Annual Register
Author: University of Chicago
Publisher:
Published: 1922
Total Pages: 604
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: University of Chicago
Publisher:
Published: 1922
Total Pages: 604
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Chicago
Publisher:
Published: 1926
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOK1897/98 includes summaries for 1891 to 1897.
Author:
Publisher:
Published: 1926
Total Pages: 1418
ISBN-13:
DOWNLOAD EBOOKAuthor: Ohio State University
Publisher:
Published: 1924
Total Pages: 864
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1926
Total Pages: 878
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Weather Research Center
Publisher:
Published: 1942
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOKAuthor: Ernest Hemingway
Publisher: Simon and Schuster
Published: 2003-06-03
Total Pages: 983
ISBN-13: 0743246896
DOWNLOAD EBOOKThe death of Ernest Hemingway in 1961 ended one of the most original and influential careers in American literature. His works have been translated into every major language, and the Nobel Prize awarded to him in 1954 recognized his impact on contemporary writing. While many people are familiar with the public image of Hemingway and the legendary accounts of his life, few knew him as an intimate. With this collection of letters, presented for the first time as a Scribner Classic, a new Hemingway emerges. Ranging from 1917 to 1961, this generous selection of nearly six hundred letters is, in effect, both a self-portrait and an autobiography. In his own words, Hemingway candidly reveals himself to a wide variety of people: family, friends, enemies, editors, translators, and almost all the prominent writers of his day. In so doing he proves to be one of the most entertaining letter writers of all time. Carlos Baker has chosen letters that not only represent major turning points in Hemingway's career but also exhibit character, wit, and the writer's typical enthusiasm for hunting, fishing, drinking, and eating. A few are ingratiating, some downright truculent. Others present his views on writing and reading, criticize books by friend or foe, and discuss women, soldiers, politicians, and prizefighters. Perhaps more than anything, these letters show Hemingway's irrepressible humor, given far freer rein in his correspondence than in his books. An informal biography in letters, the product of forty-five years' living and writing, Ernest Hemingway: Selected Letters leaves an indelible impression of an extraordinary man. Ernest Hemingway was born in Oak Park, Illinois, in 1899. At seventeen he left home to join the Kansas City Star as a reporter, then volunteered to serve in the Red Cross during World War I. He was severely wounded at the Italian front and was awarded the Croce di Guerra. He moved to Paris in 1921, where he devoted himself to writing fiction, and where he fell in with the expatriate circle that included Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and Ford Madox Ford. His novels include The Sun Also Rises (1926), A Farewell to Arms (1929), To Have and Have Not (1937), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). He was awarded the Nobel Prize for literature in 1954. He died in Ketchum, Idaho, on July 2, 1961.
Author: Sascha Bru
Publisher: Taylor & Francis
Published: 2024-03-13
Total Pages: 370
ISBN-13: 1003856667
DOWNLOAD EBOOKThis book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
Author:
Publisher:
Published: 1924
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKIncludes the sections "Educational readings" and "Books to read."