In this intimate study Juliet Miller maps the artworks that have influenced her throughout her life and examines how she has integrated them into her development as a psychotherapist. Working from the premise that our initial reactions to art provide a crucial key to self-analysis, Miller interrogates the significance of different artists, including Bourgeois, Vermeer, Rousseau and Kahlo, and analyses how personal circumstances, recollections and emotions have affected responses to their work. Chapters incorporate clinical material from Miller’s practice, linking into her own anxieties about sitting with and connecting with patients, and touching on themes including creativity, character, identity and communication. Through this exploration she questions many of the conventions of art and psychotherapy and suggests ways in which looking at art can be used as a psychological tool. Art, Memoir and Jung offers a highly personal and innovative perspective on meaning in art and how it can be used to explore Jungian thought as based in the aesthetic, and how the aesthetic can inform depth psychology.
For the first time in English, Jung's landmark lecture on Nerval's hallucinatory memoir In 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zürich on the French Romantic poet Gérard de Nerval. The lecture focused on Nerval's visionary memoir, Aurélia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung’s lecture is both a cautionary psychological tale and a validation of Nerval’s visionary experience as a genuine encounter. Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with what the Romantics called the life principle. During the years of his greatest creativity, he suffered from madness and was institutionalized eight times. Contrasting an orthodox psychoanalytic interpretation with his own synthetic approach to the unconscious, Jung explains why Nerval was unable to make use of his visionary experiences in his own life. At the same time, Jung emphasizes the validity of Nerval’s visions, differentiating the psychology of a work of art from the psychology of the artist. The lecture suggests how Jung’s own experiments with active imagination influenced his reading of Nerval’s Aurélia as a parallel text to his own Red Book. With Craig Stephenson’s authoritative introduction, Richard Sieburth’s award-winning translation of Aurélia, and Alfred Kubin’s haunting illustrations to the text, and featuring Jung’s reading marginalia, preliminary notes, and revisions to a 1942 lecture, On Psychological and Visionary Art documents the stages of Jung’s creative process as he responds to an essential Romantic text.
In 'The Red Book', compiled between 1914 and 1930, Jung develops his principal theories of archetypes, the collective unconscious & the process of individuation.
A New York Times Editors' Choice Book From the critically-acclaimed author of Shelter, an unflinching portrayal of a woman trying to come to terms with the ghosts of her past and the tortured realities of a deeply divided America. Elinor Hanson, a forty-something former model, is struggling to reinvent herself as a freelance writer when she receives an unexpected assignment. Her mentor from grad school offers her a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas. After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers. Surrounded by roughnecks seeking their fortunes in oil and long-time residents worried about their changing community, Elinor experiences a profound sense of alienation and grief. She rages at the unrelenting male gaze, the locals who still see her as a foreigner, and the memories of her family’s estrangement after her mother decided to escape her unhappy marriage, leaving Elinor and her sister behind. The longer she pursues this potentially career-altering assignment, the more her past intertwines with the story she’s trying to tell, revealing disturbing new realities that will forever change her and the way she looks at the world. With spare and graceful prose, Jung Yun's O Beautiful presents an immersive portrait of a community rife with tensions and competing interests, and one woman’s attempts to reconcile her anger with her love of a beautiful, but troubled land.
This biography, a full-scale study of Jung's life and work by a pupil, friend, and close associate for more than thirty years, is a lucid, penetrating account of Jung's career that stresses the essential wholeness of the man and traces the difficult path by which that wholeness was achieved. From his earliest years to his death, through the crowded inner and outer events of his long lifetime, this study presents a view of the real Jung rather than the creature of legend. Treating side by side his theoretical apparatus and such personal matters as his relationship with Toni Wolff and his supposed flirtation with Nazism, it reveals, more than any other work to date, Jung's humanity and his genius as a "navigator of the unconscious." "Hannah's book is a warm, very personal biographical memoir: She provides much information about Jung's early life, and her interweaving of events in his life with the development of Jung's theory is well done....The book fills in many gaps left by Jung's autobiography, Memories, Dreams , Reflections ( 1 963). Hannah tells a good story; the book is well written and presents a good overview of Jung's life and work. It would be a good introduction to Jung's life for undergraduates: ' -Choice ..". of particular significance is the way in which the author draws on her personal knowledge to elucidate certain controversial issues and myths. . . . she records all she knows about them, providing hitherto unpublished information of note ... her comments provide an authentic source for future biographers. Anyone interested in Jung's life- from his early childhood to his last days, will find this honest, warm, and human book highly enriching and stimulating." -Library Journal ..". fascinating full-scale study of Jung's creative life and striving toward psychological wholeness. A sympathetic yet perceptive book which shows how Jungian psychology flowed from Jung the person' -Publishers Weekly " [Hannah] draws on her journals, recollections of conversations with Jung, and her sharing in the life of his professional household for many years ... and is full of the kind of detail that can be important in understanding so individual a figure. Her clear explanatory narrative can serve as an introduction to Jung, and her sturdy account will also draw aficionados." -Kirkus ..". Hannah's memoir, like Jung's work: is a biography lover's dream." -Best Sellers ..".Hannah's book is a valuable contribution and provides a good overview of his work." -Chicago Tribune "Author Hannah takes one systematically and enjoyably through Jung's life" -Houston Chronical Barbara Hannah (1891-1986) was born in England. She went to ZUrich in 1929 to study with Carl Jung and lived in Switzerland the rest of her life. A close associate of Jung until his death, she was a practicing psychotherapist and lecturer at the C.G. Jung Institute. Her books available from Chiron include The Archetypal Symbolism of Animals; Encounters with the Soul; Jung, His Life and Work: A Biographical Memoir; and Striving Toward Wholeness.
Jungian Art Therapy aims to provide a clear, introductory manual for art therapists on how to navigate Jung’s model of working with the psyche. This exciting new text circumambulates Jung’s map of the mind so as to reinforce the theoretical foundations of analytical psychology while simultaneously defining key concepts to help orient practitioners, students, and teachers alike. The book provides several methods, which illustrate how to work with the numerous images originating from the unconscious and glean understanding from them. Throughout the text readers will enjoy clinical vignettes to support each chapter and illuminate important lessons.
"Shelter is domestic drama at its best, a gripping narrative of secrets and revelations that seized me from beginning to end."—Viet Thanh Nguyen, Pulitzer Prize-Winning author of The Sympathizer One of The Millions' Most Anticipated Books of the Year (Selected by Edan Lepucki) Now BuzzFeed's #1 Most Buzzed About Book of 2016 So Far Longlisted for the Center for Fiction First Novel Prize Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future. A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child? As Shelter veers swiftly toward its startling conclusion, Jung Yun leads us through dark and violent territory, where, unexpectedly, the Chos discover hope. Shelter is a masterfully crafted debut novel that asks what it means to provide for one's family and, in answer, delivers a story as riveting as it is profound.
The Gorillaz Art Book is here! Featuring brand new artwork by Jamie Hewlett, who has invited more than 40 creators to offer new interpretations of 2D, Murdoc Niccals, Noodle, and Russel Hobbs in one expansive volume of original artwork. Contributing artists include Ruff Mercy, Kim Jung Gi, Robert Smith, Kerbscrawler Ghost, Robert Valley, Craig McCracken and Tim McCourt & Max Taylor. Celebrating 20 years of Gorillaz, this latest Z2 partnership sees Hewlett expand the band’s collaborative vision to fellow visual artists in The Gorillaz Art Book, a stunning visual feast of 288 pages.
