A Companion to Australian Art

A Companion to Australian Art

Author: Christopher Allen

Publisher: John Wiley & Sons

Published: 2021-07-06

Total Pages: 560

ISBN-13: 1118767950

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A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.


The Expanding Discourse

The Expanding Discourse

Author: Norma Broude

Publisher: Routledge

Published: 2018-02-23

Total Pages: 787

ISBN-13: 0429972466

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A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.


Women, Work and the Victorian Periodical

Women, Work and the Victorian Periodical

Author: Marianne Van Remoortel

Publisher: Springer

Published: 2015-08-24

Total Pages: 199

ISBN-13: 1137435992

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Covering a wide range of magazine work, including editing, illustration, poetry, needlework instruction and typesetting, this book provides fresh insights into the participation of women in the nineteenth-century magazine industry.


The Colonial Earth

The Colonial Earth

Author: Tim Bonyhady

Publisher: Melbourne Univ. Publishing

Published: 2003-04-01

Total Pages: 452

ISBN-13: 9780522850536

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"Using the work of great Australian painters and poets as an entry point, this cultural study counters the popular myth that early colonial settlers were environmentally irresponsible and offers both aesthetic and historical evidence that suggests nature always figured prominently in the Australian national consciousness. Preserving endangered species, protecting forests, maintaining public land rights, and staving off climate change were at issue in the first environmental law of Australia enacted in 1788. Parlimentary debates, personal observations, and artistic renderings explore the texture and dimensions of early Australian environmentalism."


Women Artists and the Decorative Arts 1880-1935

Women Artists and the Decorative Arts 1880-1935

Author: Janice Helland

Publisher: Routledge

Published: 2019-01-15

Total Pages: 234

ISBN-13: 1351761188

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This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.