Catalogue to accompany exhibition investigating two main streams of Symbolist art in Australia: works by artists who trained or lived overseas and drew directly from European Symbolist genres; and works by artists in Australia who referenced Symbolism to define a local experience.
My Aboriginal Generation Is Cool There are so many different Aboriginal symbols and languages, they vary from tribe to tribe. There were roughly 600 tribes and around 500 people in a tribe – a population of around 300,000 when Capt. Cook arrived in Australia. To date, the Aboriginal population is over 548,000. It is sad that the population of other races has increased over ten times that of the Aborigines despite its being the oldest race known to mankind, 65,000 years old. I hope that in this book, you see how beautiful and important the Aboriginal history and culture are and how we all can enjoy it.
Special Focus: Law and Literature This special focus issue of Symbolism takes a look at the theoretical equation of law and literature and its inherent symbolic dimension. The authors all approach the subject from the perspective of literary and book studies, foregrounding literature’s potential to act as supplementary to a very wide variety of laws spread over historical, geographical, cultural and spatial grounds. The theoretical ground laid here thus posits both literature and law in the narrow sense. The articles gathered in this special issue analyse Anglophone literatures from the Renaissance to the present day and cover the three major genres, narrative, drama and poetry. The contributions address questions of the law’s psychoanalytic subconscious, copyright and censorship, literary negotiations of colonial and post-colonial territorial laws, the European ‘refugee debate’ and migration narratives, fictional debates on climate change, contemporary feminist drama and classic 19th-century legal narratives. This volume includes two insightful analyses of poetic texts with a special focus on the fact that poetry has often been neglected within the field of law and literature research. Special Focus editor: Franziska Quabeck, Westfälische Wilhelms-Universität Münster, Germany.
Victor Majzner arrived in Australia in 1959 as a Jewish refugee from Russia. His career as a painter accelerated during the 1980s when, as a migrant seeking identity, he began to travel inland and study the antiquity of the ancient continent as well as forming close bonds with several important Aboriginal artists from the Warmun Community in the Northern Territory. His spectacular and unconventional paintings deal with issues of identity and, over recent years, with his developing sense of his Jewish heritage. Some paintings, more surreal than his Australian landscapes, emerged from his late 1990s travels to the Negev Desert in Israel. A feature to this book is its inclusion of pen and ink studies made as preliminaries to the major paintings.Leigh Astbury teaches art history at Monash University, Melbourne.This book also comes as a special edition with original etching by Victor Majzner and a slip-case.
This book explores the fin de siècle, an era of powerful global movements and turbulent transition, in Australia and beyond through a series of biographical microhistories. From the first wave feminist Rose Summerfield and the working class radical John Dwyer, to the indigenous rights advocate David Unaipon and the poet Christopher Brennan, Hearn traces the transnational identities, philosophies, ideas and cultures that characterised this era. Examining the struggles and aspirations of fin de siècle lives; respect for the rights of women and indigenous peoples, the injustices and hardship inflicted on working men and women, and the ways in which they imagined a better world, this book examines the transformation and renewal brought about by fin de siècle ideas. It examines the distinctive characteristics of this 'great acceleration' of economic, technological and cultural forces that swept the globe at the turn of the 19th century both within an Australian context and on the world stage. Asserting that the fin de siècle was significant for the making of modern Australia, and demonstrating the impact Australian fin de siècle lives had on the transnational and global movements of the era, Mark Hearn traces the turbulent nature of the fin de siècle imagination in Australia, and its response to these dynamic forces.
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
It's time for some straight talk about Australia's future. We need a head of state who shares a genuine affinity with our country. True independence does not require us to relinquish affection for the Queen or downplay excitement about a royal birth or wedding. Rather it is a chance for national renewal, and to lend an Australian dignity to the highest office in the land. In short: to decide what kind of country we want to live in. Featuring forewords by Malcolm Turnbull and Wayne Swan, Project Republic unites a range of passionate Australian voices to show why Australia must become a republic – and how we can get there from here. Henry Reynolds / Thomas Keneally / Larissa Behrendt / John Hirst / Julian Morrow / Helen Irving / Mark Tredinnick John Warhurst / David Morris / George Williams / Joy Mccann / Erika Smith / Anthony Dillon / Paul Pickering / James Curran / David Donovan / George Winterton
Businessmen in the global age move all around the world. Here, what is more important than fluent language skills is understanding the culture of that country. Based on the core symbols of each culture, this course deals with the essential cultural knowledge including unique customs, dispositions of the people and gestures to avoid. A big continent that accounts for nearly 1/3 of the world's lands - Asia. Different countries in Asia hold different "national symbols" and "cultures" that appear similar to each other. Why don't we expand our perspectives through the symbols and anecdotes behind the landmarks of each country and the customs of specific cultures? First, we start with anecdotes behind the representative symbols and culture of Japan, the country that values courtesy and practical substances. Why did China use "pandas" to solve diplomatic issues? Why do Chinese people especially love "Guan Yu" among many characters from "The History of Three States"? As the proverb "Everything is determined by the 'kuanxi' (relationship)", Chinese people value humanly relationships based on trust. Let's explore more about China, the country that pursues both faith and practical interests. What is the reason behind elephants being considered as sacred and mystical creatures in Thailand? It is because the virtues required by almost every religion can be found in the characteristics of elephants. Thailand is a true Buddhist country with millions of Buddhist temples and monks respected as mental leaders. Let's learn about Thailand, the Buddhist country that prioritizes Bukun and courtesy. It is a well known fact that India worships "cows". People respect the cows to let them go first anywhere and everywhere. Why do Indians consider cows, especially female cows sacred? The answer is in the doctrine of reincarnation of Hinduism. We now take a look at India, the country of Hinduism that worships cows. In Indonesia, the phrase "kira-kira" can be easily heard, meaning "about, approximately and roughly." Composed of 13,000 islands, Indonesia has a variety of ethnicities and religions, with unique customs for each island. This social and natural environment can only be united when there exists clear commonalities or when each and every culture is appreciated as it is. As the word of compromise stemmed from national tolerance and the phrase that reflects the value system of the Indonesian people, kira-kira has played the role. Now, we look at Indonesia, the country that pursues harmony in diversity. Vietnamese people tend to be gentle yet show strong independence. Also, rather than saving face, they focus on practical interests and prioritize reality to the past. Let's explore the representative symbols and culture of Vietnam, the country that values practicality and reality. More than 85% of the Nepal population believes in Hinduism and less than 10% believes in Buddhism. Still, Nepal derives sanctity from the harmony of the two religions symbolized by the living goddess "Kumari". This is extremely different from other religions that worship imaginative entities. Nepal, the country that respects the sacredness of every soul, will be closely examined now. Australia is a country that loves nature as to insert its specialty animals such as kangaroos and emus into the national crest, while pursuing convenience of civilization. This culture is deeply influenced by the philosophy of the native tribe "Aborigine" who conformed to nature and did not hunt more than needed. Thus, diverse rare animals in Australia have been able to live in harmony with human beings for such a long time. Let's learn more about Australia, the country where nature and human coexist in harmony. In New Zealand, there is the aggressive yet peace-loving "Maori" native tribe. At war times, the Maori tribe shaked their bodies in an aggressive posture while sticking their tongues out to scare the enemies. Since the 20th century, this has become one of the best known tourist attractions of New Zealand. Now, we shall look into the details of New Zealand, the country of the Maori culture and the grand nature. Koreans indeed think that the symbolic animal of Korea is the tiger. As there is a saying that goes, you look alike when you live together, Koreans have lived with tigers for a long time to congest the spirit of tigers ourselves. We have learned the "quickly" habit from their brave and swift actions, and the vigorous and confident disposition from their pride that wouldn't touch grass even when starving. At last, we learn more about Korea, the country with the spirit of tiger.