Stella has the world at her feet - good looks, brains, and a place at Cambridge University. Together with her admirer Gemini, she becomes interested in the work and mind of a psycho-therapist with exciting new ideas. However, when tragedy encroaches on their lives they soon come to realise that intellectualism brings little comfort or solace. Babes in the Darkling Wood is a powerful tale of fluctuating fortunes that presents an interesting dialogue of contemporary developments in psychoanalytical theory.
This eBook features the unabridged text of ‘Babes in the Darkling Wood’ from the bestselling edition of ‘The Complete Works of H. G. Wells’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Wells includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Babes in the Darkling Wood’ * Beautifully illustrated with images related to Wells’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Stella has the world at her feet - good looks, brains, and a place at Cambridge University. Together with her admirer Gemini, she becomes interested in the work and mind of a psycho-therapist with exciting new ideas. However, when tragedy encroaches on their lives they soon come to realise that intellectualism brings little comfort or solace. Babes in the Darkling Wood is a powerful tale of fluctuating fortunes that presents an interesting dialogue of contemporary developments in psychoanalytical theory.
This novel tells the story of Stella and Gemini. Stella has it all: good looks, intelligence, and an undergraduate place at Cambridge, not to mention Gemini, her Oxford crush. Stella and Gemini, become increasingly influenced by a rather striking psycho-therapist whose remarkable theories captivate their imaginations. Then tragedy strikes! Will all they have learned provide comfort for them?
This volume offers a new account of the relationship between literary and secularist scenes of writing in interwar Britain. Organized secularism has sometimes been seen as a phenomenon that lived and died with the nineteenth century. But associations such as the National Secular Society and the Rationalist Press Association survived into the twentieth and found new purpose in the promotion and publishing of serious literature. This book assembles a group of literary figures whose work was recommended as being of particular interest to the unbelieving readership targeted by these organisations. Some, including Vernon Lee, H.G. Wells, Naomi Mitchison, and K.S. Bhat, were members or friends of the R.P.A.; others, such as Mary Butts, were sceptical but nonetheless registered its importance in their work; a third group, including D.H. Lawrence and George Moore, wrote in ways seen as sympathetic to the Rationalist cause. All of these writers produced fiction that was experimental in form and, though few of them could be described as modernist, they shared with modernist writers a will to innovate. This book explores how Rationalist ideas were adapted and transformed by these experiments, focusing in particular on the modifications required to accommodate the strong mode of unbelief associated with British secularism to the notional mode of belief usually solicited by fiction. Whereas modernism is often understood as the literature for a secular age, Unbelief in Interwar Literary Culture looks elsewhere to find a literature that draws more directly on secularism for its aesthetics and its ethics.
H. G. Wells and All Things Russian is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells’s attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.
