The art of the Parthian and Sasanian empires exercised enormous influence on art and culture in the early Islamic period and its legacy has continuing relevance in modern times. Pre-Islamic stylistic developments and motifs were widely adopted in the Islamic period: traditional mosque architecture, for example, draws much from Parthian and Sasanian forms.
The first kings of the Achaemenid Persian empire, Cyrus the Great and Darius,sought to devise for their capital cities new styles in monumental architecture and sculpture to express their imperial status and mastery of the known world. With no local tradition to guide designers, a homogeneous style was created from the example of the many new subjects - Ionian Greeks, Lydians, Mesopotamians, and Egyptians. This book traces these sources and explores the way that traditional Achaemenid motifs, if not styles, also permeated the empire. The Achaemenid Persian experiment was unique in antiquity, and it was successful for as long as the empire lasted. Even after Alexander the Great brought about its downfall, it continued to influence the arts from Greece to India. This is a record of the brilliant flowering of an artificial yet unified construct, unmatched in the art of the Old World.
This second edition to the art, archaeology and history of Ancient Persia, includes new discoveries and ideas and corrects errors from the first edition. This concise introduction to the subject continues to form a guide to the collection of the British Museum whilst also commenting extensively on the Ancient Persian communities from 6000BC to the 7th century AD.
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program. Visit www.luminosoa.org to learn more. What is the role of the material world in shaping the tensions and paradoxes of imperial sovereignty? Scholars have long shed light on the complex processes of conquest, extraction, and colonialism under imperial rule. But imperialism has usually been cast as an exclusively human drama, one in which the world of matter does not play an active role. Lori Khatchadourian argues instead that things—from everyday objects to monumental buildings—profoundly shape social and political life under empire. Out of the archaeology of ancient Persia and the South Caucasus, Imperial Matter advances powerful new analytical approaches to the study of imperialism writ large and should be read by scholars working on empire across the humanities and social sciences.
Interest and fascination in Achaemenid Persia has burgeoned in recent years. It is time for a major new appraisal of the glorious civilization founded by Cyrus the Great and continued by his successors, the Great Kings Darius I, Xerxes and Artaxerxes I. This volume offers precisely that: a sustained and comprehensive overview of the field of Achaemenid studies by leading scholars and experts. It discusses all aspects of Achaemenid history and archaeology between 550 BCE and 330 BCE, and embraces the whole vast territory of the Persian Empire from North Africa to India and from Central Asia to the Persian Gulf. Topics covered in this title include aspects of Achaemenid religion, administration, material culture, ethnicity, gender and the survival of Achaemenid traditions. The publication of the book is an event: it represents a watershed not only in better appreciation and understanding of the rich and complex cultural heritage established by Cyrus, but also of the lasting significance of the Achaemenid kings and the impact that their remarkable civilization has had on wider Persian and Middle Eastern history. First published by I.B.Tauris in association with the Iran Heritage Foundation
A study of the material culture of Egypt during the period of Achaemenid Persian rule, c. 526-404 BCEProvides a clear overview of the archaeological evidence for Achaemenid Egypt, including temples, tombs, irrigation works, statues, stelae, seals and coinsDemonstrates how different types of evidence, both textual and archaeological - including material of uncertain provenance - can be used to address a single historical questionOffers critical discussion of the dating criteria used by archaeologists for Egyptian Late Period materialElucidates strategies used by the Persians to establish and maintain control of EgyptExamines how these strategies may have affected the lives of people living in Egypt during the 27th DynastyCreates a new explanatory model for the introduction of coinage to ancient EgyptPrevious studies have characterised Achaemenid rule of Egypt either as ephemeral and weak or oppressive and harsh. These characterisations, however, are based on the perceived lack of evidence for this period, filtered through ancient and modern preconceptions about the Persians.Henry Colburn challenges these views by assembling and analyzing the archaeological remains from this period, including temples, tombs, irrigation works, statues, stelae, sealings, drinking vessels and coins. By looking at the decisions made about material culture - by Egyptians, Persians and others - it becomes possible to see both how the Persians integrated Egypt into their empire and the full range of experiences people had as a result.
The history of the area now known as Iran, but often still referred to as Persia, spans millennia, boasting a rich and complex artistic and cultural legacy. Populated since prehistoric times--thus making it one of the most animated and lively areas of Islamic civilization--this region was home to the first powerful empire (lead by Cyrus the Great during the Achaemenid dynasty) and influenced the aesthetic grammar of a large portion of central Asia, including Armenia, Georgia, and India. Beginning with ancient Iranian civilizations in 500 BC, through the Islamic period, and on to modern-day Iran, The Art and Architecture of Persia explores the common characteristics and thematic threads running through Persian art. The book presents its readers with archaeological landscapes, monuments, sculptures, carpets, and dazzling ornaments and art objects from this stunning artistic milieu. The text takes as its subject the most fascinating and unusual facets of the Persian artistic experience in all its phases, with a particular focus on post-Hellenic culture, namely late antiquity and the Middle Ages. The Art and Architecture of Persia investigates how the examined regions were incubators of specific artistic developments and identifies how the Iranian passage along the Silk Route acted as a bridge between distant lands for trade and also facilitated the dissemination of religious and material culture. The two authors, Giovanni Curatola and Gianroberto Scarcia, write in an engaging, refreshingly accessible manner, catering to both the specialist and the novice wishing to immerse themselves in this captivating region and its art. Author Scarcia helms the first part of the book, covering the erafrom the Achaemenids to the Sassanids, examining the great architecture from Persepolis onward, while also addressing the powerful metalwork produced by these cultures. The second part, by Curatola, explores the Islamic period, when architectural decoration moved into the forefront with brilliant chromatic effects etched onto massive built works. The same colors bloom throughout the other arts, including carpets and miniature paintings. Dynamic and absorbing, the text and its more than 200 color photos will take readers on a virtual tour of this region and the art it has produced over the millennia.
The Achaemenid Persian Empire, at its greatest territorial extent under Darius I (r.522–486 BCE), held sway over territory stretching from the Indus River Valley to southeastern Europe and from the western Himalayas to northeast Africa. In this book, Matt Waters gives a detailed historical overview of the Achaemenid period while considering the manifold interpretive problems historians face in constructing and understanding its history. This book offers a Persian perspective even when relying on Greek textual sources and archaeological evidence. Waters situates the story of the Achaemenid Persians in the context of their predecessors in the mid-first millennium BCE and through their successors after the Macedonian conquest, constructing a compelling narrative of how the empire retained its vitality for more than two hundred years (c.550–330 BCE) and left a massive imprint on Middle Eastern as well as Greek and European history.
A rich production followed of objects for daily use, ritual, and luxury living, finely carved in various materials or fashioned of clay. Monumental sculpture was made in stone or bronze, and dramatic friezes were composed of brilliantly glazed bricks. Among the discoveries are tiny, intricately carved cylinder seals and splendid jewelry. Clay balls marked with symbols offer fascinating testimony to the very beginnings of writing; clay tablets from later periods bearing inscriptions in cuneiform record political history, literature, business transactions, and mathematical calculations. A very important group of finds from Susa is made up of objects brought back as booty from conquests in Mesopotamia. These works, many of them the royal monuments of Akkadian and Babylonian monarchs - for instance, the great stele of Naram-Sin - are among the best known of all objects from the ancient Near East.
