The Delineator

The Delineator

Author: R. S. O'Loughlin

Publisher:

Published: 1902

Total Pages: 184

ISBN-13:

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Issue for Oct. 1894 has features articles on Mount Holyoke College and Millinery as an employment for women.


The Delineator Collection of Miscellaneous Print Articles

The Delineator Collection of Miscellaneous Print Articles

Author:

Publisher:

Published: 1924

Total Pages: 5

ISBN-13:

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This collection consists of 4 articles (1 article is 2 sheets) from The Delineator magazine printed in either 1926 or 1928. Each article was removed from the printed volume it was originally featured in. The subjects of the articles range, but are all related to food science, cooking and/or home economics.


New Delineator Recipes

New Delineator Recipes

Author: Delineator Home Institute

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 224

ISBN-13: 9781014472106

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The American New Woman Revisited

The American New Woman Revisited

Author: Martha H. Patterson

Publisher: Rutgers University Press

Published: 2008

Total Pages: 360

ISBN-13: 0813542960

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In North America between 1894 and 1930, the rise of the "New Woman" sparked controversy on both sides of the Atlantic and around the world. As she demanded a public voice as well as private fulfillment through work, education, and politics, American journalists debated and defined her. Who was she and where did she come from? Was she to be celebrated as the agent of progress or reviled as a traitor to the traditional family? Over time, the dominant version of the American New Woman became typified as white, educated, and middle class: the suffragist, progressive reformer, and bloomer-wearing bicyclist. By the 1920s, the jazz-dancing flapper epitomized her. Yet she also had many other faces. Bringing together a diverse range of essays from the periodical press of the late nineteenth and early twentieth centuries, Martha H. Patterson shows how the New Woman differed according to region, class, politics, race, ethnicity, and historical circumstance. In addition to the New Woman's prevailing incarnations, she appears here as a gun-wielding heroine, imperialist symbol, assimilationist icon, entrepreneur, socialist, anarchist, thief, vamp, and eugenicist. Together, these readings redefine our understanding of the New Woman and her cultural impact.