Avant Garde Theatre
Avant Garde Theatre

Author: Christopher Innes

Publisher: Routledge

Published: 2003-09-02

Total Pages: 278

ISBN-13: 1134920881

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Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.

Theater of the Avant-Garde, 1890-1950
Theater of the Avant-Garde, 1890-1950

Author: Robert Knopf

Publisher: Yale University Press

Published: 2015-04-28

Total Pages: 512

ISBN-13: 030021054X

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An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.

American Avant-garde Theatre
American Avant-garde Theatre

Author: Arnold Aronson

Publisher: Psychology Press

Published: 2000

Total Pages: 264

ISBN-13: 9780415241397

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This book offers the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s looking at its origins and its theoretical foundations through an examination of literature, cinema and art.

Mama Dada
Mama Dada

Author: Sarah Bay-Cheng

Publisher: Routledge

Published: 2004-06

Total Pages: 212

ISBN-13: 1135924163

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Sarah Bay-Cheng offers an examination of Gertrude Stein's drama within the history of the theatrical and cinematic avant-gardes.

The Ghosts of the Avant-Garde(s)
The Ghosts of the Avant-Garde(s)

Author: James M. Harding

Publisher: University of Michigan Press

Published: 2015-10-22

Total Pages: 247

ISBN-13: 0472036106

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Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.

Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre
Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre

Author: Mladen Ovadija

Publisher: McGill-Queen's Press - MQUP

Published: 2013-07-01

Total Pages: 261

ISBN-13: 0773588671

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Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.

Theater of the Avant-garde, 1950-2000
Theater of the Avant-garde, 1950-2000

Author: Robert Knopf

Publisher:

Published: 2011

Total Pages: 554

ISBN-13: 9780300134230

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Features a collection of significant avant-garde plays from around the world, along with essays that explore the evolution, objectives, and concerns facing the art form during the second half of the twentieth century.

Event-Space
Event-Space

Author: Dorita Hannah

Publisher: Routledge

Published: 2018-07-11

Total Pages: 312

ISBN-13: 1135053774

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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space.

The Unfinished Art of Theater
The Unfinished Art of Theater

Author: Sarah J. Townsend

Publisher: Northwestern University Press

Published: 2018-07-15

Total Pages: 428

ISBN-13: 0810137429

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A certain idea of the avant-garde posits the possibility of a total rupture with the past. The Unfinished Art of Theater pulls back on this futuristic impulse by showing how theater became a key site for artists on the semiperiphery of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this “unfinished art”—precisely because of its historic weakness as a representative institution in Mexico and Brazil, where the bourgeois stage had not (yet) coalesced—was at the forefront of struggles to redefine the relationship between art and social change. Drawing on extensive archival research, Sarah J. Townsend reveals the importance of projects and texts that belie the rhetoric of rupture and immediacy associated with the avant-garde: ethnographic operas with ties to the recording industry, populist puppet plays, children’s radio programs about the wonders of technology, a philosophical drama about the birth of a new race, and an antifascist spectacle written for (but never performed at) a theater shut down by the police. Ultimately, the book makes the case that the very category of avant-garde art is bound up in the experience of dependency, delay, and the uneven development of capitalism.

British Avant-Garde Theatre
British Avant-Garde Theatre

Author: C. Warden

Publisher: Springer

Published: 2012-05-09

Total Pages: 182

ISBN-13: 1137020695

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This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads experiments in Britain during this period alongside theatrical innovations overseas.