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Author: William Morris
Publisher: Good Press
Published: 2020-12-08
Total Pages: 34
ISBN-13:
DOWNLOAD EBOOKDive into the 27-page classic "Art Under Plutocracy" by William Morris, a thought-provoking exploration of art's role and challenges in a society dominated by wealth. Written in the 1890s, Morris delves into the intersection of art, society, and economics. His insights and critiques remain relevant, making this a must-read for art enthusiasts and historians alike.
Author: Chrystia Freeland
Publisher: Penguin
Published: 2012-10-11
Total Pages: 320
ISBN-13: 1101595949
DOWNLOAD EBOOKA Financial Times Best Book of the Year Shortlisted for the Lionel Gelber Prize There has always been some gap between rich and poor in this country, but recently what it means to be rich has changed dramatically. Forget the 1 percent—Plutocrats proves that it is the wealthiest 0.1 percent who are outpacing the rest of us at breakneck speed. Most of these new fortunes are not inherited, amassed instead by perceptive businesspeople who see themselves as deserving victors in a cutthroat international competition. With empathy and intelligence, Plutocrats reveals the consequences of concentrating the world’s wealth into fewer and fewer hands. Propelled by fascinating original interviews with the plutocrats themselves, Plutocrats is a tour de force of social and economic history, the definitive examination of inequality in our time.
Author: William Morris
Publisher:
Published: 1915
Total Pages: 330
ISBN-13:
DOWNLOAD EBOOKAuthor: William Morris
Publisher:
Published: 1910
Total Pages: 428
ISBN-13:
DOWNLOAD EBOOKAuthor: Abraham Martinez
Publisher: NBM
Published: 2020-12-15
Total Pages: 146
ISBN-13: 1681122693
DOWNLOAD EBOOK2051. The world's largest company, The Company, has seized power on a planetary scale and runs the world as if it were a business. In a plutocracy, the richer one is, the more powerful one is. In this context, an anonymous citizen becomes compelled to uncover how the world came to this situation, without paying any attention to the official version. Several members of the government end up encouraging him to carry out this investigation by giving him access to all information. He decides to discover the true history of The Company and the various interests that are trying to influence his investigation.
Author: Andrea Fraser
Publisher: National Geographic Books
Published: 2018-05-11
Total Pages: 0
ISBN-13: 0262535459
DOWNLOAD EBOOKBoth institutional critique and reference work, documenting the intersection of politics (in the form of political donations) and art museums. 2016 in Museums, Money, and Politics examines the intersection of electoral politics and private-nonprofit art institutions in the United States at a pivotal historical moment. In a massive volume that is both institutional critique and reference work, the artist Andrea Fraser documents the reported political contributions made by trustees of more than 125 art museums, representing every state in the nation, in the 2016 election cycle. With campaigning that featured attacks on vulnerable populations, the vilification of the media and “cultural elites,” and calls to curtail civil rights and liberties, the 2016 election cycle and its aftermath transformed national politics. It was also the most expensive election in American history, with over $6.4 billion raised for presidential and congressional races combined. More than half of this money came from just a few hundred people—many of whom also support cultural institutions and serve on their boards. 2016 is organized like a telephone book. Contribution data is laid out alphabetically by name of donor. With this and other data filling more than 900 pages, the book offers a material representation of scale of the interface between cultural philanthropy and campaign finance in America. It also provides an unparalleled resource for exploring the politics of the museum world. 2016 includes an afterword by Jamie Stevens, the former curator and head of programs at CCA Wattis Institute for Contemporary Arts in San Francisco, who traces the book's development; an introduction by Andrea Fraser elaborating on the links connecting cultural philanthropy, campaign finance, and plutocracy; a section on each museum represented; and a section including data summaries and additional data. The book presents a powerful argument that supporting the arts must involve more than giving donations to museums; it must also include defending the values, social structures, and political institutions of an open, tolerant, just, and equitable society. Copublished by Westreich Wagner Publications, the CCA Wattis Institute for Contemporary Arts, and the MIT Press
Author: Bradley J. Macdonald
Publisher: Rowman & Littlefield
Published: 2024-12-15
Total Pages: 231
ISBN-13: 1666976059
DOWNLOAD EBOOKWhile William Morris (1834-1896) is generally considered one of the most important cultural and political figures of late Victorian England, there is avid disagreement on the way in which we can understand the interconnections between his aesthetic commitments (as a celebrated poet and decorative artist influenced by Pre-Raphaelitism and Aestheticism) and his later revolutionary socialist advocacy. As opposed to dominant interpretations within Morris scholarship, Bradley J. Macdonald argues for the importance of understanding the role a “critical notion of beauty” had in moving Morris toward a theory of socialism that took seriously the way in which desire, pleasure, and “beauty” (as applied to all externals of human life, not just art works) could be regenerated only through radical transformations in socioeconomic life. Consequently , William Morris's development represents an interesting example of cultural politics. Given this genealogy, Macdonald clarifies, Morris’s mature political theory incorporated a very important commitment to not just economic justice, but also, among other distinctive applications ; ecological sustainability, making him one of the first eco-socialist theorists within the Western tradition, and also an early proponent of what is today known as “degrowth communism.”
Author: Hal Foster
Publisher: Verso Books
Published: 2024-10-22
Total Pages: 225
ISBN-13: 1804295930
DOWNLOAD EBOOKSurveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Author: Milford Wriarson Howard
Publisher:
Published: 1895
Total Pages: 292
ISBN-13:
DOWNLOAD EBOOKAuthor: Marguérite Corporaal
Publisher: Rodopi
Published: 2010
Total Pages: 297
ISBN-13: 9042029994
DOWNLOAD EBOOKThis volume of essays by scholars in the field of English and American studies brings together a variety of perspectives on the utopian literature originating from cultural communities from 1790-1910. Ranging from the Lunar society to the Nationalist movement, and from the Transcendentalists to the Indian Monday Club the fifteen peer-reviewed articles examine a wide range of contexts in which utopian literature was written, and will be of interest to scholars in the field of cultural and literary studies alike. Moreover, the volume presents the reader with a unique overview of developments in Utopian thinking and literature throughout the long nineteenth century. Specific attention is paid to the transatlantic nature of cultural communities in which utopian writings were produced and read as well as to the colonial contexts of nineteenth-century utopian literature. As such, the collection offers a novel approach to a tradition of utopian writing that was essentially transcultural. Marguérite Corporaal (Radboud University Nijmegen) and Evert Jan van Leeuwen (Leiden University) are lecturers in English and American literature in the Netherlands.
