"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.
There is currently no reader in print that provides a broad ranging overview for an undergraduate course on the sociology of the arts or the sociology of culture. This book remedies this situation as it provides students with an overall understanding of the current issues, theoretical approaches, and substantive contributions in the sociology of the arts. Included are chapters on the aesthetic meaning of art; the social and institutional production of art; the links among audiences, artists, and cultural organizations; tensions between artists and their bureaucratized working settings; the training and careers of artists; relations between art and society; and the dynamics of cultural change. In addition to section introductions, there is a comprehensive introduction to provide students with an understanding of the history of the field, its main theoretical currents, and also to provide them with an appreciation of the contributions to cultural studies by other disciplines, such as anthropology and history. An extensive bibliography is also included in the reader, which was developed to assist students who wish to pursue research topics.
Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential andexciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works,the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, andartist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
How is madness experienced, treated, and represented? How might art think around – and beyond – psychiatric definitions of illness and wellbeing? Madness, Art, and Society engages with artistic practices from theatre and live art to graphic fiction, charting a multiplicity of ways of thinking critically with, rather than about, non-normative psychological experience. It is organised into two parts: ‘Structures: psychiatrists, institutions, treatments’, illuminates the environments, figures and primary models of psychiatric care, reconsidering their history and contemporary manifestations through case studies including David Edgar’s Mary Barnes and Milos Forman’s One Flew Over the Cuckoo’s Nest. ‘Experiences: realities, bodies, moods’, promblematises diagnostic categories and proposes more radically open models of thinking in relation to experiences of madness, touching upon works such as Richard Kelly’s Donnie Darko and Duncan Macmillan’s People, Places, and Things. Reading its case studies as a counter-discourse to orthodox psychiatry, Madness, Art, and Society seeks a more nuanced understanding of the plurality of madness in society, and in so doing, offers an outstanding resource for students and scholars alike.
The Mies van der Rohe-designed museum reopens with a presentation of the highlights of classic modernism between 1900 and 1945 from the Nationalgalerie?s holdings. The paintings and sculptures make for a vivid illustration of various tendencies in the art of the period, with emphases on Expressionism, the Bauhaus, the New Objectivity, and Surrealism. They also document the close ties between art and society in the German Empire, the Weimar Republic, and under National Socialism?from Paula Modersohn-Becker and Edvard Munch to George Grosz and Lotte Laserstein and on to Max Ernst and Salvador Dalí. 0The catalogue provides complete documentation of the works on view in the exhibition. Introductory essays at the beginning of each section are complemented by explanatory notes on selected major works and brief discussions of special aspects.00Exhibition: Neue Nationalgalerie Berlin, Germany (starting August 2021).
The nine lectures and essays collected in this volume represent the most important formulations on art and society that William Morris developed after the joined the socialist Democratic Federation in 1883. In vibrant and compelling prose, they demonstrate that Morris is the true initiator of an extraordinarily creative tradition of radical aesthetics that includes such twentieth-century figures as Georg Lukács, Ernst Bloch, Theodor Adorno, Walter Benjamin, and Raymond Williams.
"A fundamental historical account of the much-cited but little-studied concept of mimesis, and an essential starting point for all future discussions of this crucial critical concept."—Hayden White
Collective Creativity offers an analysis of the explosion of artistic creativity currently taking place on the South Pacific island of Rarotonga. By exploring the construction of this art-world through the ways in which creativity and innovation are linked to social structures and social networks, this book investigates the social aspects of making fine art in order to present a ’collective’ theory of creativity. With a close examination of tourism, galleries and, of course, the artists themselves, Katherine Giuffre presents a detailed picture of a complex and multi-faceted community through the words of the art-world participants themselves. Theoretically sophisticated, yet grounded with rich empirical data, this book will appeal not only to anthropologists with an interest in the South Pacific, but also to scholars concerned with questions of ethnicity, creativity, globalization and network analysis.