Turquoise and silver is an icon of the American Southwest. For generations, people have ogled these gemstones in pawn shops, jewelry shops and antiques stores, looking for a special piece of Native American jewelry that speaks to their heart. Southwest jewelry is now valued and collected around the world. Photographs of collectible pieces reveal what the attraction is about. Whether in shades of pale aqua or deeper aquamarine, blue or jade green, Mary Emmerling reveals that the collector's hunt is about color. And beyond jewelry, the color turquoise appears throughout the Southwest in architecture and decoration. After all, it's the color of calm.
Illustrated with over 390 color photos, this book shows turquoise in its natural state, cut, polished, and set into silver and gold jewelry. The turquoise presented spans mines from New Mexico to Nevada, China to Iran. Examples shown by native artists helped make turquoise popular in America. The text discusses the gemstone, its values, and many mines that produced turquoise over thousands of years.
Turquoise has been mined on six continents and traded by cultures throughout the world's history, including the Europeans, Chinese, Mayan, Aztec, Inca, and Southwest Native Americans. It has been set in silver and gold jewelry, cut and shaped into fetish animals, and even formed to represent gods in many religions. This gemstone is displayed in museums around the world, representing the arts and traditions of prehistoric, historic, and modern societies. Turquoise focuses on the latest information in science and art from the greatest turquoise collections around the globe.
« Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest celebrates the timeless beauty and power of the jewelry of the American Southwest and Northwest Coast, two regions with distinguished traditions of visual creation whose contemporary artists continue to work in the best of those traditions while expanding upon them to make jewelry an art form expressive of individual vision and creativity." "Lavishly illustrated, both with historical photographs and a wealth of new photography commissioned for this publication, Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest will be an important resource for students, scholars, designers, and indeed for anyone who loves beautiful and well-made objects. 185 illustrations, including 150 plates in full color. »--Résumé de l'éditeur.
The Turkish Riviera, known as the Turquoise Coast, is home to stunning mountain scenery, rich myths, and folklore, and more than six hundred miles of impeccable shoreline along the warm Aegean and Mediterranean seas. Featuring two of the Seven Wonders of the Ancient World, the ruins of the Mausoleum of Maussollos and the Temple of Artemis, this stretch of coast is a destination apart, so much so that Mark Antony was said to have chosen it as the most spectacular wedding gift for Cleopatra. Through the lens of Oliver Pilcher, this blue voyage beckons readers with wanderlust to set sail and enjoy the dazzling sapphire shades of the coast’s dreamy yacht life. Anecdotes from lovers of the region include Mica Ertegun, Tommy Hilfiger, Chiara Ferragni, and Mert Alas, who spent summers boating on these storied waters.
This book provides an overview of the uses of turquoise in native arts of the Southwest, beginning with the earliest people who mined and processed the stone for use in jewelry, on decorative objects, and as a powerful element in ceremony. In the past, as now, turquoise was valued for its color and beauty but also for its symbolic nature: sky, water, health, protection, abundance. The book traces historical and contemporary jewelry made by Navajo, Zuni, Hopi, and Santo Domingo artisans, and the continuously inventive ways the stone has been worked.
The nine turquoise mosaics from Mexico are some the most striking pieces in the collections of the British Museum. Among the few surviving such artifacts, these exquisite objects include two masks, a shield, a knife, a helmet, a double-headed serpent, a mosaic on a human skull, a jaguar, and an animal head. They all originate from the Mixtec and Aztec civilizations first encountered by Europeans during the Spanish conquest in the early sixteenth century. The mosaics have long excited admiration for their masterful blend of technical skill and artistry and fascination regarding their association with ritual and ceremony. Only recently though, have scientific investigations undertaken by the British Museum dramatically advanced knowledge of the mosaics by characterizing, for the first time, the variety of natural materials that were used to create them. Illustrated with more than 160 color images, this book describes the recent scientific findings about the mosaics in detail, revealing them to be rich repositories of information about ancient Mexico. The materials used to construct the mosaics demonstrate their makers' deep knowledge of the natural world and its resources. The effort that would have been involved in procuring the materials testifies to the mosaics' value and significance in a society imbued with myths and religious beliefs. The British Museum's analyses have provided evidence of the way that the materials were prepared and assembled, the tools used, and the choices that were made by artisans. In addition, by drawing on historical accounts including early codices, as well as recent archaeological discoveries, specialists have learned more about the place of the mosaics in ancient Mexican culture. Filled with information about the religion, art, and natural and cultural history as well as the extraordinary ability of modern science to enable detailed insight into past eras, Turquoise Mosaics from Mexico offers an overview of the production, utilization, and eventual fate of these beautiful and mysterious objects.
