À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

Author: Francine Giese

Publisher: BRILL

Published: 2019-11-04

Total Pages: 240

ISBN-13: 9004412646

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The present volume offers a collection of essays that examines the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. Special attention is given to the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now preserved in the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Roger Nicholas Balsiger, Moya Carey, Valentina Colonna, Francine Giese, Hélène Guérin, Barbara Karl, Katrin Kaufmann, Sarah Keller, Agnieszka Kluczewska Wójcik, Inessa Kouteinikova, Axel Langer, Maria Medvedeva, Ágnes Sebestyén, Alban von Stockhausen, Ariane Varela Braga, Mercedes Volait. Les contributions de l’ouvrage examinent le mécanisme et les stratégies relatifs à la collection, la présentation et l’appropriation des arts de l’Islam au XIXe siècle et début du XXe siècle. Elles mettent l’accent sur des collections situées en Europe centrale et orientale, lesquelles ont été peu étudiées jusqu’à présent. Une attention particulière est dédiée à la figure du collectionneur Suisse Henri Moser Charlottenfels, dont les objets se trouvent aujourd’hui au Bernisches Historisches Museum (Suisse) et qui ont été de même peu étudiés. Les textes émanent de jeunes chercheurs comme de chercheurs confirmés, basés en Europe occidentale et orientale, et au-delà.


What is “Islamic” Art?

What is “Islamic” Art?

Author: Wendy M. K. Shaw

Publisher: Cambridge University Press

Published: 2019-10-10

Total Pages: 387

ISBN-13: 1108474659

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An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.


Bibliography of Art and Architecture in the Islamic World (2 vols.)

Bibliography of Art and Architecture in the Islamic World (2 vols.)

Author: Susan Sinclair

Publisher: BRILL

Published: 2012-04-03

Total Pages: 1508

ISBN-13: 9047412079

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Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.


Islamic Art

Islamic Art

Author: Jonathan M. Bloom

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 348

ISBN-13: 0300243472

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A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."


Art of Islam

Art of Islam

Author: Titus Burckhardt

Publisher: World Wisdom, Inc

Published: 2009

Total Pages: 258

ISBN-13: 1933316659

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Islam.


La connaissance de l'Islam dans l'Occident médiéval

La connaissance de l'Islam dans l'Occident médiéval

Author: Marie-Thérèse d'Alverny

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 310

ISBN-13: 1040250831

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This volume, the second in the series of Marie-Thérèse d’Alverny’s selected articles to be published by Variorum, gathers the majority of her studies on the understanding of Islam in the West from the early Middle Ages until the mid-13th century; some related works will be included in a further selection. In the 12th century, as she shows, a serious effort was for the first time made to learn something of the reality behind the fabulous and scurrilous stories about Muhammad and Islam. A collection of translations from Arabic, including the Koran, was commissioned in 1140 by Peter the Venerable of Cluny, and d’Alverny found the manuscript in which his secretary wrote these out. This discovery led her to explore other translations into Latin of the Koran and other Islamic texts, to identify the work of the translators Hermann of Carinthia, Robert of Ketton and Mark of Toledo, and to depict the milieu in which this work was possible.


The Art and Architecture of Islam 1250-1800

The Art and Architecture of Islam 1250-1800

Author: Sheila S. Blair

Publisher: Yale University Press

Published: 1996-09-25

Total Pages: 376

ISBN-13: 9780300064650

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They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.


A Companion to Islamic Art and Architecture

A Companion to Islamic Art and Architecture

Author: Finbarr Barry Flood

Publisher: John Wiley & Sons

Published: 2017-06-16

Total Pages: 1442

ISBN-13: 1119068576

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The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)