As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacific region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally.
In recent decades, contemporary art in Asia and the Pacific has acted as a dramatic reflection of the social and political events taking place in the region. The unique perspectives and expertise of the authors contributing to this collection bring unparalleled insights to bear on this relationship between creativity and social transformation. Extensively illustrated with work by some of the most dynamic artists practising today, Art and Social Change is a compelling map of the developments within contemporary art and society in Asia and the Pacific. As the most up-to-date and engaging survey available, Art and Social Change is an indispensable resource for those interested in the engagement of art with society. Book jacket.
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.
Anyone who has lived 75 years has done a whole lot of thinking and for some a whole lot of writing. I have done both. The thinking was done in moments that have long since passed, decisions made and musings forgotten unless written and saved. Of course over the years much that was written was deemed unimportant at the time and destroyed. I have taken the scraps that remain, edited out bunches and compiled them into this book. Penumbra Smiles contains excerpts from journals, essays, and contemplative thought over the years that for some reason were retained in my files. The "penumbra" is the shadowy area between light and dark as you might see around the moon. It represents for me the uncertainty of neither being fully knowledgeable, aware and awakened nor completely cut off from some understanding of our experience of life. About the Author Michael Reitz attended John Carroll University where he studied sociology and speech communication, played football and acted in theatre productions. After college, his variety of employment experiences include teaching on the Navajo Nation as well as in inner city, suburban public and private schools, Officer of the U.S. Coast Guard, ADC Caseworker, Hospital Staff Educator, Administrative Officer in local government and other assorted short time employments. He fathered and raised five well-educated and successful children and has travelled to Haiti, India and Indonesia. Penumbra Smiles is his third book.
In its tenth anniversary year, one of Australia's longest running and most critically acclaimed contemporary exhibition series, the Asia Pacific Triennial of Contemporary Art (APT), returns to the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) to inspire and delight audiences with its consistently fresh look at new art from across the region. APT10 showcases new and recent work by more than 100 emerging and established artists, collectives and filmmakers from more than 30 countries, including Kaili Chun (Kanaka Oiwi, Hawai'i); Gordon Hookey (Waanyi people, Australia); Kimiyo Mishima (Japan); Salote Tawale (Fiji/Australia); and Grace Lillian Lee and Uncle Ken Thaiday Snr (Meriam Mir people, Australia). The APT10 publication includes curatorial scholarship and visual documentation of all 69 artists and projects included in the exhibition as well as direct dialogue with artists, accompanied by full-colour images of their works, studios and practices. Contributors including QAGOMA Asian and Pacific art curators Tarun Nagesh, Reuben Keehan and Ruth McDougall, among many more, provide rich interpretative texts on APT10 artists and projects that engages readers with the artworks and artists' communities. This colourful exhibition publication allows readers to discover the creative output of a diverse selection of artists from Asia and the Pacific, as well as new curatorial frameworks and extensive research established over the APT's 30-year history. Texts and images related to the APT10 Kids and APT10 Cinema programs are also included.
Asian American Art: A History, 1850-1970 is a first-ever survey exploring the lives and artistic production of artists of Asian Ancestry active in the United States before 1970, and features ten essays by leading scholars, biographies of more than 150 artists, and more than 400 reproductions of artwork and photographs of artists, together creating compelling narratives of this heretofore forgotten American art history.
Exhibition catalogue published for 'The 8th Asia-Pacific Triennial of Contemporary Art' held at the Queensland Art Gallery Gallery of Modern Art (QAGOMA), 21 November 2015 - 10 April 2016, in association with the Australian Centre of Asia Pacific Art.
A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.
Bringing together scholarly contributions on communications issues across the South Pacific islands, this work aims to create a better understanding of what affects information flow and communication in smaller nations and how these impact on national development, governance and the creation of more cohesive societies.
