Art and Creativity in a New Guinea Society

Art and Creativity in a New Guinea Society

Author: Ross Bowden

Publisher: Rowman & Littlefield

Published: 2022-07-26

Total Pages: 185

ISBN-13: 1793611378

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The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.


Collective Creativity

Collective Creativity

Author: Katherine Giuffre

Publisher: Routledge

Published: 2016-05-23

Total Pages: 183

ISBN-13: 1317164237

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Collective Creativity offers an analysis of the explosion of artistic creativity currently taking place on the South Pacific island of Rarotonga. By exploring the construction of this art-world through the ways in which creativity and innovation are linked to social structures and social networks, this book investigates the social aspects of making fine art in order to present a ’collective’ theory of creativity. With a close examination of tourism, galleries and, of course, the artists themselves, Katherine Giuffre presents a detailed picture of a complex and multi-faceted community through the words of the art-world participants themselves. Theoretically sophisticated, yet grounded with rich empirical data, this book will appeal not only to anthropologists with an interest in the South Pacific, but also to scholars concerned with questions of ethnicity, creativity, globalization and network analysis.


Creative Land

Creative Land

Author: James Leach

Publisher: Berghahn Books

Published: 2004

Total Pages: 262

ISBN-13: 9781571816931

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What is creative in kinship? How are people connected to places? James Leach answers these questions through formulating "creativity" as an integral part of kinship on the north coast of Papua New Guinea. The book contains a new critique of the genealogical model of kinship, suggesting that this model prevents us from grasping the way generative relations, including those to land and place, constitute persons on the Rai Coast. Analytic attention is focused upon the life cycle, marriage, exchange and artistic production as the activities in which substantial connection is generated. The argument, made in relation to detailed ethnography, yields a fresh perspective on the connections people trace to each other.


Community Arts for God's Purposes:

Community Arts for God's Purposes:

Author: Brian Schrag

Publisher: William Carey Publishing

Published: 2020-01-01

Total Pages: 167

ISBN-13: 1645081834

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People communicate by speaking words in over seven thousand languages around the world. They also sing, dance, paint, preach, dramatize, and design communication that enlivens heart, soul, mind, and strength. God gave every community unique gifts of artistic expression to enable its members to proclaim the Truth and to bring healing, hope, and joy to others in the fallen world in which we live. Community Arts for God's Purposes highlights the CLAT (Creating Local Arts Together) method, a seven-step process that inspires artistic creativity and collaboration with local musicians, dancers, storytellers, actors, and visual artists. In this manual, the arts are treated as special kinds of communication systems, connected to specific times, places, and social contexts. As local communities use the creative gifts developed in their particular culture to worship God and extend his kingdom, a beautiful example of the Lord’s complex artistry emerges. This book helps communities draw on examples and insights from over two thousand years of church history to understand and improve the present. It motivates people by painting a vivid picture of a better future: the kingdom of Heaven. Contributors also apply expertise from multiple academic disciplines, such as ethnomusicology, performance studies, anthropology, biblical studies, and missiology. Experiment with this manual. Adapt it to your setting. Let it be an aid in creating astounding bits of artistry on earth that you’ll recognize in Heaven.


Coaxing the Spirits to Dance

Coaxing the Spirits to Dance

Author: Robert Louis Welsch

Publisher: University of Washington Press

Published: 2006

Total Pages: 128

ISBN-13:

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Coaxing the Spirits to Dance explores the relationship between social life and artistic expression since the nineteenth century in one of the most important art-producing regions of Papua New Guinea. It includes a stunning presentation of hand-carved and hand-painted ancestor boards, masks, drums, skull racks, and personal items. Each society on the Papuan Gulf had its own elaborate traditions of carved, painted, or decorated masks, boards, and hand drums that filled the men's longhouses for use in dances and performances. Today these art objects offer a glimpse into the varied cosmologies and ritual lives of these surprisingly diverse societies before they were changed significantly through their contact with the West.


Creation and Creativity in Indigenous Lowland South America

Creation and Creativity in Indigenous Lowland South America

Author: Ernst Halbmayer

Publisher: Berghahn Books

Published: 2023-06-09

Total Pages: 290

ISBN-13: 1805390074

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Investigating local Indigenous processes of creation and creativity, this book uses ethnographic and comparative anthropological perspectives to enquire about creative transformative practices in lowland South America. The volume shows how people create and reinforce their conditions of being by employing different genres of transgression and by creatively shifting contexts of significance. Local socio-cosmic orders, the interrelation of creative genres (myth, verbal art, song, ritual, and handicrafts), and their changing frames of reference (from communal celebrations to wider political and commercial realms) demonstrate the relational, generative, and processual quality of Amerindian creativity.