Whitish accompanies Ayşe Erkmen’s first institutional solo exhibition opened in Turkey, at Arter’s new building and which bears the same name as the book. The exhibition brings together the creative output of Ayşe Erkmen since the 1970s, chosen with a retrospective approach, with new works conceived and produced especially for this exhibition. The book includes an interview with the artist, conducted by Emre Baykal, the curator of the exhibition, together with images of her works adapted to the new building of Arter and being presented in a new network of relationships as well as photos from her archive that shed light on Ayşe Erkmen’s continuous artistic production for over 50 years.
Mit der Ausstellung"Displacements/Entortungen" initiiert das Museum der bildenden Künste Leipzig einen Dialog zwischen den Künstlerinnen Ayse Erkmen (Istanbul) und Mona Hatoum (Beirut). Es ist die erste Doppelausstellung der beiden international bekannten Künstlerinnen. Sowohl Erkmen als auch Hatoum haben künstlerische Positionen entwickelt, in denen die Reflexion über die Spezifität eines Ortes und damit verbundener gesellschaftlicher und politischer Fragen eine wichtige Rolle spielen. Beide begreifen den Ort und seinen historischen Kontext als Teil ihrer künstlerischen Arbeit und setzen sich auf unterschiedliche Art mit persönlichen und globalen Fragestellungen auseinander. Gemein ist beiden Künstlerinnen die Verwendung von anscheinend vertrauten Formen und Ausdrucksmitteln, die sie neu konnotieren und durch andere künstlerische und formale Bezüge in ihrer Bedeutung verschieben. Der Katalog erschien begleitend zur gleichnamigen Ausstellung.
Arter initiates a new publication series, Arter Background, to accompany group exhibitions drawn from its collection, which holds more than 1,300 works of art as of 2019. This first book of the series accompanies one of the opening exhibitions of Arter’s new building, a collection-based group exhibition entitled What Time Is It?. Curated by Emre Baykal and Eda Berkmen, the exhibition is conceived around the concepts of memory, space and time. In the book, excerpts of texts selected around the ideas active in the curatorial process are complemented by new essays written specifically for this context, in line with Arter’s mission of encouraging artistic and cultural production. It thus features texts on themes associated with houses, everyday objects, personal and collective histories, inside and outside, urban rhythms, architecture, archaeology, borders and migration, and includes commissioned essays by Erdem Ceylan, Deniz Gül, Gökhan Kodalak, and Nil Sakman. While close-up visual excerpts taken from the art works are cited side by side with the texts, the installation views from the exhibition assume their places as the first entries into the memory of Arter’s new space. With contributions by Etel Adnan • Guillaume Apollinaire • Marc Augé • Ingeborg Bachmann • Matsuo Basho • Joe Brainard • Sevim Burak • Erdem Ceylan • Boubacar Boris Diop • Harun Farocki • Hans Ulrich Gumbrecht • Deniz Gül • Nurdan Gürbilek • Christopher F. Hasty • Eric Hattan • Stephen Hawking • Zbigniew Herbert • Cem İleri • Gökhan Kodalak • Milan Kundera • Henri Lefebvre • Édouard Levé • Agustín Fernández Mallo • Jonas Mekas • Georges Perec • Fernando Pessoa • Marcel Proust • Rodrigo Quian Quiroga • Rainer Maria Rilke • Yannis Ritsos • Nil Sakman • Bruno Schulz • W.G. Sebald • Susan Sontag • Wallace Stevens • Stefan Zweig
Addresses the practical and aesthetic considerations of layout such as where and how the content will be viewed, whether the format is a magazine, website, television graphic or bottle of bubble bath. This book will prove indispensable to anyone wishing to acquire a thorough knowledge of the principles of layout as used in modern design. Through the considered application of these principles a more balanced and effective design can be achieved.
Published by the University Art Museum, California State University, Long Beach in association with Getty Publications The renowned Argentine conceptual artist David Lamelas (born 1946) has an expansive oeuvre of sensory, restive, and evocative work. This book, published to coincide with the first monographic exhibition of the artist’s work in the United States, offers an incisive look into Lamelas’s art. The guiding analytic theme is the artist’s adaptability to place and circumstance, which invariably influences his creative production. Lamelas left Argentina in the mid-1960s to study at Saint Martin’s in London. Since then, he has divided his time among various cities. While the typical narrative invoked about artists like Lamelas is one of “internationalism,” his nomadic movement from one place or conceptual framework to the next has always been more “postnational” than “international.”
A lively introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Accessible and with lavish illustrations, this is the perfect gift for art history fans and anyone looking for a new, more inclusive perspective on ‘the old boys’ club.’ Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol’s Brillo boxes to Marina Abramović’s performance art to today’s biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.
