The Manchester Art Treasures Exhibition of 1857
The Manchester Art Treasures Exhibition of 1857

Author: Elizabeth A. Pergam

Publisher: Ashgate Publishing, Ltd.

Published: 2011

Total Pages: 404

ISBN-13: 9781409418306

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An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. The book examines aesthetic, social, and economic issues of the day, and follows the Exhibition's reverberations in the development of art history and museum practices to the present day. A complete list of the exhibited works that are now in public collections throughout the world is also included.

Art Treasures in Manchester
Art Treasures in Manchester

Author: Tristram Hunt

Publisher:

Published: 2007

Total Pages: 96

ISBN-13:

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Manchester in the mid-nineteenth century was a city of industry and commerce - wealthy, to be sure, but also polluted and over crowded, and certainly not a major cultural centre. A group of Mancunian businessmen was determined to change this. The result was the Art Treasures Exhibition of the United Kingdom of 1857, an exhibition of some 16,000 works borrowed mainly from private owners around the country and housed in a purpose-built 'art palace'. The show was a huge success, drawing 1.3 million visitors over a period of five months. To mark the 150th anniversary of the original exhibition, the story of this unprecedented expression of civic pride is told here. Illustrated with images of many of the original exhibits, as well as artists' impressions of the exhibition itself, it is the story of an event which exemplified the birth of modern attitudes towards art. This book is published in association with Manchester Art Gallery.

The Manchester Art Treasures Exhibition of 1857
The Manchester Art Treasures Exhibition of 1857

Author: ElizabethA. Pergam

Publisher: Routledge

Published: 2017-07-05

Total Pages: 397

ISBN-13: 135154280X

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An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.

The Best Art You've Never Seen
The Best Art You've Never Seen

Author: Julian Spalding

Publisher: Rough Guides UK

Published: 2010-10-01

Total Pages: 290

ISBN-13: 140538655X

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Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. The Best Art You've Never Seen is your essential companion to this hidden world of artistic treasures. Travelling from Peru to Papua New Guinea, The Best Art You've Never Seen restores to view 101 wonderful treasures - uncovering neglected artistic wonders from off-beat corners of the world to store rooms in the world's great museums. Written by art expert and former museum director Julian Spalding, The Best Art You've Never Seen takes you into a world of beautiful and arresting artefacts and reveals their amazing stories. It unveils a surprising and unfamiliar alternative canon of works to offer a fresh and controversial take on the world of art.

Manchester
Manchester

Author: Terry Wyke

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781780275307

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Manchester is one the world's most iconic cities. Not only was it the first industrial city, it can claim to be the first post-industrial city. This book uses historic maps and unpublished and original plans to chart the dramatic growth and transformation of Manchester as it grew rich on its cotton trade from the late 18th century, experienced periods of boom and bust through the Victorian period, and began its post-industrial transformation in the 20th century. The Peterloo Massacre, the Bridgewater Canal, the railway revolution, Trafford Park industrial estate, the Ship Canal, Belle Vue theme park, Wythenshawe garden city, the 1996 IRA bomb, Coronation Street, iconic football stadiums, and MediaCity are just some of the events and places that have put Manchester on the world's perceptual map and are explored through a wealth of published and unpublished maps and plans in this sumptuously illustrated cartographic history.

Museum Bodies
Museum Bodies

Author: Dr Helen Rees Leahy

Publisher: Ashgate Publishing, Ltd.

Published: 2012-11-01

Total Pages: 341

ISBN-13: 1409484165

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Museum Bodies provides an account of how museums have staged, prescribed and accommodated a repertoire of bodily practices, from their emergence in the eighteenth century to the present day. As long as museums have existed, their visitors have been scrutinised, both formally and informally, and their behaviour calibrated as a register of cognitive receptivity and cultural competence. Yet there has been little sustained theoretical or practical attention given to the visitors' embodied encounter with the museum. In Museum Bodies Helen Rees Leahy discusses the politics and practice of visitor studies, and the differentiation and exclusion of certain bodies on the basis of, for example, age, gender, educational attainment, ethnicity and disability. At a time when museums are more than ever concerned with size, demographic mix and the diversity of their audiences, as well as with the ways in which visitors engage with and respond to institutional space and content, this wide-ranging study of visitors' embodied experience of the museum is long overdue.