Awakening Spaces
Awakening Spaces

Author: Brenda F. Berrian

Publisher: University of Chicago Press

Published: 2000-06-15

Total Pages: 320

ISBN-13: 9780226044552

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The fast-paced zouk of Kassav', the romantic biguine of Malavoi, the jazz of Fal Frett, the ballads of Mona, and reggae of Kali and Pôglo are all part of the burgeoning popular music scene in the French Caribbean. In this lively book, Brenda F. Berrian chronicles the rise of this music, which has captivated the minds and bodies of the Francophone world and elsewhere. Based on personal interviews and discussions of song texts, Berrian shows how these musicians express their feelings about current and past events, about themselves, their islands, and the French. Through their lyrical themes, these songs create metaphorical "spaces" that evoke narratives of desire, exile, subversion, and Creole identity and experiences. Berrian opens up these spaces to reveal how the artists not only engage their listeners and effect social change, but also empower and identify themselves. She also explores the music as it relates to the art of drumming, and to genres such as African American and Latin jazz and reggae. With Awakening Spaces, Berrian adds fresh insight into the historical struggles and arts of the French Caribbean.

Artists, Performers, and Black Masculinity in the Haitian Diaspora
Artists, Performers, and Black Masculinity in the Haitian Diaspora

Author: Jana Evans Braziel

Publisher: Indiana University Press

Published: 2008-06-27

Total Pages: 314

ISBN-13: 0253219787

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Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo nègs, or "big men." She focuses on six artists and their work: writer Dany Laferrière, director Raoul Peck, rap artist Wyclef Jean, artist Jean-Michel Basquiat, drag queen performer and poet Assotto Saint, and queer drag king performer Dréd (a.k.a. Mildréd Gerestant). For Braziel, these individuals confront the gendered, sexualized, and racialized boundaries of America's diaspora communities and openly resist "domestic" imperialism that targets immigrants, minorities, women, gays, and queers. This is a groundbreaking study at the intersections of gender and sexuality with race, ethnicity, nationality, and diaspora.

Environmental Sound Artists
Environmental Sound Artists

Author: Frederick Bianchi

Publisher: Oxford University Press

Published: 2016-06-10

Total Pages: 233

ISBN-13: 0190234644

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Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving.

Sounds of Vacation
Sounds of Vacation

Author: Jocelyne Guilbault

Publisher: Duke University Press

Published: 2019-08-30

Total Pages: 152

ISBN-13: 1478005319

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The contributors to Sounds of Vacation examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. Drawing on case studies from Barbados, the Bahamas, Guadeloupe, Saint Martin, and Saint Lucia, the contributors point to the myriad ways live performances, programmed music, and the sonic environment heighten tourists' pleasurable vacation experience. They explore, among other topics, issues of authenticity in Bahamian music; efforts to give tourists in Barbados peace and quiet at a former site of colonial violence; and how resort soundscapes extend beyond music to encompass the speech accents of local residents. Through interviews with resort managers, musicians, and hospitality workers, the contributors also outline the social, political, and economic pressures and interests that affect musical labor and the social encounters of musical production. In so doing, they prompt a rethinking of how to account for music and sound's resonances in postcolonial spaces. Contributors. Jerome Camal, Steven Feld, Francio Guadeloupe, Jocelyne Guilbault, Jordi Halfman, Susan Harewood, Percy C. Hintzen, Timothy Rommen

"Music and the Performance of Identity on Marie-Galante, French Antilles "

Author: Ron Emoff

Publisher: Routledge

Published: 2017-07-05

Total Pages: 350

ISBN-13: 1351557521

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Marie-Galante is a small island situated in the Caribbean to the south of Guadeloupe. The majority of Marie-Galantais are descendants of the slave era, though a few French settlers also occupy the island. Along with its neighbours Guadeloupe and Martinique, Marie-Galante forms an official d?rtement of France. Marie-Galante historically has never been an independent polity. Marie-Galantais express sentiments of being 'deux fois colonis? or twice colonized, concomitant with their sense of insularity from a global organization of place. Dr Ron Emoff translates this pervasive sense of displacement into the concept of the 'non-nation'. Musical practices on the island provide Marie-Galantais with a means of re-connecting with other significant distant places. Many Marie-Galantais display a 'split-subjectivity', embracing an African heritage, a French association and a Caribbean regionalism. This book is unique, in part, with regard to its treatment of a particular mode of self-consciousness, expressed musically, on a virtually forgotten Caribbean island. The book also combines literary, narrative, historical and musical sources to theorize a postcolonial subsurreal in the French Antilles. The focus of the book is upon kadril dance and gwo ka drumming, two prevalent musical practices on the island with which Marie-Galantais construct unique perceptions of self in relation, specifically, to Africa and France. Based on several extended periods of ethnographic research, the book evokes unique Marie-Galantais views on tradition, historicity, esclavage, nationalism (and its absence) and the local significance of occupying a globally out-of-the-way place. The book will be of interest not only to ethnomusicologists, but also to those interested in cultural and linguistic anthropology, postcolonial studies, performance studies, folklore and Caribbean studies.

Echoes from the Poisoned Well
Echoes from the Poisoned Well

Author: Jeffrey Stine

Publisher: Lexington Books

Published: 2006-03-07

Total Pages: 457

ISBN-13: 0739154478

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The emerging environmental justice movement has created greater awareness among scholars that communities from all over the world suffer from similar environmental inequalities. This volume takes up the challenge of linking the focussed campaigns and insights from African American campaigns for environmental justice with the perspectives of this global group of environmentally marginalized groups. The editorial team has drawn on Washington's work, on Paul Rosier's study of Native American environmentalism, and on Heather Goodall's work with Indigenous Australians to seek out wider perspectives on the relationships between memories of injustice and demands for environmental justice in the global arena. This collection contributes to environmental historiography by providing 'bottom up' environmental histories in a field which so far has mostly emphasized a 'top down' perspective, in which the voices of those most heavily burdened by environmental degradation are often ignored. The essays here serve as a modest step in filling this lacuna in environmental history by providing the viewpoints of peoples and of indigenous communities which traditionally have been neglected while linking them to a global context of environmental activism and education. Scholars of environmental justice, as much as the activists in their respective struggle, face challenges in working comparatively to locate the differences between local struggles as well as to celebrate their common ground. In this sense, the chapters in this book represent the opening up of spaces for future conversations rather than any simple ending to the discussion. The contributions, however, reflect growing awareness of that common ground and a rising need to employ linked experiences and strategies in combating environmental injustice on a global scale, in part by mimicking the technology and tools employed by global corporations that endanger the environmental integrity of a diverse set of homelands and ecologies.

Mek Some Noise
Mek Some Noise

Author: Timothy Rommen

Publisher: Univ of California Press

Published: 2007-04-11

Total Pages: 231

ISBN-13: 0520940547

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"Mek Some Noise", Timothy Rommen’s ethnographic study of Trinidadian gospel music, engages the multiple musical styles circulating in the nation’s Full Gospel community and illustrates the carefully negotiated and contested spaces that they occupy in relationship to questions of identity. By exploring gospelypso, jamoo ("Jehovah’s music"), gospel dancehall, and North American gospel music, along with the discourses that surround performances in these styles, he illustrates the extent to which value, meaning, and appropriateness are continually circumscribed and reinterpreted in the process of coming to terms with what it looks and sounds like to be a Full Gospel believer in Trinidad. The local, regional, and transnational implications of these musical styles, moreover, are read in relationship to their impact on belief (and vice versa), revealing the particularly nuanced poetics of conviction that drive both apologists and detractors of these styles. Rommen sets his investigation against a concisely drawn, richly historical narrative and introduces a theoretical approach which he calls the "ethics of style"—a model that privileges the convictions embedded in this context and that emphasizes their role in shaping the terms upon which identity is continually being constructed in Trinidad. The result is an extended meditation on the convictions that lie behind the creation and reception of style in Full Gospel Trinidad. Copub: Center for Black Music Research

Urban Mix
Urban Mix

Author: Stéphane Lemoine

Publisher: Actar D, Inc.

Published: 2024-05-28

Total Pages: 100

ISBN-13: 1638401543

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Urban Mix explores the devices and attitudes observable in urban crossroads of 8 major world cities. The diversity and complexity of crossings allow variable freedom of movement and define urban life, according to their cultural particularities. Mobility questions our ways of inhabiting the city. They are attached to multiple social approaches, constrained by the geography of the city and linked to the available energies. The frequentation of the city is mainly observed as a saturation or an animation and in an abstract and numerical way. But what is the nature of the movements in the cities, the daily life of more than half of the inhabitants of the planet? What are the speeds, rhythms, interactions, trajectories, specificities in an urban square? Many data describes flows, but don’t show the dynamics and the diversity of movements. This book focuses on 8 cases around the world and proposes to look at them at a human scale by drawing the paths of each moving element. Movement survey at 8 intersections in Old Delhi/Hauz Qasi Chowk in India, Copenhagen/Rådhuspladsen in Denmark, Tokyo/Shibuyacrossing in Japan, Hanoi/Place Dong Kinh Nghia Thuc in Vietnam, London/Oxford Circus inEngland, Lagos/ Ojuelegba and Alagbede-Igbobi Road and A1 in Nigeria, Sao Paulo/Av.Brigadeiro g Faria Lima and Av. President Juscelino Kubitschek in Brazil and Beijing/Chengfu and Zhongguancun E roads crossing in China

Sentimental Confessions
Sentimental Confessions

Author: Joycelyn Moody

Publisher: University of Georgia Press

Published: 2003

Total Pages: 229

ISBN-13: 0820325740

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Sentimental Confessions is a groundbreaking study of evangelicalism, sentimentalism, and nationalism in early African American holy women’s autobiography. At its core are analyses of the life writings of six women--Maria Stewart, Jarena Lee, Zilpha Elaw, Nancy Prince, Mattie J. Jackson, and Julia Foote--all of which appeared in the mid-nineteenth century. Joycelyn Moody shows how these authors appropriated white-sanctioned literary conventions to assert their voices and to protest the racism, patriarchy, and other forces that created and sustained their poverty and enslavement. In doing so, Moody also reveals the wealth of insights that could be gained from these kinds of writings if we were to acknowledge the spiritual convictions of their authors--if we read them because (not although) they are holy texts. The deeply held, passionately expressed beliefs of these women, says Moody, should not be brushed aside by scholars who may be tempted to view them as naïve or as indicative only of the racial, class, and gender oppressions these women suffered. In addition, Moody promotes new ways of looking at dictated narratives without relegating them to a status below self-authored texts. Helping to recover a neglected chapter of American literary history, Sentimental Confessions is filled with insights into the state of the nation in the nineteenth century.