A prize-winning, magisterial history of World War I from the perspective of the defeated Central Powers For the Central Powers, the First World War started with high hopes for an easy victory. But those hopes soon deteriorated as Germany's attack on France failed, Austria-Hungary's armies suffered catastrophic losses, and Britain's ruthless blockade brought both nations to the brink of starvation. The Central powers were trapped in the Allies' ever-tightening Ring of Steel. In this compelling history, Alexander Watson retells the war from the perspective of its losers: not just the leaders in Berlin and Vienna, but the people of Central Europe. The war shattered their societies, destroyed their states, and imparted a poisonous legacy of bitterness and violence. A major reevaluation of the First World War, Ring of Steel is essential for anyone seeking to understand the last century of European history.
The conquest of Serbia was only one of the goals of the Austro-Hungarian Empire in the First World War; beyond this lay the desire to control much of South-East Europe. Employing previously unseen sources, Marvin Fried provides the first complete analysis of the Monarchy's war aims in the Balkans and tells the story of its imperialist ambitions.
This is a major new contribution to the historiography of the First World War. It examines the lively battle of ideas which helped to destroy Austria-Hungary. It also assesses, for the first time, the weapon of 'front propaganda' as used by and against the Empire on the Italian and Eastern Fronts. Based on material in eight languages, the work challenges accepted views about Britain's primacy in the field of propaganda, while casting fresh light on the creation of Yugoslavia and the viability of the Habsburg Empire in its last years.
This collection of essays by international experts in military history reassesses the war plans of 1914 in a broad diplomatic, military, and political setting.
Although southern Poland and western Ukraine are not often thought of in terms of decisive battles in World War I, the impulses that precipitated the battle for Galicia in August 1914—and the unprecedented carnage that resulted—effectively doomed the Austro-Hungarian Empire just six weeks into the war. In Fall of the Double Eagle, John R. Schindler explains how Austria-Hungary, despite military weakness and the foreseeable ill consequences, consciously chose war in that fateful summer of 1914. Through close examination of the Austro-Hungarian military, especially its elite general staff, Schindler shows how even a war that Vienna would likely lose appeared preferable to the “foul peace” the senior generals loathed. After Serbia outgunned the polyglot empire in a humiliating defeat, and the offensive into Russian Poland ended in the massacre of more than four hundred thousand Austro-Hungarians in just three weeks, the empire never recovered. While Austria-Hungary’s ultimate defeat and dissolution were postponed until the autumn of 1918, the late summer of 1914 on the plains and hills of Galicia sealed its fate.
The Carpathian campaign of 1915, described by some as the "Stalingrad of the First World War," engaged the million-man armies of Austria-Hungary and Russia in fierce winter combat that drove them to the brink of annihilation. Habsburg forces fought to rescue 130,000 Austro-Hungarian soldiers trapped by Russian troops in Fortress Przemysl, but the campaign was waged under such adverse circumstances that it produced six times as many casualties as the number besieged. It remains one of the least understood and most devastating chapters of the war-a horrific episode only glimpsed previously but now vividly restored to the annals of history by Graydon Tunstall. The campaign, consisting of three separate and ultimately doomed offensives, was the first example of "total war" conducted in a mountainous terrain, and it prepared the way for the great battle of Gorlice-Tarnow. Habsburg troops under Conrad von Htzendorf faced those of General Nikolai Ivanov, which together totaled more than two million soldiers. None of the participants were psychologically or materially prepared to engage in prolonged winter mountain warfare, and hundreds of thousands of soldiers suffered from frostbite or succumbed to the "White Death." Tunstall reconstructs the brutal environment-heavy snow, ice, dense fog, frigid winds-to depict fighting in which a man lasted on average between five to six weeks before he was killed, wounded, captured, or committed suicide. Meanwhile, soldiers warmed rifles over fires to make them operable and slaughtered thousands of horses just to ward off starvation. This riveting depiction of the Carpathian Winter War is the first book-length account of that vicious campaign, as well as the first English-language account of Eastern Front military operations in World War I in more than thirty years. Based on exhaustive research in Vienna's and Budapest's War Archives, Tunstall's gripping narrative incorporates material drawn from eyewitness accounts, personal diaries, army logbooks, and correspondence among members of the high command. As Tunstall shows, the roots of the Habsburg collapse in Russia in 1916 lay squarely in the winter campaign of 1915. Packed with insights from previously unexploited primary sources, his book provides an engrossing read-and the definitive account of the Carpathian Winter War.
Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-si?e culture in the Austro-Hungarian Monarchy by looking at the unusual and widespread preoccupation with embroidery, fabrics, clothing, and fashion - both literally and metaphorically. The author resurrects lesser known critics, practitioners, and curators from obscurity, while also discussing the textile interests of better known figures, notably Gottfried Semper and Alois Riegl. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in the history of art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Europe by revealing the complex relationships among art history, women, and Austria-Hungary. Rebecca Houze surveys a wide range of materials, from craft and folk art to industrial design, and includes overlooked sources-from fashion magazines to World's Fair maps, from exhibition catalogues to museum lectures, from feminist journals to ethnographic collections. Restoring women to their place at the intersection of intellectual and artistic debates of the time, this book weaves together discourses of the academic, scientific, and commercial design communities with middle-class life as expressed through popular culture.
A masterful account of the Hapsburg Empire's bumbling entrance into World War I, and its rapid collapse on the Eastern Front The Austro-Hungarian army that attacked Russia and Serbia in August 1914 had a glorious past but a pitiful present. Speaking a mystifying array of languages and lugging obsolete weapons, the Habsburg troops were hopelessly unprepared for the industrialized warfare that would shortly consume Europe. As prizewinning historian Geoffrey Wawro explains in A Mad Catastrophe, the disorganization of these doomed conscripts perfectly mirrored Austria-Hungary itself. For years, the Empire had been rotting from within, hollowed out by complacency and corruption at the highest levels. When Germany goaded Austria into starting the world war, the Empire's profound political and military weaknesses were exposed. By the end of 1914, the Austro-Hungarian army lay in ruins and the course of the war seemed all but decided. Reconstructing the climax of the Austrian campaign in gripping detail, A Mad Catastrophe is a riveting account of how Austria-Hungary plunged the West into a tragic and unnecessary war.
