Aryella and her Fairy friends want to inspire children and adults to read and share their love of life. They come to bring magic and joy, and to renew your imagination through their everyday happenings n adventures on Earth. The Fairies are our Nature Angels and they love animals and the trees and gardens and care for all the kingdoms on their Earth home. The Fairies want to teach you and share with you the keys that will open your hearts to love and to unlock the magic of these gifts we are blessed with!
"In this lively retelling of the Purim story, Queen Esther finds the courage to save the Jewish people from Haman, the king's evil advisor"--Provided by publisher.
Antiblack racism avows reason is white while emotion, and thus supposedly unreason, is black. Challenging academic adherence to this notion, Lewis R. Gordon offers a portrait of Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an exemplar of “living thought” against forms of reason marked by colonialism and racism. Working from his own translations of the original French texts, Gordon critically engages everything in Fanon from dialectics, ethics, existentialism, and humanism to philosophical anthropology, phenomenology, and political theory as well as psychiatry and psychoanalysis. Gordon takes into account scholars from across the Global South to address controversies around Fanon’s writings on gender and sexuality as well as political violence and the social underclass. In doing so, he confronts the replication of a colonial and racist geography of reason, allowing theorists from the Global South to emerge as interlocutors alongside northern ones in a move that exemplifies what, Gordon argues, Fanon represented in his plea to establish newer and healthier human relationships beyond colonial paradigms.
One morning Rafe wakes up to discover his bedroom is floating in a vast sea of water. An unforgettable illustrated novel for ages 10 and up with elements of James and the Giant Peach meets Waterworld and The Road. One morning Rafe wakes up to discover his bedroom is floating in a vast sea of water. Alone with only his dog for company, Rafe adapts to this strange new world by fishing cans of food out of the water and keeping watch. Boxes float by, as does a woman, playing her cello. Then, one day, Rafe fishes out a young girl, who joins him in his room — they don't speak the same language, but they will face this uncertain future together.
(Piano/Vocal/Guitar Songbook). 27 contemporary favorites for today's couples for piano, voice and guitar. This updated version includes: All of Me * Can't Stop the Feeling * From the Ground Up * I Choose You * I Get to Love You * Love Someone * Marry You * Over and Over Again * Perfect * Rather Be * Say You Won't Let Go * A Thousand Years * Yours * and more.
Practical and Gospel-centered thoughts on how to have a fruitful ministry by one of America's leading and most beloved pastor. Many church leaders are struggling to adapt to a culture that values individuality above loyalty to a group or institution. There have been so many "church growth" and "effective ministry" books in the past few decades that it's hard to know where to start or which ones will provide useful and honest insight. Based on over twenty years of ministry in New York City, Timothy Keller takes a unique approach that measures a ministry's success neither by numbers nor purely by the faithfulness of its leaders, but on the biblical grounds of fruitfulness. Center Church outlines a balanced theological vision for ministry organized around three core commitments: Gospel-centered: The gospel of grace in Jesus Christ changes everything, from our hearts to our community to the world. It completely reshapes the content, tone, and strategy of all that we do. City-centered: With a positive approach toward our culture, we learn to affirm that cities are wonderful, strategic, and under-served places for gospel ministry. Movement-centered: Instead of building our own tribe, we seek the prosperity and peace of our community as we are led by the Holy Spirit. "Between a pastor's doctrinal beliefs and ministry practices should be a well-conceived vision for how to bring the gospel to bear on the particular cultural setting and historical moment. This is something more practical than just doctrine but much more theological than "how-to steps" for carrying out a ministry. Once this vision is in place, it leads church leaders to make good decisions on how to worship, disciple, evangelize, serve, and engage culture in their field of ministry—whether in a city, suburb, or small town." — Tim Keller, Core Church
Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her. Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari. Karhari killed her husband, and Maud—completely abandoned by his family—has spent over a year avenging his debts. Rescued by her sister Dina, she's sworn off all things vampire. Except... In helping Dina save the world, she met Arland, the Marshal of House Krahr, one of the most powerful vampire houses. One thing led to another and he asked for her hand in marriage. She declined. Arland is not used to hearing the word ‘no;’ and try as she might, Maud can't just walk away from Arland. It doesn't help that being human is a lot harder for Maud than being a vampire. To sort it all out, she accepts his invitation to visit his home planet. House Krahr is extremely influential and Maud knows that a woman—a human, with a very questionable past—who's turned down a proposal from its most beloved son won't get a warm reception. Maybe she’s not sure about marrying Arland, but House Krahr isn’t going to decide for her. Maud Demille has never run from a fight, and House Krahr will soon discover that there's a lot more to Maud than they’re expecting.
Photography: History and Theory introduces students to both the history of photography and critical theory. From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them. While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others. In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include: Roland Barthes, "The Rhetoric of the Image" (1964) Susan Sontag, Regarding the Pain of Others (2002) Michel Foucault on the archive (1969) Walter Benjamin, "Little History of Photography" (1931) Vilém Flusser, Towards a Philosophy of Photography (1983) A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.
