H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.
So I came down through the wood on the bank of Yann and found, as had been prophesied, the ship Bird of the River about to loose her cable. The captain sat cross-legged upon the white deck with his scimitar lying beside him in its jeweled scabbard, and the sailors toiled to spread the nimble sails to bring the ship into the central stream of Yann, and all the while sang ancient soothing songs. And the wind of the evening descending cool from the snowfields of some mountainous abode of distant gods came suddenly, like glad tidings to an anxious city, into the wing-like sails.
"The Dreaming City has a million stories." The world has finally reached its final hours with Yog-Sothoth devouring time itself. John Henry Booth is not content to die and seeks out an old enemy to provide him an escape from the dying Earth. This results in him being transported to a strange monster-filled city where millions of humans live in a bizarre hodgepodge of eras. John soon finds out he's been here before, or at least some variant of him has, and he is soon founded by faces long thought dead. And what is his lost son's connection to the mysterious metropolis? The Tree of Azathoth is the third novel of the Cthulhu Armageddon series, a post-apocalypse continuation of H.P. Lovecraft's popular Cthulhu Mythos.
A classic tale of terror and grotesquerie by the original master of horror H. P. Lovecraft proclaimed his Dunwich Horror "so fiendish" that his editor at Weird Tales "may not dare to print it." The editor, fortunately, knew a good thing when he saw it. One of the core Cthulhu stories, The Dunwich Horror introduces us to the grim village of Dunwich, where each member of the Whateley family is more grotesque than the other. There's the grandfather, a mad old sorcerer; Lavinia, the deformed, albino woman; and Wilbur, a disgusting specimen who reaches full manhood in less than a decade. And above all, there's the mysterious presence in the farmhouse, unseen but horrifying, which seems to be growing . . . Wilbur tracks down an original edition of the Necronomicon and breaks into a library to steal it. But his reward eludes him: he gets caught, and the result is death by guard dog. Meanwhile, left unattended, the monster at the Whateley house keeps expanding, until the farmhouse explodes and the beast is unleashed to terrorize the poor, aggrieved village of Dunwich. As chilling today as it was upon its publication in 1929, The Dunwich Horror is a horrifying masterwork by the man Stephen King called "the twentieth century's greatest practitioner of the classic horror tale."
Abdul Al-Hazred had almost finished. Just the final sentence, and his lineage. “Amen!,” his pen swept out the wide, detailed Arabic characters, “I have completed it! Naught more can I do! The future is in thy hands, thou who shall read this writing!” And that was as far as he got! Thunder crashed across the sky! But it was as nothing to the roar of triumph that resounded and echoed inside his head! Sheer terror struck his heart. “Oh, my god and goddess!” he screamed, “Save me from the powers of the Old Ones, and the horrors of beyond!” But the voice roared with laughter, “THY GOD AND GODDESS WILL NOT HELP THEE NOW!” it bellowed, “I, AZATHOTH, THE CRAWLING CHAOS, HAVE WON! BE AWARE, MORTAL, AND DESPAIR! THE SPELLS AND CHANTS THAT THOU HAST SO CAREFULLY WRIT, FAR FROM BINDING, WILL RELEASE! THE OLD GODS WILL BE FREED! THOU HAST DOOMED THE WHOLE OF THY PITIFUL HUMAN RACE TO DESTRUCTION!” With a scream of despair, the Arab reached out to the pile of manuscript in a desperate attempt to destroy that which he had written. But it was far too late. Al-Hazred’s heart failed him, and he collapsed to the earth floor. Thus was The Necronomicon, the most evil book in creation, completed, with the death of its author. It was due to destroy other lives in its existence …
Astronomers have theorized that our sun is not alone in its journey areound the galaxy, but is accompanied by an unknown second star of dim radiance. This second star, while perhaps invisible from Earth even with the finest optics, would periodically pass close enough to our solar system to have far-reaching effects upon the evolution of this planet.
Kitchen is a priestess of Azathoth, a deity of chaos (sort of). She lives in a world that is full of magic and monsters and elves and things like that. She is a very special person who sees reality in a very special way. This book describes some things that happened to her. It includes content that some readers might find objectionable.
***TOP TEN SELECTION FOR BOOKLIST BEST OF HORROR 2016*** The Gods of H.P. Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson. About the book: Lovecraft's bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth--this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from: Cthulhu (Adam Nevill) - Yog-Sothoth (Martha Wells) - Azathoth (Laird Barron) - Nyarlathotep (Bentley Little) - Shub-Niggurath (David Liss) - Tsathoggua (Brett Talley) - The Mi-Go (Christopher Golden & James A. Moore) - Night-gaunts (Jonathan Maberry) - Elder Things (Joe Lansdale) - Great Race (Rachel Caine) - Yig (Douglas Wynne) - The Deep Ones (Seanan McGuire)
On the heels of his widely successful trilogy of works honoring H. P. Lovecraft, Donald Tyson now unveils a true grimoire of ritual magic inspired by the Cthulhu Mythos. The Grimoire of the Necronomicon is a practical system of ritual magic based on Lovecraft's mythology of the alien gods known as the Old Ones. Fans of Lovecraft now have the opportunity to reliably and safely get in touch with the Old Ones and draw upon their power for spiritual and material advancement. Tyson expands upon the Old Ones' mythology and reintroduces these "monsters" in a new, magical context—explaining their true purpose for our planet. As a disciple, you choose one of the seven lords as a spiritual mentor, who will guide you toward personal transformation. Grimoire of the Necronomicon features ritual forms and invocations for the daily and yearly rites of the Old Ones, individual rituals devoted to each of the seven major figures of the mythos, and most importantly, a grand ritual for personal attainment. The daily rituals provide an excellent system of esoteric training for individual practitioners. This grimoire also provides structure for an esoteric society—Order of the Old Ones—devoted to the group practice of this unique system of magic.