A collection of writings that explores the experiences of Mexican-Americans during the Vietnam War, both on the warfront and at home; featuring over sixty short stories, poems, speeches, and articles.
This incisive and elegantly written examination of Chicano antiwar mobilization demonstrates how the pivotal experience of activism during the Viet Nam War era played itself out among Mexican Americans. ¡Raza Sí! ¡Guerra No! presents an engaging portrait of Chicano protest and patriotism. On a deeper level, the book considers larger themes of American nationalism and citizenship and the role of minorities in the military service, themes that remain pertinent today. Lorena Oropeza's exploration of the evolution, political trajectory, and eventual implosion of the Chicano campaign against the war in Viet Nam encompasses a fascinating meditation on Mexican Americans' political and cultural orientations, loyalties, and sense of status and place in American society.
Luis wishes Nico wasn't leaving for the Army. To show Nico he doesn't need to go, Luis begins a mural on the alleyway wall. Their house, the river, the Parque de las Ardillas—it's the world, all right there. Won't Nico miss Mami's sweet flan? What about their baseball games in the street? But as Luis awaits his brother's return from duty, his own world expands as well, through swooping paint and the help of their bustling Dominican neighborhood.
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
This ambitious book attempts to rehistoricize the Golden Age of Spain (ca. 1550-1680) by placing literary production in its socio-cultural context. Drawing on theories of cultural materialism and making use of historical analysis, George Mariscal focuses on the ways in which the problem of subjectivity is constructed in the writing of the period, particularly the poetry of Francisco de Quevedo and Cervantes' Don Quixote.
It's April 1969, and fourteen-year-old Yolanda Sahagún can hardly wait to see her favorite brother, Chuy, newly returned from Vietnam. But when he arrives at the Welcome Home party the family has prepared in his honor it's clear that the war has changed him. The transformation of Chuy is only one of the challenges that Yolanda and the rest of her family face. This powerful coming-of-age novel, winner of the 1999 Chicano/Latino Literary Contest, is a touching and funny account of a summer that is still remembered as a crossroads in American life. Yolanda and her brothers and sisters learn how to be men and women and how to be Americans as well as Mexican Americans. "A captivating portrayal . . . .the novel is challenging, warm, provocative, often humorous, always engaging."--Rudolfo Anaya "Patricia Santana's Motorcycle Ride on the Sea of Tranquillity will take you on an exhilarating journey through the tortured landscape of the late 1960s, and show you how the stench of a brutal foreign war and revolutionary winds at home swept into the lives on one Mexican American family in Southern California. . . . Santana takes her place among those new Chicana writers who are refashioning the face of American literature for the twenty-first century."--Jorge Mariscal, University of California, San Diego, author of Aztlan and Viet Nam: Chicano and Chicana Experiences of the War
The Albuquerque barrio portrayed in this vivid novel of postwar New Mexico is a place where urban and rural, political and religious realities coexist, collide, and combine. The magic realism for which Anaya is well known combines with an emphatic portrayal of the plight of workers dispossessed of their heritage and struggling to survive in an alien culture.
“Powerful and deeply moving personal stories about the physical and emotional toll one endures when forced out of one’s homeland.” —PBS Online In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. Though the refugee caps have been raised under President Biden, admissions so far have fallen short. In The Displaced, Pulitzer Prize–winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience. Featuring original essays by a collection of writers from around the world, The Displaced is an indictment of closing our doors, and a powerful look at what it means to be forced to leave home and find a place of refuge. “One of the Ten Best Books of the Year.” —Minneapolis Star-Tribune “Together, the stories share similar threads of loss and adjustment, of the confusion of identity, of wounds that heal and those that don’t, of the scars that remain.” —San Francisco Chronicle “Poignant and timely, these essays ask us to live with our eyes wide open during a time of geo-political crisis. Also, 10% of the cover price of the book will be donated annually to the International Rescue Committee, so I hope readers will help support this book and the vast range of voices that fill its pages.” —Electric Literature