During the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. The Silberman Collection is an unusually complete group of images that illustrate the artists' fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life.
Art historian Moira F. Harris analyzes the known Fort Marion drawings attributed to Wo-Haw, Kiowa warrior and artist (1855-1924), in relationship to then contemporary events.. Her work shows how Kiowa Indian painting developed from its traditional beginnings to the preset day.
In 1952 and 1953 as he wandered around America, Jack Kerouac jotted down spontaneous prose poems, or "sketches" as he called them, on small notebooks that he kept in his shirt pockets. The poems recount his travels—New York, North Carolina, Lowell (Massachusetts, Kerouac’s birthplace), San Francisco, Denver, Kansas, Mexico—observations, and meditations on art and life. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. Published for the first time, Book of Sketches offers a luminous, intimate, and transcendental glimpse of one of the most original voices of the twentieth century at a key time in his literary and spiritual development.
Presents the sketchbook made by Kiowa warrior artist Etahdleuh Doanmoe at Fort Marion in 1877, with other drawings and photographs, and essays about the U.S. Army's exile of Arapaho, Comanche, Cheyenne, and Kiowa Native Americans from Oklahoma to Florida and subsequent Westernization and assimilation of the prisoners.
Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents Dodge City ledger-art images and biographies that document a Native perspective at the cusp of reservation life in 1879.
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.
Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.
From 1886 to 1913, hundreds of Chiricahua Apache men, women, and children lived and died as prisoners of war in Florida, Alabama, and Oklahoma. Their names, faces, and lives have long been forgotten by history, and for nearly one hundred years these individuals have been nothing more than statistics in the history of the United States’ tumultuous war against the Chiricahua Apache. Based on extensive archival research, From Fort Marion to Fort Sill offers long-overdue documentation of the lives and fate of many of these people. This outstanding reference work provides individual biographies for hundreds of the Chiricahua Apache prisoners of war, including those originally classified as POWs in 1886, infants who lived only a few days, children removed from families and sent to Indian boarding schools, and second-generation POWs who lived well into the twenty-first century. Their biographies are often poignant and revealing, and more than 60 previously unpublished photographs give a further glimpse of their humanity. This masterful documentary work, based on the unpublished research notes of former Fort Sill historian Gillett Griswold, at last brings to light the lives and experiences of hundreds of Chiricahua Apaches whose story has gone untold for too long.
A Love Story from the Past Brings Closure to Dani’s Fractured Family Walk through Doors to the Past via a series of historical stories of romance and adventure. When Dani Sango’s art forger father passes away, Dani inherits his home. Among his effects is a book of Native American drawings, which leads her to seek the help of museum curator Brad Osgood to decipher the ledger art. Why would her father have this book? Is it just another forgery? Brad Osgood’s four-year-old niece, Brynn, needs a safe home, and Brad longs to provide it. The last thing he needs is more drama, especially from a forger’s daughter. But when the two meet “accidentally” at St. Augustine’s 350-year-old Spanish fort, Castillo de San Marcos, he can’t refuse the intriguing woman. Broken Bow is among seventy-three Plains Indians transported to Florida in 1875 for incarceration at ancient Fort Marion. Sally Jo Harris and Luke Worthing dream of serving God on a foreign mission field, but when the Indians arrive in St. Augustine, God changes their plans. Then when friendship develops between Sally Jo and Broken Bow and false accusations fly, it could cost them their lives. Can Dani discover how Broken Bow and Sally Jo’s story ends and how it impacted her father’s life? Don’t miss other great books in the Doors to the Past series: The Lady in Residence by Allison Pittman Hope Between the Pages by Pepper Basham Bridge of Gold by Kimberley Woodhouse Undercurrent of Secrets by Rachel Scott McDaniel Behind Love’s Wall by Carrie Fancett Pagels High Wire Heartbreak by Anna Schmidt
