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Artful Noise

Author: Thomas Siwe

Publisher: University of Illinois Press

Published: 2020-07-27

Total Pages: 343

ISBN-13: 0252052013

Twentieth-century composers created thousands of original works for solo percussion and percussion ensemble. Concise and ideal for the classroom, Artful Noise offers an essential and much-needed survey of this unique literature. Percussionist Thomas Siwe organizes and analyzes the groundbreaking musical literature that arose during the twentieth century. Focusing on innovations in style and the evolution of the percussion ensemble, Siwe offers a historical overview that connects the music to scoring techniques, new instrumentation and evolving technologies as well as world events. Discussions of representative pieces by seminal composers examines the resources a work requires, its construction, and how it relates to other styles that developed during the same period. In addition, Siwe details the form and purpose of many of the compositions while providing background information on noteworthy artists. Each chapter is supported with musical examples and concludes with a short list of related works specifically designed to steer musicians and instructors alike toward profitable explorations of composers, styles, and eras.

Making Joyful Noise

Author: Andrew Malekoff

Publisher: Routledge

Published: 2014-01-02

Total Pages: 299

ISBN-13: 1317994256

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This diverse collection of articles by group work professionals who work in the classroom and in the field captures not only the art and science of social work with groups but also its soul, highlighting practice, teaching, and writing ideas that promote the power of group work - and the people who do it. Making Joyful Noise reinforces the value and uniqueness of group work as a positive, optimistic, empowering, and affirming way of working with people. The articles presented here cover a wide range of age groups, populations, and settings and include examples on the use of activity and discussion in groups: a poetry club for children, the meaning of camp for preadolescents, a boxing group for adolescents who live in the inner city, self-defense classes for adults, and caregiver support for the elderly. The book also steps into the classroom to promote the teaching of social group work and the education of advanced group work practitioners and to encourage practitioners to write about their group work practice. Finally, the book presents and illustrates a number of concepts that are unique to group work and that encourage front-line practitioners to “be bold” and to “stay in the mess.” While organized as a tribute to the late Dr. Roselle Kurland, Making Joyful Noise is in and of itself an important collection of articles and essays on social group work and one that is certain to provide all practitioners who are interested in group work with a spark, a smile, and some needed inspiration for their important work. Making Joyful Noise includes: essentials for preserving, promoting, and portraying group work practice the critical relationship between human and professional ethics in group work six common mistakes that practitioners make in regard to group purpose using organizational analysis to improve group work practice creatively blending activity and discussion in diverse settings cultivating collegiality to reduce isolation and enhance practice developing a capacity to “stay in the mess” in group work with people of all ages skills for effectively working with transitions, separation, and loss in group guidelines for practitioners wishing to write for publication and much more! This book is a rich and diverse collection that is required reading for anyone working to promote social work with groups.

Background Noise, Second Edition

Author: Brandon LaBelle

Publisher: Bloomsbury Publishing USA

Published: 2015-01-29

Total Pages: 377

ISBN-13: 1628923547

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Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible. This second expanded edition includes a new chapter on the non-human and subnatural tendencies in sound art, revisions to the text as well as a new preface by the author. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies and media theory, Background Noise makes the case that sound and sound art are central to understandings of contemporary culture.

The Art of Noises

Author: Luigi Russolo

Publisher:

Published: 1986

Total Pages: 104

ISBN-13:

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The slim volume of essays presented here for the first time in English translation is one of the significant documents of musical aesthetics of this century. If the book itself has remained the province of a mere handful of readers its ideas passed on through a variety of later musical and literary movements became the inspiration for some of the most innovative artistic creations of modern times. Luigi Russolo anticipated-indeed he may have precipitated-a whole range of musical and aesthetic notions that formed the basis of much of the avant-garde thought of the past several decades. His ideas were absorbed modified and eventually transmitted to later generations by a number of movements and individuals-among them the futurists the Dadaists and a number of composers and writers of the nineteen-twenties. The noise instruments he invented fascinated and infuriated his contemporaries and he was among the earliest musicians to put the often-discussed microtone to regular practical use in Western music. Russolo's views looked forward to the time when composers would exercise an absolute choice and control of the sounds that their music employed. He was the precursor of electronic music before electronics had come of age. Publisher's note.

The Oxford Handbook of Sound Art

Author: Jane Grant

Publisher: Oxford University Press

Published: 2021-09-27

Total Pages: 888

ISBN-13: 0190274077

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Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the Handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged. By offering a set of thematic frameworks through which to understand these themes, this Handbook situates constellations of disparate thought and practice into recognized centers of activity.

The Art of Noises by Luigi Russolo

Author: Barclay Brown

Publisher: Pendragon Press

Published: 2005-02

Total Pages: 96

ISBN-13: 9781576471142

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The slim volume of essays, presented here for the first time in English translation, is one of the significant documents of musical aesthetics of this century. If the book itself has remained the province of a mere handful of readers, its ideas, passed on through a variety of later musical and literary movements, became the inspiration for some of the most innovative artistic creations of modern times. Luigi Russolo anticipated-indeed, he may have precipitated-a whole range of musical and aesthetic notions that formed the basis of much of the avant-garde thought of the past several decades. His ideas were absorbed, modified, and eventually transmitted to later generations by a number of movements and individuals-among them the futurists, the Dadaists, and a number of composers and writers of the nineteen-twenties. The noise instruments he invented fascinated and infuriated his contemporaries, and he was among the earliest musicians to put the often-discussed microtone to regular practical use in Western music. Russolo's views looked forward to the time when composers would exercise an absolute choice and control of the sounds that their music employed. He was the precursor of electronic music before electronics had come of age.