bajaj family may not be as innocent as they seem. However, seeing as Mr Bajaj is the additional secretary to revenue and has a meeting with the prime minister in a couple of hours, Vasant has no option but to speed up his investigation. But he is not worried. The "still alive" corpse has just started talking and Vasant is all ears. Subversive, exciting, and revealing, with a twist you actually won't be ready for, Manjula Padmanathan's Body in the Backyard is as compelling as it is well-written.
For the killer, there is always the problem of getting rid of the body. Muswell Hill murderer Dennis Nilsen famously cooked the corpses of his victims in Cranley Gardens and flushed them down the lavatory, only to be caught when the sewers blocked up. But his first twelve victims were disposed of in the back garden of his previous home in Melrose Avenue. Fred and Rosemary West buried the bodies of three of their victims in the back garden of the House of Horrors at 25 Cromwell Street.Milwaukee cannibal Jeffrey Dahmer began his murderous career scattering human remains in the backyard of his parents' home in Bath, Ohio. Convicted killer Peter Tobin went back on trial after two more bodies were found in the back garden of his former home in Margate. And grisly granny Dorothea Puente murdered lodgers at her boarding house in Sacramento, California, dispatching them to the backyard while continuing to cash their Social Security cheques.This book explores these and many other cases that suggest that, whatever the motive for murder, the back garden is a convenient place to dump the corpse. The Mexican drug cartels use it. So do drug dealers in London and sex killers in France. Benjamin Laing, who killed a father and daughter to steal a ?7,000 car, went one step further, burying the bodies of his victims in the back garden of his girlfriend's house in Abbey Wood. She called the police. His crime, she decided, had come just a little bit too close to home.
Clarence Collin is pushing up daisies—in Abe's bed of zinnias! When the caustic critic of a TV gardening show winds up murdered in Abe's well-groomed backyard, both Abe and his hunky-but-irritating neighbor Gregory might be on the suspect list. Abe starts amateur sleuthing in self-defense...and to spend time with Gregory. When the two green thumbs look into their neighborhood's dirty little secrets, who knows what they'll dig up? A cozy gay mystery 51,000 words
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which nature might just trump technology: Plants, chemicals, and insects found near the body are turning out to be the fiercest weapons in our crime-fighting arsenal. In this highly original book, Sachs accompanies an eccentric group of entomologists, anthropologists, biochemists, and botanists -- a new kind of biological "Mod Squad" -- on some of their grisliest, most intractable cases. She also takes us into the courtroom, where "post-O.J." forensic science as a whole is coming under fire and the new multidisciplinary art of forensic ecology is struggling to establish its credibility. Corpse is the fascinating story of the 2000year search to pinpoint time of death. It is also the terrible and beautiful story of what happens to our bodies when we die.
Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.
When human remains are found at a crime scene, forensic anthropologists examine them to determine the time and cause of death, as well as the identity of the victim. How do they know the answers to these questions? Body farms are facilities where specialists can study the ways bodies decompose under different conditions, which helps forensic anthropologists solve crimes more effectively. Informative fact boxes, full-color photographs, and engaging sidebars offer a closer look at these little-known research facilities. Readers are sure to be captivated by stories of farms unlike any they have ever heard of before.
'Great bloody fun' Barbara Paul Part-time librarian Aurora 'Roe' Teagarden lands smack in the middle of a baffling murder case in the fifth murder mystery from #1 New York Times and Sunday Times bestselling author Charlaine Harris Roe never liked Detective Sergeant Jack Burns, but she never wanted to see him dead - especially dropped from a plane right into her own front yard. Luckily, even Lawrenceton, Georgia's finest, know that Roe couldn't possibly be in two places at once, so her name is crossed off the suspect list. But then other strange things happen around Roe, ranging from peculiar (her irascible cat turns up wearing a pink ribbon) to violent (her assistant at the library is attacked) to potentially deadly (her ex-lover is stabbed). Clearly there is a personal message in this madness that Roe must decipher - before it is too late . . . 'Clearly focused plot, animated description of character and sparkling prose commend this breath of fresh air to all collections' (Library Journal)
Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.
