Through the images of award-winning photographer Gary Kramer and the words of Kramer and Greg Mensik, Waterfowl of the World takes readers on a visual and literary journey in search of all 167 species of ducks, geese, and swans on Earth. Among these are a few on the brink of extinction, like the Madagascar Pocharand Brazilian Merganser; and those that are struggling, such as the White-winged Duck and Baer's Pochard.
Nearly three decades after its first printing, Book as Artwork 1960-1972 remains a widely-cited landmark in the critical literature on artists' books. Penned by the critic and curator Germano Celant to accompany an exhibition at Nigel Greenwood Gallery in London, it was the first critical consideration of the artist's book. A bibliography lists over 300 historic artist-produced publications from this golden age of the medium.
Between 2007 and 2017, ArtWorks' youth apprentices teamed with professional artists to complete 147 murals in 37 Cincinnati neighborhoods and eight nearby cities. Along the way we learned that passion, grit and creativity can transform our people and our city for the better. And for good"--Back cover.
Bring out your child’s creativity and imagination with more than 60 artful activities in this completely revised and updated edition Art making is a wonderful way for young children to tap into their imagination, deepen their creativity, and explore new materials, all while strengthening their fine motor skills and developing self-confidence. The Artful Parent has all the tools and information you need to encourage creative activities for ages one to eight. From setting up a studio space in your home to finding the best art materials for children, this book gives you all the information you need to get started. You’ll learn how to: * Pick the best materials for your child’s age and learn to make your very own * Prepare art activities to ease children through transitions, engage the most energetic of kids, entertain small groups, and more * Encourage artful living through everyday activities * Foster a love of creativity in your family
Michael Mitias presents, explains, and defends in some detail the features that make an artwork great – magic, universality, and the test of time. Although some aestheticians, beginning with Longinus, discussed these features during the past two millennia, they did not analyze them comprehensively, nor did they justify them from the standpoint of a satisfactory conception of the nature of art. In this book, the author first explains the nature of the features that make an artifact art and then proceeds to establish the validity of his thesis on firm epistemological and ontological foundations. In his endeavor to explicate the nature of this foundation, the author answers four questions. First, what is the genesis of the artwork? What makes it art? He answers this question by advancing a concept of aesthetic depth. The essence of this depth is human meaning. Second, under what perceptual conditions does this depth come to life in the process of aesthetic perception? Third, what is the role of the concept of aesthetic depth in the analysis of the nature of the great artwork? How does the concept of aesthetic depth function as a principle of explanation? Fourth, how can we justify the attribution of magic, universality, and the test of time to the great work of art? In short, an understanding of the genesis of the artwork, aesthetic depth, aesthetic value, and aesthetic perception is indispensable for an adequate conception of greatness in art.
These fabulous, whimsical paintings, created for his own pleasure and never shown to the public, show Geisel (a.k.a. Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.
Step-by-step color photos for all areas of matting and framing; the information is complete, accurate, and up-to-date. This book includes top-notch instructions for archival framing—the correct methods and materials for preserving photos and artwork for posterity. The author also provides inspiration and helpful examples to show people how to display their artwork using basic design principles in a manner that is easily grasped. There are important techniques to follow for success—even the basic mechanics of hanging a picture.
What is art? What is it to understand a work of art? What is the value of art? Robert Stecker seeks to answer these central questions of aesthetics by placing them within the context of an ongoing debate criticizing, but also explaining what can be learned from, alternative views. His unified philosophy of art, defined in terms of its evolving functions, is used to explain and to justify current interpretive practices and to motivate an investigation of artistic value. Stecker defines art (roughly) as an item that is an artwork at time t if and only if it is in one of the central art forms at t and is intended to fulfill a function art has at t, or it is an artifact that achieves excellence in fulfilling such a function. Further, he sees the standard of acceptability for interpretations of artworks to be relative to their aim. Finally, he tries to understand the value of artworks through an analysis of literature and the identification of the most important functions of literary works. In addition to offering original answers to major questions of aesthetics, Artworks covers most of the major issues in contemporary analytic aesthetics and discusses many major, as well as many minor, figures who have written about these issues, including Stanley Fish, Joseph Margolis, Richard Rorty, and Richard Shusterman.
