Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
In praising “the witty high school romp” How I Paid for College, the New York Times Book Review said, it “makes you hope there’s a lot more where this came from.” There is. In this hilarious sequel Attack of the Theater People, Edward Zanni and his merry crew of high school musical-comedy miscreants move to the magical wonderland that is Manhattan. It is 1986, and aspiring actor Edward Zanni has been kicked out of drama school for being “too jazz hands for Juilliard.” Mortified, Edward heads out into the urban jungle of eighties New York City and finally lands a job as a “party motivator” who gets thirteen-year-olds to dance at bar mitzvahs and charms businesspeople as a “stealth guest” at corporate events. When he accidentally gets caught up in insider trading with a handsome stockbroker named Chad, only the help of his crew from How I Paid for College can rescue him from a stretch in Club Fed. Laced with the inspired zaniness of classic American musical comedy, Attack of the Theater People matches the big hair of the eighties with an even bigger heart.
A description, analysis and celebration of outdoor theatre. Bim Mason examines some of the less well known methods as well as the performance practices of the most established British and European Companies.
"Contains the informal history of forty theatres that were built, as either legitimate houses or movie palaces and that are currently operating as legitimate theatres"--p. xiii.
(Applause Books). Theatregoers' favorite history of Broadway is back in an updated and expanded 2010 edition including more than 500 color production photos, vintage archival photos, and Playbill covers from all forty currently operating Broadway theatres. Thirty-eight of the original chapters have been expanded to cover all the shows that have opened in the ten years since the popular 2000 edition, with two new chapters added to include Broadway theatres recently refurbished and returned to life. This unique chronicle is the first work to present a detailed theatre-by-theatre roundup of players and productions that have enchanted audiences at Broadway's great playhouses from 1900 to 2010. The work is an expanded treatment of "At This Theatre," the popular feature in Playbill's Broadway theatre programs. "At This Theatre" offers playgoers instant nostalgia by listing notable hits (and some famed fiascos) that have played through the years in the theatre that they are attending. The book also pays tribute to the distinguished impresarios who built and managed these houses, and the brilliant architects and interior designers who created them. The original 1984 edition was created by Playbill senior editor Louis Botto. Botto worked with editor Robert Viagas on the 2000 update. With the third edition, Botto has passed the author torch to Viagas, who founded Playbill.com and the acclaimed Playbill Broadway Yearbook series, and who has written the updates in Botto's style.
Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. From the critically acclaimed writer who brought you Bad Jews.
Anyone who has ever looked for love know the dilemma. Do you make a safe, sensible match? Or take a risk on an exciting someone who might—just might—be the One Great Romance of your life? Musa, an Egyptian immigrant, and Sheri, a very quirky Caucasian waitress, must negotiate the twists and turns of not only love but cultural expectations in this charming romantic comedy with a delightful twist.
In a renovated French farmhouse about a two-hour drive from Paris, Bernard is hoping to send his wife, Jacqueline, to her mother's for the weekend, in hopes he can romance his mistress, Suzanne, a Parisian model. Bernard has hired a Cordon Bleu cook, Suzette, and as an alibi invited his friend Robert to dinner.
“A New Theatre should attract an audience far greater than just the theater world; in fact, it should be of interest to everyone in search of a book that is readable, keenly observant, and witty.” —New York Times “Guthrie’s writing as usual is fresh, witty, sometimes caustic, and always invigorating.” —Library Journal After a long and storied career as one of Britain’s great stage directors, Sir Tyrone Guthrie had become disillusioned with the artistic standards and financial compromises found in the commercial theater of Broadway and London’s West End. He discovered that outside of New York most of America did not have access to professional theater. To remedy this problem Guthrie and his colleagues proposed starting a nonprofit, repertory theater company in a city far removed from Broadway. Scouting and pitching his idea to several major U.S. cities, Guthrie finally found a home for his theater in Minneapolis. A New Theatre chronicles how a coalition of local Minneapolis businesses and philanthropic leaders worked with Guthrie to create the Guthrie Theatre in the early 1960s. In his amusing and personable style, Guthrie welcomes readers on a tour of one of the most dynamic young theatrical institutions in the world, exploring its years of planning, Ralph Rapson’s design of the original building and the thrust stage, the first productions and their receptions, as well as discussing his larger views of theater’s future and its role in society. Sir Tyrone Guthrie (1900-1971) was managing director of the Old Vic and Sadler’s Wells and helped found the Stratford Festival of Canada and the Guthrie Theater in Minnesota. Joe Dowling is Artistic Director for the Guthrie Theater.
