Often I have wondered, idly enough, what happened to them there; whether they were dead, or perhaps droning their lives away as monks in some Thibetan Lamasery, or studying magic and practising asceticism under the tuition of the Eastern Masters trusting that thus they would build a bridge by which they might pass to the side of their adored Immortal. Now at length, when I had not thought of them for months, without a single warning sign, out of the blue as it were, comes the answer to these wonderings..FROM THE BOOKS.
Ayesha, Reincarnated “Think then what it is to live on here eternally and yet be human; to age in soul and see our beloved die and pass to lands whither we may not hope to follow; to wait while drop by drop the curse of the long centuries falls upon our imperishable being, like water slow dripping on a diamond that it cannot wear, till they be born anew forgetful of us, and again sink from our helpless arms into the void unknowable.” - H. Rider Haggard, Ayesha: The Return of She Horace Holly and Leo Vincey are convinced Ayesha didn’t die in Africa so they embark on a journey to Asia and Tibet where they meet the wife of an evil emperor, Khania Atene who claims to be the descendant of one of Alexander the Great’s Hellenic generals. The two also find out that Atene has a rival, in the mysterious Princess of He's, Hesea. Both Atene and Hesea declare their love for Leo. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Established as a homeland for India’s Muslims in 1947, Pakistan has had a tumultuous history. Beset by assassinations, coups, ethnic strife, and the breakaway of Bangladesh in 1971, the country has found itself too often contending with religious extremism and military authoritarianism. Now, in a probing biography of her native land amid the throes of global change, Ayesha Jalal provides an insider’s assessment of how this nuclear-armed Muslim nation evolved as it did and explains why its dilemmas weigh so heavily on prospects for peace in the region. “[An] important book...Ayesha Jalal has been one of the first and most reliable [Pakistani] political historians [on Pakistan]...The Struggle for Pakistan [is] her most accessible work to date...She is especially telling when she points to the lack of serious academic or political debate in Pakistan about the role of the military.” —Ahmed Rashid, New York Review of Books “[Jalal] shows that Pakistan never went off the rails; it was, moreover, never a democracy in any meaningful sense. For its entire history, a military caste and its supporters in the ruling class have formed an ‘establishment’ that defined their narrow interests as the nation’s.” —Isaac Chotiner, Wall Street Journal
I believe it was the old Egyptians - a very wise people, probably indeed much wiser than we know for in the leisure of their ample centuries they had time to think out things - who declared that each individual personality is made up of six or seven different elements, although the Bible only allows us three, namely body soul and spirit...
In Rider Haggard and the Imperial Occult, Simon Magus explores the occult world of H. Rider Haggard through an analysis of his literary engagement with ancient Egypt, Romanticism and Theosophy.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.
