Young and beautiful Babelina is visiting Paris. The trip is an early wedding present from her fiancé, James, and it’s an exciting time. But she’s shaken when she has her first nightmare about her soon-to-be husband, and she’s left wondering if he’s really all he seems. As quickly as the question dawns on her, it’s replaced by others: Why is she having such dreams? Why are they so vivid and real? What about the promise she made to be his wife? When Babelina she returns home, her beloved fiancé is waiting for her with open arms, eager to help her unpack her loads of new clothes. He’s even arranged a welcome home dinner – and when he hears about her nightmares, he assures her she’s simply nervous about getting married. She knows that her fiancé adores her, and he certainly is charming. But when a secret he’s been hiding comes out on the very day they are supposed to get married, she’s forced to make a decision that will change her life forever.
In the 1950s and early 1960s, Allen Ginsberg and his fellow Beats led an insurrection that profoundly altered the American literary and cultural landscapes. Collected here are journal entries culed from eighteen notebooks that Ginsberg kept during this extraordinary period -- thoughts, poems, dreams, reflections, and diary notes that intimately illuminate Ginsberg's actual travels and his mental journeys. They reveal a remarkable and fascinating life: conversations with William Carlos Williams; drug experiences; a chance meeting with Dylan Thomas; stays in Mexico, San Francisco, and New York; first impressions of "Naked Lunch"; bits and peices of "America, Kaddish" and other poems; political "ravings"; and, of course, times with William S. Burroughs, Jack Kerouac, Gergory Corso, Herbert Huncke, Peter Orlovsky, and many, many others. What emerges is a truly unique personal account that will touch the mind and the soul.
"The 'Madonna and child' known as 'The Dudley Madonna' was painted around 1508 by Giovanni Belline (c. 1430-1516), one of the most celebrated of Italian artists. This book charts the painting's recent provenance and reception and revisits the context in which it was created. It retraces its critical history from Dudley's nineteenth-century London until today, and reassesses and autograph work by Bellini that during the twentieth century was almost completely overlooked. The years 1505-10 were crucial to Giovanni Bellini's career, and this book examines anew the part he played in the Venetian High Renaissance, noting his response to the upcoming generation (above all Titian) and new ideas coming from central Italy - from Raphael and in particular from the visiting Florentine Fra Bartolomeo." -- book flyleaf.
Two articles by Lewis Feuer caught my attention in the '40s when 1 was wondering, asa student physicist, about the relations of physics to philosophy and to the world in turmoil. One was his essay on 'The Development of Logical Empiricism' (1941), and the other his critical review of Philipp Frank's biography of Einstein, 'Philosophy and the Theory of Relativity' (1947). How extraordinary it was to find so intelligent, independent, critical, and humane a mind; and furthermore he went further, as I soon realized when I looked for his name on other publications. I recall arguing with myself over his exploration of 'Indeterminacy and Economic Development' (1948), and even more when I read his 'Dialectical Materialism and Soviet Science' (1949). More papers, and then the fascinating, sometimes irritating, always insightful, books. His monograph on Psychoanalysis and Ethics 1955, the beautiful sociological and humanist study of Spinoza and the Rise of Liberalism (1958), his essays on 'The Social Roots of Einstein's Theory of Relativity' (1971) together with the book on Einstein and the Genera tions of Science (1974), the splendid reader from the works of Marx and Engels, Basic Writings on Politics and Philosophy (1959) which was a major text of the '60s, the stimulating essays on the social formation which seems to have been required for a modern scientific movement to develop, set forth most convincingly in The Scientific Intellectual (1963).
Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today’s leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer’s innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
Christianity took root in the Americas during the early modern period when a historically unprecedented migration brought European clergy, religious seekers, and explorers to the New World. Protestant and Catholic settlers undertook the arduous journey for a variety of motivations. Some fled corrupt theocracies and sought to reclaim ancient principles and Christian ideals in a remote unsettled territory. Others intended to glorify their home nations and churches by bringing new lands and subjects under the rule of their kings. Many imagined the indigenous peoples they encountered as "savages" awaiting the salvific force of Christ. Whether by overtly challenging European religious authority and traditions or by adapting to unforeseen hardship and resistance, these envoys reshaped faith, liturgy, and ecclesiology and fundamentally transformed the practice and theology of Christianity. Religious Transformations in the Early Modern Americas explores the impact of colonial encounters in the Atlantic world on the history of Christianity. Essays from across disciplines examine religious history from a spatial perspective, tracing geographical movements and population dispersals as they were shaped by the millennial designs and evangelizing impulses of European empires. At the same time, religion provides a provocative lens through which to view patterns of social restriction, exclusion, and tension, as well as those of acculturation, accommodation, and resistance in a comparative colonial context. Through nuanced attention to the particularities of faith, especially Anglo-Protestant settlements in North America and the Ibero-Catholic missions in Latin America, Religious Transformations in the Early Modern Americas illuminates the complexity and variety of the colonial world as it transformed a range of Christian beliefs. Contributors: Ralph Bauer, David A. Boruchoff, Matt Cohen, Sir John Elliot, Carmen Fernández-Salvador, Júnia Ferreira Furtado, Sandra M. Gustafson, David D. Hall, Stephanie Kirk, Asunción Lavrin, Sarah Rivett, Teresa Toulouse.
