Archaic and Classical Greek Epigram

Archaic and Classical Greek Epigram

Author: Manuel Baumbach

Publisher: Cambridge University Press

Published: 2010-12-02

Total Pages: 455

ISBN-13: 0521118050

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This book explores dialogue between Archaic and Classical Greek epigrams and their readers, and argues for their often-unacknowledged literary and aesthetic achievement.


Rufinus: The Epigrams of Rufinus

Rufinus: The Epigrams of Rufinus

Author: Rufinus

Publisher: Cambridge University Press

Published: 2004-08-26

Total Pages: 132

ISBN-13: 0521609364

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Nothing is known of the Greek poet Rufinus other than that he was the author of a collection of thirty-nine epigrams. In fact he is such an insubstantial figure that his date has been placed at various points within nearly half a millennium. Professor Page here presents a text of Rufinus' poems and a concise commentary on them. In his introduction he considers the criteria by which a date may be established and finds evidence in favour of the fourth century AD.


A Companion to Ancient Epigram

A Companion to Ancient Epigram

Author: Christer Henriksén

Publisher: John Wiley & Sons

Published: 2019-02-12

Total Pages: 732

ISBN-13: 1118841727

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A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion to Ancient Epigram offers the first ever full-scale treatment of the genre from a broad international perspective. The book is divided into six parts, the first of which covers certain typical characteristics of the genre, examines aspects that are central to our understanding of epigram, and discusses its relation to other literary genres. The subsequent four parts present a diachronic history of epigram, from archaic Greece, Hellenistic Greece, and Latin and Greek epigrams at Rome, all the way up to late antiquity, with a concluding section looking at the heritage of ancient epigram from the Middle Ages up to modern times. Provides a comprehensive overview of the history of the epigram The first single-volume book to examine the entire history of the genre Scholarly interest in Greek and Roman epigram has steadily increased over the past fifty years Looks at not only the origins of the epigram but at the later literary tradition A Companion to Ancient Epigram will be of great interest to scholars and students of literature, world literature, and ancient and general history. It will also be an excellent addition to the shelf of any public and university library.


The End of Roman Britain

The End of Roman Britain

Author: Michael E. Jones

Publisher: Cornell University Press

Published: 1998

Total Pages: 340

ISBN-13: 9780801485305

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Jones offers a lucid and thorough analysis of the economic, social, military, and environmental problems that contributed to the failure of the Romans, drawing on literary sources and on recent archaeological evidence.


The epigram in England, 1590–1640

The epigram in England, 1590–1640

Author: James Doelman

Publisher: Manchester University Press

Published: 2016-06-17

Total Pages: 501

ISBN-13: 1784998028

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James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts.


Epigram

Epigram

Author: Niall Livingstone

Publisher: Cambridge University Press

Published: 2010-04-22

Total Pages: 196

ISBN-13: 9780521145701

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Provides an introduction as to what epigram means and why it matters. Short content excellent for undergraduates and researchers alike.


Epigrams from the Anthologia Latina

Epigrams from the Anthologia Latina

Author:

Publisher: Bloomsbury Publishing

Published: 2013-11-06

Total Pages: 394

ISBN-13: 1849667837

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This new scholarly edition consists of the Latin text, with translation and detailed commentary, of a sequence of epigrams from the Anthologia Latina (Shackleton Bailey 78-188). The introduction discusses whether these epigrams constitute a unified collection and are the work of a single author, examines their likely date and place of composition – which, it is argued, is North Africa under Vandal rule –, and sets them in their cultural context. The line-by-line commentary covers issues of literary, linguistic and historical significance. Although text and interpretation of these pieces present frequent difficulties, the author confirms that they make up a fascinating collection of considerable importance and merit, contrary to the low reputation generally associated with the Anthologia Latina. The book will be of great interest to students of Latin literature and language in general, the epigram tradition in particular, and the culture of Vandal Africa.


Ausonius

Ausonius

Author: Decimus Magnus Ausonius

Publisher:

Published: 1985

Total Pages: 0

ISBN-13: 9780674991279

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Only Connect

Only Connect

Author: John K.G. Shearman

Publisher: Princeton University Press

Published: 2023-10-17

Total Pages: 328

ISBN-13: 0691252726

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A leading art historian’s plea for a more engaged reading of Italian Renaissance art Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.