Australian Painting 1788-1970
Author: Bernard Smith
Publisher:
Published: 1962
Total Pages:
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Bernard Smith
Publisher:
Published: 1962
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Ali Smith
Publisher: Oxford University Press
Published: 1972-03-09
Total Pages: 0
ISBN-13: 9780195502701
DOWNLOAD EBOOKThird edition of a history of Australian painting, first published in 1962 and revised in 1971. The relationship between international influences and changing political, social and artistic contexts remains central. This edition includes three new chapters by Terry Smith extending the coverage to 1990 and outlining the various influences of conceptual art, new interest in Aboriginal painting, and feminist and postmodernist theories. Illustrated throughout with colour and black-and-white reproductions. Includes notes and index.
Author: Bernard Smith
Publisher:
Published:
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Smith
Publisher: Oxford University Press, USA
Published: 1991
Total Pages: 610
ISBN-13:
DOWNLOAD EBOOK"With the three additional chapters on Australian painting since 1970 by Terry Smith".
Author: Bernard Smith
Publisher:
Published: 1971
Total Pages: 483
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Sydney. Department of Adult Education
Publisher:
Published: 1965
Total Pages: 15
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Smith
Publisher:
Published: 1962
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Smith (of the University of Melbourne.)
Publisher:
Published: 1962
Total Pages: 357
ISBN-13:
DOWNLOAD EBOOKAuthor: James Gleeson
Publisher:
Published: 1971
Total Pages: 382
ISBN-13:
DOWNLOAD EBOOKAnnotation pending.
Author: Matthew C. Potter
Publisher: Routledge
Published: 2018-12-21
Total Pages: 262
ISBN-13: 0429752679
DOWNLOAD EBOOKTraditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.