Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.
This book explores the changing relationship between Ireland and America in the modern world. Its main themes examine the shifting patterns of Irish migration over time and the implications of these changes for the political and cultural relationship between the two countries. The historic connection between Ireland and America is at a transitional point, and that while Irish-America is not disappearing altogether, it is changing in fundamental ways, mediated by the forces of globalisation and modernity. Conceptually, the book focuses on Irish-America as an evolved diaspora - a migrant community that has moved into the political, economic and cultural mainstream within US society. A number of important issues lie at the heart of this book for all of us. Where do we belong? Why do we belong there? Can we mediate between where we are from and where we live, to transcend territorial restrictions and live our lives beyond, or in between, the country of our birth and where we've made our ho
Taking the visual arts as its focus, this anthology explores aspects of cultural exchange between Ireland and the United States. Art historians from both sides of the Atlantic examine the work of artists, art critics and art promoters. Through a close study of selected paintings and sculptures, photography and exhibitions from the nineteenth century to the present, the depth of the relationship between the two countries, as well as its complexity, is revealed. The book is intended for all who are interested in Irish/American interconnectedness and will be of particular interest to scholars and students of art history, visual culture, history, Irish studies and American studies.
In New Perspectiveson the Irish Diaspora, Charles Fanning incorporates eighteen fresh perspectives on the Irish diaspora over three centuries and around the globe. He enlists scholarly tools from the disciplines of history, sociology, literary criticism, folklore, and culture studies to present a collection of writings about the Irish diaspora of great variety and depth.
A Greater Ireland examines the Irish National Land League in the United States and its impact on Irish-American history. It also demonstrates the vital role that Irish-American women played in shaping Irish-American nationalism.
For much of Ireland’s history her people have been emigrating and the Irish Diaspora today is estimated to be over 100 million people, fifteen times the current population of Ireland. For the most part they scattered not as colonizers but as migrants, they took their culture and identity with them and made a mark on their adopted county. They fought wars, formed societies, shaped cultures, created new identities and made history. This book looks at the Irish contribution to the history of all five continents, recalling unsung heroes, tragic tales and forgotten legacies.
"Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion. Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people. About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia. Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Innovation (2023)."--
Accompanying DVD is a videorecording of the television program produced by Virginia Foundation for the Humanities and Paul Wagner Productions in association with Radio Telefís Éireann, and originally broadcast in 2004.
Anthropologist Brighton (Maryland) offers a historical archaeological investigation of the diaspora of Ireland, reflecting the migration of Irish immigrants to the US during a turbulent period in Irish history from the mid-1840s to the 1850s. Brighton's work is the first to offer a study through an archaeological lens connecting Irish communities spanning two continents and covering four sites: two in Ireland, specifically, in County Roscommon, and two in the US, the Five Points section of Manhattan, New York, as well as the historically Irish community in Paterson, New Jersey. There have been some recent diasporic studies on Irish migrations of the 19th century, such as Catherine Nash's Of Irish Descent: Origin Stories, Genealogy, and the Politics of Belonging (2008). However, Brighton's technique is inspired from transnational investigations of the African diaspora to the Atlantic world. This volume can serve as an excellent research tool for students of Ireland as well as diasporic archaeology. Summing Up: Highly recommended. All students of archaeology of the modern world." --B. C. Ryan, Syracuse University, Choice Between 1845 and 1852, a watershed event in Ireland's history--the Great Hunger--forced more than one million starved and dispossessed people, most of them poor tenant farmers, to leave their native country for the shores of the United States. Further weakened by the arduous voyage across the Atlantic Ocean, many sought refuge in the harbor cities in which they landed. Not surprisingly, Irish immigrants counted as one quarter of New York City's population during the 1850s. In Historical Archaeology of the Irish Diaspora, Stephen A. Brighton places Irish and Irish American material culture within a broad historical context, including the waves of immigration that preceded the Famine and the development of the Irish American communities that followed it. He meticulously details the archaeological research connected with excavations at two pre-Famine sites in County Roscommon, Ireland, and with several immigrant tenements located in the Five Points, Manhattan, and the Dublin section of nearby Paterson, New Jersey. Using this transnational approach to link artifacts and ceramics found in rural Ireland with those discovered in sites in the urban, northeastern United States, Brighton also employs contemporary diaspora studies to illustrate how various factions sustained a distinct homeland connection even as the Irish were first alienated from, and then gradually incorporated into, American society. With more than forty million Americans claiming Irish ancestry, fully understanding Ireland's traumatic history and its impact on the growth of the United States remains a vital task for researchers on both sides of the Atlantic. Brighton's study of lived experience follows a fascinating historical path that will aid scholars in a variety of disciplines. Stephen A. Brighton is an assistant professor of anthropology at the University of Maryland. His articles have appeared in the International Journal of Historical Archaeology and Historical Archaeology.
This book brings together a series of articles which provide an overview of the Irish Diaspora from a global perspective. It combines a series of survey articles on the major destinations of the Diaspora; the USA, Britian and the British Empire. On each of these, there is a number of more specialist articles by historians, demographers, economists, sociologists and geographers. The inter-disciplinary approach of the book, with a strong historical and modern focus, provides the first comprehensive survey of the topic.
